Otros libros que te pueden interesar

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  Mother Daughter Augur

  Mary Simmons

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  Mary Simmons’s debut is a world unto itself: a dark storybook realm, lush and full of eerie possibility, a place outside of time where women move in different forms and pass on warnings and wisdom. In the spirit of a Victorian naturalist’s collection, this book brings together found elements from nature, folklore, mythology, ballet, and oral tradition, crafting a strange, kaleidoscopic beauty and complicating inherited definitions of femininity. As these poems blur dichotomies—maiden and witch, mother and daughter, friend and lover—they reach for a new vision of womanhood beyond the bounds of roles and expectations, one that is mystical, ethereal, a little dangerous, and inherently queer. In the process, they tap into deep currents of yearning, grapple with corporeality, raise larger questions about love and what lasts, and find meaning in the uncanny and the macabre. In these pages are insects and omens, wolves and birds and weird apparitions, Odile and Ophelia, even a seventeenth-century professional poisoner. Original, atmospheric, and immersive, this is a work like no other: a tour through an enchanted forest, a darkness that’s illuminating.

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  Ave Maria - A dramatic monologue...

  Hart Crane

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  Harold Hart Crane was born on the 21st July 1899 in Garrettsville, Ohio. 
  Crane was drawn to literature at an early age, becoming a voracious reader and pursuing self-education rather than attach himself to a more formal college education, although he did attend East High School in 1913.  His developing love of poetry was nurtured with the works of the English Romantics and the French Symbolists, as well as near contemporary American poets. 
  Much of his youth was spent shuttling between Cleveland and New York as his parents’ marriage descended into continuing conflict before they separated with Crane still in his teens.  Shortly after Crane attempted to enlist in the U S Military but was rejected for being a minor. 
  His first published poem also came in 1917 with ‘C33’ and its reference to the cell number that Oscar Wilde was incarcerated in. 
  Crane now centred more of his time in New York and immersed himself in the vibrant artistic scene of Greenwich Village.  Alongside this he dabbled in various jobs to support himself, including copywriting and work in a munitions factory, as he continued to develop his ambitions for a poetic career.   
  His early work was already being noticed for its lush and rich use of words and by the time ‘White Buildings’ was published in 1926 he was being critically acclaimed. 
  Despite this success his personal life was troubled.  It was both nourishing his work and fuelling complex patterns of despair as he sought to establish his identity.  In a time when homosexuality was openly condemned his openly gay attitude sat uneasily as he pursued relationships that were both intense and emotionally fraught. 
  His acclaimed work ‘The Bridge’ in 1930 was both ambitious and a foundation stone for new American poetry.  Against this his battles with depression and alcoholism were being lost. 
  Hart Crane died on the 27th April 1932 by jumping from the deck of a steamship into the Gulf of Mexico upon his return to the United States from Mexico.  He was 32.

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  The Busybody

  Susanna Centlivre

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  The Busybody is the most popular comedy by the eighteenth-century playwright Susanna Centlivre. The play centres on two couples trying to form a relationship against the wills of their guardians, and in a battle of wits, playing with many conventions from theatre traditions across the continent, a conclusion is eventually reached.
  Like her predecessor Aphra Behn, Centlivre was immensely successful in her day, drawing huge crowds to extended runs of her numerous plays, but the stabbing male pens of the nineteenth and twentieth centuries decried her work as being louche and dangerous, and her name slowly sunk into obscurity.
  This edition, published with William Hazlitt's prefatory note and extra material on Centlivre's life and writing, seeks to highlight the dexterity with which she took on the stage.

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  Rhyme A Dozen A - 12 Poets 12...

  Ambrose Bierce, Ella Wheeler...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Art - An Introduction 
  2 - An Art Critic by Ambrose Bierce 
  3 - Art and Heart by Ella Wheeler Wilcox 
  4 - Colors by Stephen Vincent Benet 
  5 - Jade by Edith Wharton 
  6 - My Last Duchess by Robert Browning 
  7 - On Mr Alcock of Bristol, an Excellent Miniature Painter by Thomas Chatterton 
  8 - On Seeing the Elgin Marbles For the First Time by John Keats 
  9 - Ozymandias by Percy Bysshe Shelley 
  10 - Rome - Building a New Street in the Ancient Quarter, April 1887 by Thomas Hardy 
  11 - Sonnet 13 -  Summer Fruit by Rainer Maria Rilke 
  12 - Written Under a Portrait of Keats by John Boyle O'Reily 
  13 - Portrait d'une Femme by Ezra Pound

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  Paradise Now!

  Margaret Perry

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  'It doesn't happen all the time. That you really connect with someone. It's rare to meet someone like you.'
  Gabriel Dolan's never been up to much. That's what everyone says. Until she meets Alex, a young, ambitious woman who sells essential oils for a multi-level marketing company called Paradise – and overnight, Gabriel is drawn into a bright, new, floral-scented world.
  In Paradise, you're your own boss. In Paradise, you could make a fortune. Embraced by a new community of women just like her, Gabriel rises through the ranks of the company like a shooting star. But when she gets to the top, it doesn't quite feel like she thought it would.
  Margaret Perry's Paradise Now! is a funny and raging play about ambition, exploitation and the search for connection in a fractured world. It was first performed by an all-female cast at the Bush Theatre, London, in December 2022, directed by Jaz Woodcock-Stewart.

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  The P Word - The

  Waleed Akhtar

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  'I'm not in your Britain. I'm in another Britain.'
  Zafar flees homophobic persecution in Pakistan to seek asylum in the UK. Londoner Bilal (or Billy as he prefers to be known) is ground down by years of Grindr and the complexity of being a brown gay man.
  In Soho, at 2 a.m., parallel worlds collide – and Zafar and Billy's lives are about to change forever.
  The P Word is Waleed Akhtar's sharp-witted and devastating play charting the parallel lives of two gay Pakistani men as they negotiate everything from casual hook-ups to the UK's hostile environment.
  A story of who wins in the luck of life's draw, it was premiered at the Bush Theatre, London, in 2022, directed by Anthony Simpson-Pike. It went on to win Outstanding Achievement in Affiliate Theatre at the 2023 Olivier Awards.
  Waleed Akhtar was named Most Promising New Playwright at the 2023 OffWestEnd Awards, for his two plays The P Word and Kabul Goes Pop: Music Television Afghanistan.

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