Other books that might interest you

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  Verse

  Alexander Herron

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  Vaulted recordings, & monologues.

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  Dracula

  Bram Stoker

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  Dracula is a novel by Bram Stoker, published in 1897. It is an epistolary novel with no single protagonist. The narrative is related through letters, diary entries, and newspaper articles. 
  It was mostly written in the 1890s and drew extensively from Transylvanian folklore and history. Some scholars have suggested that the character of Dracula was inspired by historical figures like the Wallachian prince Vlad the Impaler or the countess Elizabeth Báthory, but there is widespread disagreement. Stoker's notes mention neither figure. He found the name Dracula in Whitby's public library while on holiday, thinking it meant devil in Romanian. 
  Dracula is one of the most famous pieces of English literature. Many of the book's characters have entered popular culture as archetypal versions of their characters; for example, Count Dracula as the quintessential vampire, and Abraham Van Helsing as an iconic vampire hunter. The novel, which is in the public domain, has been adapted for film over 30 times, and its characters have made numerous appearances in virtually all media.

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  The Epic Poems

  William Shakespeare

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  Before the Stage, There Was the Page: Discover Shakespeare the Poet.
  
  While the world knows William Shakespeare for his legendary plays, it was his sweeping narrative poems that first established him as a literary titan in the eyes of the Elizabethan elite. This collection brings together his longer, epic-style works—masterpieces of desire, betrayal, and political ruin that showcase a level of linguistic ornament and psychological intensity rarely seen on the stage.
  
  This collection explores the pillars of Shakespeare's poetic genius:
  
  The Master of Classical Adaptation: Witness the Bard reimagining the myths of ancient Rome and Greece, breathing fresh, visceral life into tales of tragic desire and legendary honor.
  
  The Psychology of the Verse: Experience the internal monologues of characters caught in moments of extreme crisis, rendered with the same complexity found in his greatest dramatic soliloquies.
  
  Formal Perfection: Explore his command of demanding poetic structures, from the flowing "Sesta Rima" to the stately "Rhyme Royal," demonstrating a technical virtuosity that defined the English Renaissance.
  
  Themes of Power and Virtue: Delve into narratives that examine the corruption of authority and the resilience of the human spirit, serving as a poetic mirror to the political tensions of his time.
  
  Shakespeare's epic poems offer a richer, more descriptive immersion into his world than his scripts alone. They are essential for anyone seeking the full breadth of his literary legacy and linguistic beauty.
  
  Experience the Bard's most intimate and ornate creations. Buy "The Epic Poems of William Shakespeare" today and complete your library of the world's greatest writer.

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  Bad Hobby - Poems

  Kathy Fagan

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  From Kingsley Tufts Award finalist Kathy Fagan comes Bad Hobby, a perceptive collection focused on memory, class, and might-have-beens.In a working-class family that considers sensitivity a “fatal diagnosis,” how does a child grow up to be a poet? What happens when a body “meant to bend & breed” opts not to, then finds itself performing the labor of care regardless? Why do we think our “common griefs” so singular? Bad Hobby is a hard-earned meditation on questions like these—a dreamscape speckled with swans, ghosts, and weather updates.Fagan writes with a kind of practical empathy, lamenting pain and brutality while knowing, also, their inevitability. A dementing father, a squirrel limp in the talons of a hawk, a “child who won’t ever get born”: with age, Fagan posits, the impact of ordeals like these changes. Loss becomes instructive. Solitude becomes a shared experience. “You think your one life precious—”And Bad Hobby thinks—hard. About lineage, about caregiving. About time. It paces “inside its head, gazing skyward for a noun or phrase to / shatter the glass of our locked cars & save us.” And it does want to save us, or at least lift us, even in the face of immense bleakness, or loneliness, or the body changing, failing. “Don’t worry, baby,” Fagan tells us, the sparrow at her window. “We’re okay.”

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  The Animal in the Room

  Meghan Kemp-Gee

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  LONGLISTED FOR THE GERALD LAMPERT MEMORIAL AWARD 
  Deer with binoculars, wolves with resumes: bioengineered poetry that unsettles truth, fact, and history. 
  Animals are strange testing grounds for thinking about subjectivity, language, the body — really, anything you might want to write a poem about. Together, these poems are an evolutionary chart or a little bestiary – about deer, wolves, evolution, environmental collapse, and extinction. Each one stands alone as a contained organism, but like real animals, they share some genetic material with each other. Considering PTSD and anxiety disorder as a kind of animal experience, a self-protective mechanism, these poems embody the selves we see reflected in the natural world’s creatures. Deer are a way of putting fear and trauma outside yourself, wolves a way to understand the instincts of predators. 
  "Oh the pleasure of inhabiting the mind of an animal like Meghan Kemp-Gee! Her poetry is curious, restless, uneasy, and imaginative; it is also highly disciplined, unfolds in precisely measured lines. Watch for brilliant uses of repetition — the slipperiness of meaning, its ever-doubling character, is on full display, played out in deft linguistic twists. A deadpan delivery amplifies the oddity of what’s encountered: arsenic-drunk wildcats, chlorinated orchids, the 'one painful spot of blue' in a deer’s eye. I can’t say strongly enough how grateful I am to have read this collection; don’t miss it." – Sue Sinclair, author of Almost Beauty: New and Selected Poems

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  The Orchid Folios

  Mok Zining

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  “When you take an orchid out of its pot, you must first loosen the roots’ hold on the soil. Late last evening as I unravelled the braids of the shattered phalaenopsis, I saw how the ends were white and shrivelled from neglect. You have to do it gently—it’s like combing hair. I remember Mum’s fingers running through mine, and mine through hers, until the final months when all of it started to fall.” 
   
   
  A pot shatters. An arrangement falls apart. A florist finds herself amidst the scattered leaves of history. At once a poetry collection and a documentary novella, The Orchid Folios reimagines the orchid as a living, breathing document of history: a history that enmeshes the personal, colonial, linguistic, and biotechnological with the Vanda Miss Joaquim, the symbol of Singapore’s postcolonial hybridity. While the Orchid has shaped the fantastical narratives that govern our multiracial City in a Garden, it continues to shape-shift and bloom on its own terms, challenging us to imagine a decolonised Singapore. This is the organism at the heart of The Orchid Folios—by turns stark and unruly, documenting and challenging the narratives that are the roots of our national consciousness.

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