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What if the Classic "Catch Phrase" Character Actor on Saturday Night Live, was actually playing characters that he murdered?
Some people have 14,000 Things to Be Happy About. You’re not one of them. 11,002 Things to Be Miserable About is a list of all the reasons NOT to wake up in the morning. Ironically enough, when you put all of them under one cover, it’s actually very funny. This decidedly absurd inventory of misery is perfect for sardonic and disaffected youth, for people seeking gifts for Traumatic Event Birthdays (like twenty-one, twenty-five, thirty, forty, and, well, anything after forty), and for anyone else with an offbeat sense of humor. Enjoy. Some of the entries are pretty basic, like imitation crabmeat, student loans, and David Hasselhoff, but other entries actually include educational things, like dust mites, which make up one-third of the weight of a six-year-old pillow. See, you can laugh and learn.Show book
The creator of YouTube’s Southern Women Channel shares humorous, lighthearted essays on Southern life.Talk Southern To Me is a love letter to the South, y’all. Essays ’bout charm, beauty and style, chewin’ the fat, love, parenting, and more―full of yes ma’ams and no sirs, casseroles and cheese balls, taffeta and pom-poms…plus more Southern phrases than you can shake a stick at.If you’re not from the South—bless your heart—pay attention cause there’s a ton of wisdom to be found in these heartfelt, humorous ways. Southerners speak their own unique version of the English language, and you’ll come to understand it in these pages. It’s a linguistic art. And it’s gooder than grits, y’all.“I really love…Talk Southern to Me. I know you’ll love it too. It’s fun, informative, and oh-so-Southern.”—Dolly Parton “[Julia Fowler’s] humor and intelligence shine through everything she does, including the pages of this most entertaining book.”—Patricia Altschul, author of The Art of Southern Charm “A hilarious, wise, and winning explanation of the heart and soul of the South written by one of its most beloved—and loveable—daughters.”—Celia Rivenbark, columnist and New York Times–bestselling author of You Don’t Sweat Much for a Fat Girl “Lord have mercy on my soul, did Julia Fowler hit the nail on the head with her hysterical new book. My Mama suddenly came back to life, shaking her finger in my face and reminding me of all that is Southern.”—Del Shores, writer and director of Sordid LivesShow book
Their Mutual Child (aka The Coming of Bill and The White Hope) is full of the loveable characters, preposterous situations, and opportunities to chuckle, if not outright laughs, that we expect from PG Wodehouse. It lacks the frantic slapstick of some Wodehouse comedy, but has a quieter more reflective humour. Kirk, the erstwhile hero, is a typical Wodehousian hero. At the beginning of the story, he is thoroughly likeable, a healthy, but a somewhat weak and malleable fellow. He dabs at beings a painter for a living, and runs with a gang of hangers-on, who sponge off him. However, his life changes dramatically when he meets the charming and lovely Ruth. Ruth is out of Kirk's league socially and financially. She possesses an exceedingly rich father and an excessively dominant and eccentric aunt, Miss Laura Delane Porter. Miss Porter’s claim to fame is her authorship of books and pamphlets aimed at bettering the world through hygiene and eugenics (the highly questionable “science” of race improvement by restricting mating to superior types deemed suited to each other). Against her father’s strong objections, but with Aunt Laura's approval, Ruth marries Kirk and for a while, wedded bliss surrounds them, crowned off by the birth of their son, Bill. Like all babies, Bill is deemed by one and all to be miraculous-unique and amazing. However, all good things must end, as they say. Kirk, embarrassed by his inability to support Ruth in the manner in which she is accustomed, heads off to South America to seek his fortune, where he is quickly and thoroughly ruined. However, in the meantime, Ruth and her brother Bailey inherit their father's wealth. Also in Kirk’s absence, enter, of course, Laura Delane Porter, with her scrupulous ideas of hygiene and her horrors of germs, and the baby’s life becomes a nightmare. When Kirk returns, unsuccessful in his endeavors and outraged at the state of affairs at home, the marriage quickly sours. Can anyone save Ruth and Kirk from themselves and rebuild their happy home? Their Mutual Child aka The Coming of Bill or The White Hope by P. G. Wodehouse, first appeared in “Munsey's Magazine” in May 1914, under the title "The White Hope.” It was published in the U.S. under the title Their Mutual Child in 1919, and in the U.K. with the title, The Coming of Bill in 1920. (Introduction by Susan Claybrook and Tim Bulkeley with information from the Wikipedia entry.)Show book
