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  Parallel Movement of the Hands -...

  Anonymous

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  A stunning collection of work from beloved poet John Ashbery, his first posthumous book  
   
  Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, from children’s literature, cliffhanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny to the history of early photography. Ashbery even provides a fresh and humorous take on a well-worn parable from the Gospel of Matthew. These works demonstrate that while producing and publishing the shorter, discrete poems often associated with his late career, Ashbery continued to practice the long-form, project-based writing that has long been an important element of his oeuvre. 
  Edited and introduced by Ashbery’s former assistant poet Emily Skillings and including a preface by acclaimed poet and novelist Ben Lerner, this compelling and varied collection offers new insights into the process and creative interests of a poet whose work continues to influence generations of artists and poets with its signature intertextuality, openness, and simultaneity. A landmark publication of never-before-seen works, this book will enlighten scholars as well as new readers of one of America’s most prominent and celebrated poets. 
  Supplemental enhancement PDF accompanies the audiobook.

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  Nothing and Everything

  Engin Ozertugrul

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  In Nothing and Everything, Dr. Engin Ozertugrul offers a deeply personal exploration of human existence where paradox and transcendence coexist. Known for Interview with OCD, Ozertugrul uses poetry to unpack the intricate relationship between consciousness, emotion, and divinity. Eschewing structured rhyme, he employs repetition, simplicity, and second-person narration to reveal a universal truth: we are all connected and uncertain, and that is where beauty lies.This collection avoids common poetic tropes like romance or singular religious views, focusing instead on raw human experiences—fear, sadness, anger, and hope. Each poem wrestles with the limits of understanding without succumbing to nihilism, guiding readers toward meditative peace born of acceptance and awareness.Inspired by Transcendental Meditation (TM) and thinkers such as Rumi, Spinoza, Jung, Kant, Emerson, and Blake, the poems reflect spiritual insights reinterpreted through a contemporary lens. Ozertugrul credits TM for shaping his understanding of consciousness and personal transformation.“This book is about being human,” he says—embracing challenges, disappointments, fears, anger, and joy. Written with what he calls “a better use of his OCD mind,” the poems use layered repetition to create a spiritual hypnosis.Nothing and Everything will resonate with readers interested in meditation, mindfulness, and nontraditional spirituality, especially those connected to TM and the David Lynch Foundation. Though not self-help, it offers comfort not by providing answers but by giving space to sit with questions.

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  Other People's Lives

  Dermot Bolger

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  Every night during a year spent in lockdown, Dermot Bolger set out on long walks through deserted streets, armed only with a pen and paper. Bolger follows in the footsteps of the great Portuguese poet, Fernando Pessoa, using walks through his native city to allow his imagination free rein to revisit pivotal moments in his own life and speculatively meditate on the lives of others in a series of remarkable poems.
  The book starts with his parents honeymooning in a wartime Wicklow orchard and ends, eight decades later, as the poet dances with his partner in a Wicklow field. In between we encounter Nuala O'Faolain on a bicycle on Brooklyn Bridge; Grace Gifford Plunkett, defiant in her lonely final years; Herbert Simms, Dublin's brilliant, tragically overworked housing architect; and Patricia Lynch, writing The Turf-Cutter's Donkey in one room while her husband wrote communist tracts in the next. Interlaced with such real lives are imagined ones – a hardened criminal detailing prison life in haikus, a doppelganger exploring alternative pasts for the author. Taken together, these poems chart a dazzling constellation of experiences.

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  The Poetry of Edna St Vincent...

  Edna St. Vincent Millay

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  Elinor Morton Hoyt was born on 7th September, 1885 in Somerville, New Jersey and from age 12 grew up in Washington D C where her father served as assistant attorney general and later solicitor general.  Her early education together with her renowned beauty suggests she was being trained for life as a debutante but her life quickly found another route as she became absorbed in the world of books. 
   
  An early marriage following her graduation ended when, after being pursued by Horace Wylie, 17 years her senior and a married Washington lawyer with three children, she eloped to England with him.  His wife would not divorce him and the subsequent scandal was widely publicised further fueled by the suicide in 1912 of her abandoned husband. 
   
  With Wylie's encouragement she published in 1912, ‘Incidental Number’, assembled from poems of the previous decade. 
   
  Despite a child from her first marriage Elinor subsequently endured miscarriages, a stillbirth and a premature child who lived for only one week.  When Wylie’s deserted wife agreed to a divorce, the couple returned to the United States and married but they were already drawing apart. 
   
  In 1921, Elinor’s ‘Nets to Catch the Wind’, was published. It was an immediate success and a prize-winner.  In New York’s literary circles she found her next husband who acted as her agent – the poer William Rose Benét, brother of the famed Stephen. They married in 1923 and that same year ‘Black Armor’, was published. The New York Times said "There is not a misplaced word or cadence in it."  She also published her first of four novels, ‘Jennifer Lom’, to excellent reviews. 
   
