Outros livros que poderiam interessá-lo

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  Quiet Night Think - Poems & Essays

  Gillian Sze

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  “One function of the poet at any time is to discover by his own thought and feeling what seems to him to be poetry at that time,” writes Wallace Stevens. In Quiet Night Think, award-winning poet Gillian Sze expresses her own definition.
  		 
  During the remarkable period of early parenthood, Sze’s new maternal role urges her to contemplate her own origins, both familial and artistic. Comprised of six personal essays, poems, and a concluding long poem, Quiet Night Think takes its title from a direct translation of an eighth-century Chinese poem by Li Bai, the subject of the opening essay. Sze’s memory of reading Li Bai’s poem as a child marks the beginning of an unshakable encounter with poetry. What follows is an intimate anatomization of her particular entanglement with languages and cultures.
  		 
  In her most generically diverse book yet, Sze moves between poetry and prose, mother and writer, the lyrical and the autobiographical, all the while inviting readers to meditate with her on questions of emergence and transformation: What are you trying to be? Where does a word break off? What calls to us throughout the night?

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  Girl Made of Glass

  Shelby Leigh

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  If you think often about the past or battle with overthinking and self-esteem, girl made of glass is for you. This collection is about finding yourself, forgiving yourself, and loving yourself. It explores the many ways our past haunts us but will leave you feeling hopeful about your future. 
   
   
   
  girl made of glass is a poetry collection about how our past—past mistakes, relationships, and regrets—can linger into our future. Broken into four parts, this book is about finding, forgiving, and loving ourselves. The Nightmares explores our past and the moments that haunt us. The Mirror delves into insecurity and how we might haunt ourselves. The Shattering investigates relationships and how they can break us. The Enchantment delivers an uplifting conclusion of self-love and growth.

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  The Rime of the Ancient Mariner...

  Samuel Taylor Coleridge

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  "The Rime of the Ancient Mariner" by Samuel Taylor Coleridge is a classic narrative poem that follows the harrowing journey of a mariner who faces supernatural occurrences and the consequences of his actions.
  Each poem in this collection showcases Coleridge's mastery of language, imagery, and symbolism, inviting readers on a journey through landscapes both real and imagined. 
  From the eerie enchantment of "Kubla Khan" to the gothic suspense of "Christabel" and the tranquil introspection of "Frost at Midnight," this collection offers a diverse range of poetic experiences. Through themes of nature, imagination, and the human condition, Coleridge's poetry continues to resonate with readers across generations.
  "The Rime of the Ancient Mariner" is a captivating compilation that showcases the timeless beauty and enduring appeal of Coleridge's poetry.

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  The Rubaiyat of Omar Khayyam

  Omar Khayyam, Edward FitzGerald

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  The Rubaiyat of Omar Khayyam is a collection of quatrains (four-line verses) attributed to the 12th-century Persian poet, mathematician, and astronomer, Omar Khayyam. While the original Persian text is complex and open to interpretation, it is the English translation by Edward Fitzgerald that popularized the work in the Western world. 
  Fitzgerald's translation portrays a world view that is often characterized as: 
  Carpe Diem: Seize the day, emphasizing the fleeting nature of life and the importance of enjoying the present moment. 
  Skepticism: Questioning traditional beliefs and religious dogma, particularly in relation to the afterlife. 
  Epicureanism: Focusing on pleasure and the senses as the primary goods in life. 
  Fatalism: Accepting one's fate and the inherent unpredictability of existence.

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  Expressway

  Sina Queyras

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  Shortlisted for the Governor General's Award for Poetry
     
  This poem resembles urban sprawl. This poem resembles the freedom to charge a fee. The fee occurs in the gaps. It is an event. It is not without precedent. It is a moment in which you pay money. It is a tribute to freedom of choice.
     
  Reality is a parking lot in Qatar. Reality is an airstrip in Malawi.
     
  Meanwhile the expressway encloses, the expressway round and around the perimeters like wagon trains circling the bonfire, all of them, guns pointed, Busby Berkeley in the night sky.
     
  Echoing the pastoral and elegiac modes of the Romantic poets, whose reverence for nature never prevented them from addressing it with all the ideas and sensibilities their times allowed, Sina Queyras's stunning collection explores the infrastructures and means of modern mobility. Addressing the human project not so much as something imposed on nature but as an increasingly disturbing activity within it, Expressway exposes the paradox of modern mobility: the more roads and connections we build, the more separate we feel. 'Cleanse the doors of perception,' Blake urged, and with that in mind, Queyras has written a bravely lyrical critique of our ethical and ecological imprint, a legacy easily blamed on corporations and commerce, but one we've allowed, through our tacit acquiescence, to overwhelm us. Every brush stroke, every bolt and nut, every form and curve in our networks of oil and rubber, every thought and its material outcome – each decision can make or unmake us.
     
  'The works in Expressway are all so tightly wound, hyper-distilled and stressed ... This is poetry for the apocalypse.'
     
  —Broken Pencil
     
  'As a poet, Queyras is secretly romantic, writing with lyricism and a voice that's unafraid of sentiment or emotion ... Queyras' words spark like pickaxes on old asphalt.'
     
  — Eye Weekly
     
  'Queyras show[s] what poetry can do when it simultaneously maps roadways of transportation and lines of human thought.'
     
  —Spacing
     
  'Eclectic engagements characterize Queyras’s work, but any suggestion of characterization of her work immediately brings a morphing to something new, intelligent, and provocative ... Sina Queyras is a poet to read and reckon with.'
     
  —Lambda Literary Review

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  Swansdown

  Donald Platt

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  In SWANSDOWN, the poet Donald Platt makes a study of lifeís inevitable transitions, from loveís astonishing evolutions, to aging and its attendant losses. With the poem "Cloud Study" Platt brings his own mortality into view. Returning to a painting by Constable, he considers his own perspective, sitting by the Liffey, tending an injured knee. Young mothers, lovers, and runners pass, reminding the poet of who he once was and how quickly life, like weather, shifts. "Two minutes later, // The clouds would have taken on a different cast of light and shape / just like the thunderheads / now piling up above the Liffey."Platt advises: "To approach old age, one needs a new harsher style." And yet these poems are proof of the softness that may follow life's harshest reckonings, like the wisps of hair on his beloved brother's head as he lies dying, "fine / as milkweed silk. / His head a split / dried pod whose seeds / wind will scatter." The poems of Swansdown point us to a "larger landscape," they are the clouds "that scud across the blue escutcheon of sky. . . Sun's blazon through rain rampant.""One of the finest American poets working today," writes poet and editor Adrian Matejka, "A writer of unparalleled lyric and formal integrity." It is indeed these qualities that gird Platt for this masterful eighth collection.

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