Other books that might interest you

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  One Language

  Anastasia Taylor-Lind

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  One Language is a remarkable debut collection. From the perspective of a female photojournalist, these concise but complex and insightful poems draw on first-hand experience of war to explore how damage is generated and perpetuated. The book's title expresses the contradiction between the lingua franca of photography and the equally universal language of violence. One Language comes to an understanding of personal history and global conflict in poetry that is as immediate and evocative as the most urgent of dispatches.

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  Oni Killer

  Tara A. Devlin

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  All hell is about to break loose. 
  A serial killer has struck the streets of Tokyo. There appears to be no rhyme or reason to the victims; they vary in age, gender, and even location. The only thing tying them all together is the mysterious oni mask left on each of the victim’s faces as the killer’s calling card. 
  Who is this mysterious Oni Killer, and what do they want? Can they stop this horrific murderer before something terrible and ancient is unleashed upon the most populous city in the world? 
  Click the buy now button to find out right now. 
  Reiwa Tanpen is a series of stand-alone Japanese horror, mystery, and thriller novellas and short stories for the new era. Featuring Japanese ghosts, curses, killers, yokai, urban legends, and much more, each story can be read independently of the rest.

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  Tumbling for Amateurs

  Matthew Gwathmey

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  SHORTLISTED FOR THE 2023 FIDDLEHEAD POETRY BOOK PRIZEA reimagining of an instructional text on tumbling supports poems about the amateurishness of being human.  
  Tumbling for Amateurs is a reimagining of James Tayloe Gwathmey’s 1910 book of the same name, published as part of Spalding’s Athletic Library. Bookended with “Propositions” on why tumbling is a skill that everyone should learn and “Extracts from Letters of Support,” each verso poem in this collection pairs with a recto illustration based on drawings from the source text. In the spirit of William Blake’s Songs of Innocence and of Experience, word and image work for each other, creating something more than just an instructional manual.  
  Tumbling is, well, a metaphor for everything. And we all are, well, amateurs. Experimentation abounds in these poems and manipulated pictures. There are anaphoras, list sonnets, erasures, palimpsests and concrete poems, all working from tumbling’s limited vocabulary and central focus of acrobatics and gymnastics. In this experimentation of form and text is a search for the lyric, for an emotional connection when one isn’t always possible, in bodies, in movement, in desire. “We measure our lives by what our bodies can do.”  
  “We have no other way to touch each other. / Really no other way to touch each other. / We seek this particular exercise because / we have no other way to touch each other." Like the tumbling acts from which they spring, Gwathmey's poems are delightfully performative. They leap, loop, and reconfigure familiar forms into fresh and acrobatic new intimacies. Slyly queering his source text — an early 20th century tumbling manual for young men salvaged from the dusty closet of family history — Gwathmey transforms instruction into seduction as he conducts a tender and playful archeology of desire." – Suzanne Buffam, author of A Pillow Book 
  "Matthew Gwathmey’s poems, springboarding from a genre of fitness manual popular in the early twentieth century, tumble us into the present through tests gamily set for body and mind. As ripped as his gymnast protagonists—evoked so fetchingly in the book’s illustrations—Gwathmey writes a poetry eschewing the lyrical in favour of a stripped-down, athletic language that gives shape to 'what must remain / nameless.' There’re so many ways to read ourselves into Tumbling for Amateurs. Go toe to toe with these poems and they’ll tone up your grip on what poetry is."
    – John Barton, author of Lost Family 
  "Gwathmey's poems go together like a troupe, somersaulting through the vocabulary of the way a body moves. They turn the still past into this moving present." – Paul Legault, author of The Tower

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  Deep Wheel Orcadia - Winner of...

  Harry Josephine Giles

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  Please note, this audio edition alternates between sections written and performed in the Orkney dialect, and their English translations. Astrid is returning home from art school on Mars, looking for inspiration. Darling is fleeing a life that never fit, searching for somewhere to hide. They meet on Deep Wheel Orcadia, a distant space station struggling for survival as the pace of change threatens to leave the community behind.Deep Wheel Orcadia is a magical first: a science-fiction verse-novel written in the Orkney dialect. This unique adventure in minority language poetry is followed by a parallel translation into playful and vivid English, so the listener will miss no nuance of the original. The rich and varied cast weaves a compelling, lyric and effortlessly readable story around place and belonging, work and economy, generation and gender politics, love and desire – all with the lightness of touch, fluency and musicality one might expect of one the most talented poets to have emerged from Scotland in recent years. Hailing from Orkney, Harry Josephine Giles is widely known as a fine poet and spellbindingly original performer of their own work; Deep Wheel Orcadia now strikes out into audacious new space.

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  Unexhausted Time

  Emily Berry

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  Unexhausted Time inhabits a world of dream and dawn, in which thoughts touch us 'like soft rain', and all the elements are brought closer in.
  
  Feelings, messages, symbols, visions . . . Emily Berry's latest collection takes shape in the half-light between the real and the imagined, where everything is lost and yet 'nothing goes away'. Here life's innumerable impressions, moods, seasons and déjà vus collect and disarrange themselves, while a glowing, companionable 'I' travels the mind's landscapes in hope of refuge and transformation amid these displaced moments in time. Whether one reads Unexhausted Time as a long poem to step into or a series of titled and untitled fragments to pick up and cherish, the work is healing and inspiring, always asking how we might harness the power of naming without losing life's 'magic unknownness'. By offering these intangible encounters, Emily Berry more truly presents 'what being alive is'.
  
  'Emily Berry has a refreshingly free, not to say incendiary, approach to poetry.' Observer

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  I know something you don't know

  Amy LeBlanc

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  Amy LeBlanc’s debut poetry collection, I know something you don’t know, resides in the intersection of folklore and femininity. With fairy-tale lucidity and fluid voice, the poems in this collection weave through the seams between story and fact. This debut collection is alluring and noxious like hemlock, foxglove, and blooming wildflowers.

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