  She worked for a time as the poetry editor of Vanity Fair, an editor of Literary Guild, and a contributing editor of The New Republic.  Her third book of poetry, ‘Trivial Breath’ arrived in 1928 as did the failure of her marriage with Benét.  
   
  She moved again to England and fell in love with a friend’s husband, to whom she wrote, and later published a series of 19 sonnets; ‘Angels and Earthly Creatures’. 
   
  Elinor Wylie suffered high blood pressure all her adult life and this eventually led to her death at Benet’s New York apartment on 16th December, 1928 where she suffered a stroke. She was 43. 
   
  1 - The Poetry of Edna St Vincent Millay - An Introduction 
  2 - The Ballad of the Harp-Weaver by Edna St Vincent Millay 
  3 - Dirge Without Music by Edna St Vincent Millay 
  4 - Renascence by Edna St Vincent Millay 
  5 - If Still Your Orchards Bear by Edna St Vincent Millay 
  6 - My Heart Being Hungry by Edna St Vincent Millay 
  7 - First Fig by Edna St Vincent Millay 
  8 - Feast by Edna St Vincent Millay 
  9 - Second Fig by Edna St Vincent Millay 
  10 - No Rose That in a Garden Ever Grew by Edna St Vincent Millay 
  11 - Three Songs of Shattering by Edna St Vincent Millay 
  12 - Rosemary by Edna St Vincent Millay 
  13 - I Too Beneath Your Moon by Edna St Vincent Millay 
  14 - Sonnet XLIII - What Lips My Lips Have Kissed, and Where, and Why by Edna St Vincent Millay 
  15 - Sorrow by Edna St Vincent Millay 
  16 - Departure by Edna St Vincent Millay 
  17 - Travel by Edna St Vincent Millay 
  18 - Journey by Edna St Vincent Millay 
  19 - Mist in the Valley by Edna St Vincent Millay 
  20 - Tavern by Edna St Vinent Millay 
  21 - Exiled by Edna St Vincent Millay 
  22 - A Visit to the Asylum by Edna St Vincent Millay 
  23 - Recuerdo by Edna St Vincent Millay 
  24 - The Philosopher by Edna St Vincent Millay 
  25 - Sonnet XXX -  Love is Not All by Edna St Vincent Millay 
  26 - Sonnet XVIII - I, Being Born a Woman by Edna St Vincent Millay 
  27 - The Betrothal by Edna St Vincent Millay 
  28 - When I Too Long Have Looked Upon Your Fa

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  Come To Tower - Poems with Music...

  Ayse Balkos

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  Finding Freedom in the Face of Grief: A journey of Family and Self-Discovery. Ayse is incredible and she is not even aware of it. 
  Ayse Balkos's first book, Come To Tower, is the poetry collection of a fresh voice of a renegade woman, angry, hopeful, strong, confused, clear and vulnerable. The poems are accompanied by Ash Gray’s beautiful tones of Hummingbird Gibson acoustic guitar, dazzlingly honest, unpretentious and real journey of a soul. 
  A goodbye letter and a fresh new journey. Her voice is elegant, unique and original. This is what a new poetry bursting from raw heart sounds like. 
  Ayse's untamed words and Ash’s melodies will take you on a journey to a different reality. 
  She was born with a sense of void and that void taught her how to listen to her feelings. We are grateful for that sense and pain she had to go through to write these verses. 
  This audio book is an hour long.

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  England's Martyr

  Anonymous

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  Based on true events, England's Martyr is the opening book in a trilogy depicting the rise of the historically existing English hero, Edmund Ironside. 
  1010 AD: After years of inept rule and incessant invasion, England is on the brink of ruin, its people brutalised and its lands ravaged from wave after wave of Norse marauders. 
  As the country cracks under yet another assault – this time from the fearsome hordes of the cruel heathen warlord, Thorkell the Tall – a single nobleman, Ulfcytel, has set himself to raising an army, thinking it better to fight and perhaps prevail rather than wait for his ill-advised king, Ethelred, to make himself useful. 
  Whilst Ulfcytel rallies his forces, he is surprised to find reinforcements arriving from elsewhere, some of them led by Alaric – a heroic and Godly man from the lands of Wessex. Inspired by Alaric’s fortitude, Ulfcytel agrees on a daring plan, thinking he has a chance to eliminate Thorkell and thus cut the head from the heathen horde before battle is joined. 
  Unbeknownst to either Ulfcytel or Alaric, their absent King Ethelred has plans of his own, plans that will leave them at risk of not only their foreign enemies but the blades of traitors from within their own ranks. 
  Before all is lost, the two heroes realise they must confront the corruption beating at the heart of England, and in doing so set the stage for the emergence of a new contender for the throne. A man known to history as Edmund. Edmund Ironside. 
  Caution: This book is set during a particularly traumatic episode in English history that involved extreme military and societal upheaval. The story thus depicts repeated instances of physical conflict/violence, including some which are of a sexual nature. Reader discretion is advised.

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