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  Poems Written Abroad - The Lilly...

  Stephen Spender

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  Poems Written Abroad is the first publication of the earliest collection of poetry by the famous poet, novelist, literary critic, translator, and radical, Sir Stephen Spender (1909-1995). Spender wrote and compiled this manuscript in 1927, when he was living in Nantes and Lausanne. In tone and diction, Spender's poems range from creatively traditional to unexpectedly innovative. They reflect his reading in Shakespeare and French poetry, as well as his absorption in music and modern art. They also document his struggles with his sexual identity and his emerging desire to devote his life, at whatever cost, to the writing of poetry. 
  This beautiful facsimile edition, authorized by the Spender estate, faithfully reproduces the features of the original manuscript now held by the Lilly Library, including the frontispiece, an ink drawing by Spender himself, and little-known photographs of the poet. The editor's extensive introduction and detailed explanatory notes situate Spender's juvenilia in the context of his life and work and the history of modern poetry. The volume will appeal to readers with interests in modern poetry, gender studies, and fine books.

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  Short Poetry Collection 092

  Various Various

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  This is a collection of poems recorded by LibriVox volunteers for the month of November 2010.

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  Social Dramas - Literature and...

  David A. Postles

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  How the repeated social tropes and paradigms of the City comedies give us an in-depth look into everyday London society in the early 17th-century. 
   
  Although literature is often assumed to belong to the sphere of representation rather than constituting an accurate reflection of social reality, early-modern English drama can tell us much about social attitudes in the early seventeenth century. The City comedies were, in particular, composed by authors who were embedded in the mundane social existence of London, in its quotidian transactions and exchanges, in its less salubrious contexts of debt, drinking, death and incarceration. To elucidate the complex social attitudes of the City urban elite, five particular themes are explored: the symbolism of attire; matrimonial talk; the use of money (coin) as metaphor and metonymy; “over-exuberance” towards the opportunity of the “New World”; and continuing differences of speech and customary language use.  
   
  Although the dramatists had slightly differing allegiances, their commentaries all illuminate “middling” society in the City of London. 
   
  “This new work by David Postles raises important questions in an innovative manner. It will certainly be welcomed by the historical community.” —Bernard Capp, FBA, Dept of History, University of Warwick 
   
  “David Postles is one of the most innovative social historians writing today.” —Nigel Goose, Professor of Social and Economic History, University of Hertfordshire 
   
  “This book will be significant reading for all those working in the field. It will be warmly received by readers and reviewers, and will remain a work of reference for scholars and students for the future.” —Greg Walker, Regius Professor of Rhetoric and English Literature, University of Edinburgh

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  The Lyme Letters - Poems

  C. R. Grimmer

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  The Lyme Letters is epistolary verse that spells out a memoir. R, a non-binary femme character, narrates their experience of disease and recovery through recurrent letters to doctors, pets, family members, lovers, and a “Master.” R, in letter form and repurposed religious texts, also explores the paradoxical experiences of queer non-reproductivity, chronic illness and disability, and the healing that can be found in the liminal spaces between.

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  Herman Melville - Chapter &...

  Herman Melville

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  Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life. 
   
  An author’s ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure. 
   
  In this series we look at some of our leading classic authors across two genres: the short story and the poem.  In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything.  But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle.  Our authors are masters of many literary forms, perhaps known for one but themselves favouring another. 
   
  Story. Poems. Story.  Within these boundaries come all manner of invention and cast of characters.  And, of course, each author has their own way of revealing their own chapter and verse.    
   
  1 - Chapter & Verse - Herman Melville - An Introduction 
  2 - Bartleby the Scrivener - Part 1 by Herman Melville 
  3 - Bartleby the Scrivener - Part 2 by Herman Melville 
  4 - Billy in the Darbies by Herman Melville 
  5 - The Eagle of the Blue by Herman Melville 
  6 - John Marr and Other Sailors by Herman Melville 
  7 - A Dirge for McPherson by Herman Melville 
  8 - Gettysburg by Herman Melville 
  9 - The March into Virginia by Herman Melville 
  10 - The Released Rebel Prisoner by Herman Melville 
  11 - The Martyr by Herman Melville 
  12 - Monody by Herman Melville 
  13 - Immolated by Herman Melville 
  14 - The Fiddler by Herman Melville

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  Damon Runyon Theater - Palm...

  Damon Runyon

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  The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into a black and white type or, in our case, The Damon Runyon Theatre Hour.

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