Maverick author Hunter S. Thompson introduced the world to "gonzo journalism" with this cult classic that shot back up the best-seller lists after Thompson's suicide in 2005. No book ever written has more perfectly captured the spirit of the 1960s counterculture. In Las Vegas to cover a motorcycle race, Raoul Duke (Thompson) and his attorney Dr. Gonzo (inspired by a friend of Thompson) are quickly diverted to search for the American dream. Their quest is fueled by nearly every drug imaginable and quickly becomes a surreal experience that blurs the line between reality and fantasy. But there is more to this hilarious tale than reckless behavior-for underneath the hallucinogenic facade is a stinging criticism of American greed and consumerism.Show book
“Every man desires to live long, but no man wishes to be old.” As a survivor of a shipwreck, Lemuel Gulliver encounters some entirely absurd things – at first, he is in the land of Lilliputians, the tiny men; but later he ventures to the land of the giants. The tale continues to oscillate between the extremes as he meets immensely wise and scientifically aware people before being faced with excessive self-preoccupation and ignorance. Whatever that societal order, Gulliver consistently is a witness to the abuse of power. The satire often overemphasises the contraries in order to accentuate our individual and societal flaws and proneness to being corrupt and biased. In such a distinct way it rebukes human narrow-mindedness and accentuates our subjectivity. The novel’s multivalence has made it a celebrated children’s bedtime read – in particular, the first book – as well as a treasury of satirical metaphors and allusions that expose human and societal flaws in general and those of the English nobility in particular. The novel is an answer to Robinson Crusoe – it mocks Defoe’s protagonist’s too-good-to-be-true human aptness and reason. While some might find Swift’s modus operandi misanthropic, others will see him as a pragmatist who exemplifies how the excesses and polarities are detrimental and yet inescapable. Silly and bizarre, thought-provoking and alarming, this work is meant to be read and re-read as equally a jolly story and a philosophical or political collage of insights. The Legend Classics series:Around the World in Eighty DaysThe Adventures of Huckleberry FinnThe Importance of Being EarnestAlice's Adventures in WonderlandThe MetamorphosisThe Railway ChildrenThe Hound of the BaskervillesFrankensteinWuthering HeightsThree Men in a BoatThe Time MachineLittle WomenAnne of Green GablesThe Jungle BookThe Yellow Wallpaper and Other StoriesDraculaA Study in ScarletLeaves of GrassThe Secret GardenThe War of the WorldsA Christmas CarolStrange Case of Dr Jekyll and Mr HydeHeart of DarknessThe Scarlet LetterThis Side of ParadiseOliver TwistThe Picture of Dorian GrayTreasure IslandThe Turn of the ScrewThe Adventures of Tom SawyerEmmaThe TrialA Selection of Short Stories by Edgar Allan PoeGrimm Fairy TalesThe AwakeningMrs DallowayGulliver’s TravelsThe Castle of OtrantoSilas MarnerHard TimesShow book
"You see! This is how you die." - Coco Chanel "Shoot straight, you bastards! Don't make a mess of it!" - Breaker Morant "If any of you have a message for the devil, give it to me, for I am about to meet him!" - Lavinia Fisher "I am dying. Please… bring me a toothpick. " - Alfred Jarry Funny, reflective, scornful or delirious, we are fascinated by famous last words because, humanity in extremis, they seem to tell us something about ourselves. Featuring lovers, killers, artists, traitors, spies, rulers, poets and pariahs, this thoughtful volume brings together the hedonists and the fatalists, the pragmatists and the optimists in a collection of famous last utterances - and the stories behind them - from throughout history.Show book
