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  The Neverending Quest for the...

  Sylvie Kandé

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  Sylvie Kandé's neo-epic in three cantos is a double narrative combining today's tales of African migration to Europe on the one hand, with the legend of Abubakar II on the other: Abubakar, emperor of 14th-Century Mali, sailed West toward the new world, never to return. Kandé's language deftly weaves a dialogue between these two narratives and between the epic traditions of the globe. Dazzling in its scope, the poem swings between epic stylization, griot storytelling, and colloquial banter, capturing an astonishing range of human experience. Kandé makes of the migrant a new hero, a future hero whose destiny has not yet taken shape, whose stories are still waiting to be told in their fullness and grandeur: the neverending quest has only just begun. Country folk who made themselves belated marinerstheir bodies cadence themto cleave with the oar's tainted tipthe purple mounds of the great salt savannahwhich no furrow markswhere no seed takes root (But to say the seaearthly words are little suited)At the point of the dreamthey were a myriadno less and no moreto cross the coral barrier in laughter with its vermilion flowers:there remain but three barks adriftfull so full to the point of capsizing

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  Room Swept Home

  Remica Bingham-Risher

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  Room Swept Home serves as a gloriously rendered magnifying glass into all that is held in the line between the private and public, the investigative and generative, the self and those who came before us. In a strange twist of kismet, two of Bingham-Risher's ancestors intersect in Petersburg, Virginia, forty years before she herself is born: her paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child. Marrying meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living?[sample poem]XI. the more ground covered, the more liberated you becameI am scared my mind will turn on me. I am scared I will be naked in a burning house. I am scared my children won't outpace me.I am scared my children (who aren't made by me) believe I am a sad imitation of the others.I am scared I will gather in a roomwhere everyone will ask me to rememberand when I don't lie they'll say I'd hate to be you. I've lived long enough to be scared my kidneys will give out on me. I've lived long enough to know just when they should. I have never shared my fears with anyone; I am scared they will map the land and take liberties. Will the women be ashamed? I'm scared to ask. What will live again? What will die with me?

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  Your Emergency Contact Has...

  Chen Chen

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  What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue? In his highly anticipated second collection, Chen Chen continues his investigation of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings, and the COVID-19 pandemic. Always at work in the wrecked heart of this new collection is a switchboard operator, picking up and connecting calls. Raucous 2 a.m. prank calls. Whispered-in-a-classroom emergency calls. And sometimes, its pages record the dropping of a call, a failure or refusal to pick up. With irrepressible humor and play, these anarchic poems celebrate life, despite all that would crush aliveness. Hybrid in form and set in New England, West Texas, and a landlocked province of China, among other places, Your Emergency Contact Has Experienced an Emergency refuses neat categorizations and pat answers. Instead, the book offers an insatiable curiosity about how it is we keep finding ways to hold onto one another.

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  Hippies and Bolsheviks - and...

  Amiel Gladstone

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  Hippies and Bolsheviks and Other Plays collects three works by Amiel Gladstone, introducing a wide range of fascinating characters and a formidable new voice in Canadian drama.
     
  In The Wedding Pool, three single friends in unsatisfactory jobs decide to place a bet on who will marry first. The friends - waitress and wannabe dancer Sylvia, rock critic Miles and inventory manager Dave - open a joint account to which they each contribute $50 a month, the final sum to be collected by the first to tie the knot. But when Miles starts dating the bank teller who opens their account, the friends realize much more is at stake and are forced to consider their individual fears and failings.
     
  In Lena’s Car, a woman whose marriage has stalled reflects on how it got to that point, harkening back to her youth, when she was just a Young Girl in a Small Town Looking for Trouble. Picking over the memories of her adolescence, she attempts to figure out why she ended up in a disintegrating relationship and just when her life became like everyone else's.
     
  Hippies and Bolsheviks set in 1970s British Columbia, a hotbed of hippie idealism, is a comedy based on the big ideas of the long-haired revolution. Star stumbles home from a Led Zeppelin concert with a draft dodger. A bizarre love triangle develops the next morning as Allan (Green Tree), a defector from the same commune Star fled, shows up on her doorstep. As The Establishment gains more ground, three dropouts struggle to hold on to their ideals.
     
  ‘The Wedding Pool is a particularly smart and entertaining example of the thirtysomething angst genre.’
     
  – The Globe and Mail
     
  ‘If Hippies and Bolsheviks is any indication of the quality of work at this year's play Rites Festival, Calgary theatregoers are in for a phenomenal month.’
     
  – Calgary Sun

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  Burritt's Rapids and Beyond

  Louis Contant, Wilma Brown

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  n BURRITT’S RAPIDS AND BEYOND, “whatever flows, remains.” From Winnipeg, Vancouver, Montreal, and rural Ontario, Louis Contant considers his place in the world. Fireflies, whip-poor-wills, squirrels, dragonflies, waterfalls, and the soulful notes of a sonata drift through these meditations on nature, spirituality, writing, love, family, friendship, and music. Louis’ poems inhabit sorrow and suffering yet are rich with praise, delighting in the comforts and joys of ritual and routine alongside brevity and ephemera. Whether considering the “alpine range” of Auden’s contributions to literature, the solitude of the poet, the “molded contours” of friendship, the possibility of life on other planets, or the cedar cottage sweetness of home, Louis reminds us that “what really matters is happening all the time / without us.” 
  With humour, wit, and humbleness, Louis confronts his own mortality and celebrates human connection in an age of technology and social unrest. Playful rhymes and uncompromising narratives are accompanied by the poet’s feisty resilience and tuneful undercurrents of grace. 
  Published posthumously, and compiled and contextualized by the poet’s wife, Wilma Brown, Burritt’s Rapids and Beyond showcases and pays tribute to the life of one wise and curious man. At its heart, this book asks what it means to truly belong to this world, to live in it with pleasure and reverence, trying not to step on any wildflowers.

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  David Copperfield

  Charles Dickens

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  A childhood marked by hardship. A youth shaped by resilience. A life transformed by love, loss, and unbreakable hope.
  From the moment David Copperfield enters the world, his path is filled with challenges—cruelty at home, betrayal, poverty, and the struggle to find his place in a vast and unforgiving world. Yet through every trial, he grows: meeting unforgettable friends and foes, learning hard truths, and discovering the strength of his own character.
  
  Praised as "the novel Dickens loved most," this epic coming-of-age tale captures the full sweep of human experience with humor, heart, and emotional depth. Readers across generations cherish its vivid characters—Steerforth, Agnes, Uriah Heep, Mr. Micawber—and the hope that even the darkest beginnings can lead to a brighter future.
  
  If you love rich storytelling, powerful emotions, and classics that stay with you for life, this masterpiece is essential reading.
  
  Start David's journey today—and let his triumphs and trials inspire your own.

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