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  The Point of Vanishing - A...

  Howard Axelrod

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  On a clear May afternoon at the end of his junior year at Harvard, Howard Axelrod played a pick-up game of basketball. In a skirmish for a loose ball, a boy's finger hooked behind Axelrod's eyeball and left him permanently blinded in his right eye. A week later, he returned to the same dorm room, but to a different world. A world where nothing looked solid, where the distance between how people saw him and how he saw had widened into a gulf. Desperate for a sense of orientation he could trust, he retreated to a jerry-rigged house in the Vermont woods, where he lived without a computer or television, and largely without human contact, for two years. He needed to find, away from society's pressures and rush, a sense of meaning that couldn't be changed in an instant.

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  Sunny Jim - The Life of...

  Jimmy Breslin

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  An evocative portrait of the Triple Crown–winning racehorse trainer: “sportswriting as good as it could ever possibly be” (New York Daily News).   At seventy-seven, James “Sunny Jim” Fitzsimmons should have been considering retirement. His six-decade career stretched back to 1885, when, as an eleven year-old, he began working as a stable boy. After failing as a jockey, Fitzsimmons—or Mr. Fitz to those in the know—started training horses, eventually winning three Kentucky Derbys, two Triple Crowns, and more than two thousand races. But by 1951, glory seemed to be behind him. His wife’s sudden death took the light from his eyes, and retirement loomed. And then he met Nashua. She was the kind of horse trainers dream of. Big, powerful, with a windpipe that could suck down enough air to keep her running for weeks. Mr. Fitz knew he had a winner. It was only a matter of time before he realized that he had also just met the most remarkable horse of his long, storied career. This ebook features an illustrated biography of Jimmy Breslin including rare photos and never-before-seen documents from the author’s personal collection.

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  John Lennon: Life Times and...

  Phil Strongman

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  This recording has been digitally produced, by DeepZen Limited, using a synthesized version of an audiobook narrator’s voice under license. DeepZen uses Emotive Speech Technology to create digital narrations that offer a similar listening experience to human narration. 
  In 1976 or 1977, “Lennon first started to dream about a stranger who asked for an album to be autographed then returned later, angry and with a loaded gun”. 
  Who really killed John Lennon? 
  John Lennon and his wife Yoko Ono moved to New York in 1971, in part to escape the vitriol of the British press who blamed Ono for the breakup of their beloved Beatles. They had hoped to live quietly in America and raise their son Sean. 
  But, just nine years later and three weeks after the release of his final album, Lennon was shot dead in the archway of his Manhattan apartment building by Mark Chapman. It is impossible to understate the extent of Lennon’s celebrity at that time and the shockwaves his slaying sent around the world. Chapman was swiftly tried and found guilty by the American courts as a lone wolf assassin, a Beatles fanatic with a grudge and a history of psychological problems. But was he? Who financed Chapman’s flight from Hawaii to execute the killing? In this meticulously researched study, British author Phil Strongman digs into Chapman’s background. He discusses the evidence for US agency involvement in the assassinations of JFK, Malcolm X, Martin Luther King and others and draws inescapable parallels with the death of John Lennon, whose political activism and high-profile support for the anti-Vietnam war movement had, by the late 1970s, put him firmly on the radar of the CIA and FBI. 
  Forty years after the FBI and the CIA opened files on the ex Beatle, Strongman questions the facts behind the killing and goes beyond the realm of conspiracy theory, to leave the reader in little doubt as to the part played by covert forces in the assassination of one of the twentieth century’s most charismatic and influential men.

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  Fighting Through to Kohima - A...

  Michael Lowry

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  A decorated British officer’s wrenching and inspiring firsthand account of the worst battle of the Burma campaign.   Lt. Col. Michael Lowry MC MBE, was awarded the Military Cross for his role in the desperate defensive action at Kohima, considered the worst of the campaign in Burma. After joining up in 1939 with the Queen’s Royal Regiment, Lowry was posted to the North West Frontier of India, where he cut his teeth chasing gangs of Pathan bandits for two years. As the Japanese advanced into Burma, Lowry found himself fighting in the Arakan region, where his battalion was cut off by the Japanese for three weeks.   Having survived that, next came the action at Kohima—where in the course of one week Lowry’s battalion lost 173 members. Lowry was seriously wounded in the conflict but fortunately lived to tell the tale. This is a fascinating and inspiring book, one of the most action-packed memoirs of the war in Burma ever published.

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  Inside The Beatles Sphere 2

  Geoffrey Giuliano

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  Take a trip inside the Beatle Sphere, yet again, with the Fab Four in this witty, noisy and quite simply, insane collection of interviews with the Beatles and their top secret inner circle. Travel with the group from concert stage, to hotel, to limo – and back again to the stage in the eye of the swirling hurricane that was Beatlemania circa 1960s! Introduced and hosted by noted Beatles historian and author, Geoffrey Giuliano.

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  Still Pictures - On Photography...

  Janet Malcolm, Ian Frazier, Anne...

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  For decades, Janet Malcolm's books and dispatches for the New Yorker and the New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be.Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida. Malcolm looks beyond the content of the image and the easy seductions of self-recognition, constructing a memoir from memories that pose questions of their own.Still Pictures begins with the image of a morose young girl on a train, leaving Prague for New York at the age of five in 1939. From her fitful early loves, to evenings at the old Metropolitan Opera House, to her fascination with what it might mean to be a "bad girl," Malcolm assembles a composite portrait of a New York childhood, one that never escapes the tug of Europe and the mysteries of fate and family. Later, Still Pictures delves into her marriage to Gardner Botsford, the world of William Shawn's New Yorker, and the libel trial that led Malcolm to become a character in her own drama.

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