Other books that might interest you

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  Are You Judging Me Yet? - Poetry...

  Kim Moore

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  Five 'lyric essays' exploring the dynamics of performing poetry as a female poet – confronting the implications of being a female on public display, with the connotations of sexual objectification, in a context that traditionally disregards the body. Kim states "With the strides and gains made through the #MeToo movement, I believe the time is right for a book like this to make an impact. As a female poet, I know there is a need for such a book to examine the intersection between writing, performing, feminism and sexism. I wish this book had been written when I first started working as a freelance writer and I've had many conversations with other female poets who have also confirmed my thinking – that female poets are navigating these things regularly, and yet nobody is really writing or talking about them."
  The book draws on her experiences of writing and performing the poems in her second collection All the Men I Never Married. It is a balance of memoir, academic treatise and poetry, though the author's emphasis is on writing in a popular way and making the subject accessible to a wide audience. To achieve this her models have been Maggie Nelson's Bluets, Claudia Rankine's Citizen and Sarah Ahmed's Living a Feminist Life. 
  The book's subjects include heckling at poetry readings and other interactions; problems with the 'male gaze' and what the 'female gaze' might look like in poetry; 'guilty for being a man': how guilt can be useful if it can bring about change; how writing poetry about sexism can shed add meaning to the term; the objectification of men and women, and 'bad faith' arguments.
  Are You Judging Me Yet?, by Kim Moore, is a remarkable collection of essays and poetry that explore, as the tagline suggests, everyday sexism. – neverintimate
  '…Moore's work becomes an even more vital tool in the work being done to challenge everyday sexism. Reading her work is not only a window into her own experiences, but may also act as a means of education, and that's something we all need to see more of.' – Wales Arts Review

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  A Rhyme A Dozen ― Kissing - 12...

  Charlotte Dacre, Percy Bysshe...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Kissing - An Introduction 
  2 - Ae Fond Kiss by Robert Burns 
  3 - The Kiss by Charlotte Dacre 
  4 - How By a Kiss He Found By Both His Life and Death by Sir Thomas Wyatt 
  5 - Sonnet 128 - How Oft When Thou My Music, Music Play'st by William Shakespeare 
  6 - That Kiss by Daniel Sheehan 
  7 - The First Kiss of Love by Lord Byron 
  8 - Love's Philosophy by Percy Bysshe Shelley 
  9 - The Kiss by Sara Teasdale 
  10 - The Kiss by Dante Gabriel Rossetti 
  11 - What Lips My Lips Have Kissed, and Where, and Why by Edna St Vincent Millay 
  12 - The Phantom Kiss by Paul Laurence Dunbar 
  13 - The Bedtime Kiss by Anonymous

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  And Yet - Poems

  Kate Baer

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  The second full length poetry collection from the #1 New York Times bestselling author of What Kind of Woman. 
  Kate Baer shot into the literary stratosphere with the publication of her debut poetry collection, What Kind of Woman, which became an instant #1 New York Times bestseller. 
  Kate’s second full-length book of traditional poetry, And Yet, dives deeper into the themes that are the hallmarks of her writing: motherhood, friendship, love, and loss. Taken together, these poems demonstrate the remarkable evolution of a writer working at the height of her craft, pushing herself and her poetry in a beautiful and impressive way. 
  Intimate, evocative, and bold, Kate’s beguiling poetry firmly positions her in the company of Dorianne Laux, Mary Oliver, Maggie Nelson, and other great female poets of our time.

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  The Elk in the Glade - The World...

  Bruce E. Whitacre

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  “Bruce E. Whitacre’s ability to capture this support network and the extraordinary efforts of Jennie Hicks in a manner that reaches beyond the usual literary or arts reader makes her story appealing to a much wider audience” —Diane Donovan, Midwest Book Review 
  “Side by side with the paintings, Whitacre’s book serves as a deeply personal yet relatable account of one woman’s life and turn-of-the-century lifestyle—and clearly demonstrates why this talented painter and pioneer stands as someone to remember.” —BookLife by Publishers Weekly 
  “Bruce E. Whitacre’s collection, The Elk in the Glade, is a lovely and loving celebration of his remarkable great grandmother, Jennie Hicks, life and art, and an inspiring example of how a woman's artistic discipline gave her the courage and insight to transcend the hardships of the Nebraska frontier.” —Ladette Randolph, Editor in Chief, Ploughshares 
  Based on personal memories and family oral history, Whitacre’s debut collection of sixteen poems traces the life and legacy of a family matriarch, his paternal great-grandmother, Jennie Hicks. The daughter of American pioneers, she marries a successful farmer, bearing him three girls, seeing them all married, only to outlive him and the farm. Once again alone and facing hardship, she transforms an almost forgotten hobby, her young girl dream, into a brilliant thirty-year career as a successful landscape painter, the future pride of her hometown, Farnam, Nebraska, and an important figure in American art. Lovers of American history, art, and strong female characters will enjoy these chronicles in verse.

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  Stumbling and other poems

  Laura Quinney

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  Most poets recollect or describe the present. In her third book of poems, Laura Quinney (whose “superbly spare meditations” Harold Bloom compared to the poetry of Paul Celan and Emily Dickinson) does something more uncanny: recalling what it once was like to anticipate the future, she remembers what she thought the past would look like from the present moment, and in so doing deepens the meaning of memory. This is her third book of poetry.

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  The Poetry of Algeron Charles...

  Algernon Charles Swinburne

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  Algernon Charles Swinburne was born on April 5th, 1837, in London, into a wealthy Northumbrian family.  He was educated at Eton and at Balliol College, Oxford, but did not complete a degree.  
  In 1860 Swinburne published two verse dramas but achieved his first literary success in 1865 with Atalanta in Calydon, written in the form of classical Greek tragedy. The following year "Poems and Ballads" brought him instant notoriety. He was now identified with "indecent" themes and the precept of art for art's sake.  
  Although he produced much after this success in general his popularity and critical reputation declined. The most important qualities of Swinburne's work are an intense lyricism, his intricately extended and evocative imagery, metrical virtuosity, rich use of assonance and alliteration, and bold, complex rhythms.  
  Swinburne's physical appearance was small, frail, and plagued by several other oddities of physique and temperament. Throughout the 1860s and 1870s he drank excessively and was prone to accidents that often left him bruised, bloody, or unconscious. Until his forties he suffered intermittent physical collapses that necessitated removal to his parents' home while he recovered.  
  Throughout his career Swinburne also published literary criticism of great worth. His deep knowledge of world literatures contributed to a critical style rich in quotation, allusion, and comparison. He is particularly noted for discerning studies of Elizabethan dramatists and of many English and French poets and novelists. As well he was a noted essayist and wrote two novels. 
  In 1879, Swinburne's friend and literary agent, Theodore Watts-Dunton, intervened during a time when Swinburne was dangerously ill. Watts-Dunton isolated Swinburne at a suburban home in Putney and gradually weaned him from alcohol, former companions and many other habits as well.  
  Much of his poetry in this period may be inferior but some individual poems are exceptional; "By the North Sea," "Evening on the Broads," "A Nympholept," "The Lake of Gaube," and "Neap-Tide."  
  Swinburne lived another thirty years with Watts-Dunton. He denied Swinburne's friends access to him, controlled the poet's money, and restricted his activities. It is often quoted that 'he saved the man but killed the poet'.  
  Swinburne died on April 10th, 1909 at the age of seventy-two. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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