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  IULIA FARNESIA - Letters from a...

  Roberta Mezzabarba

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  Giulia Farnese, a woman who traverses time to find, in this novel, her redemption. 
  Her real story is tachat of a woman who goes far beyond the figure of Sponsa Christi as she was known throughout the world. 
  The writer traces the profile of a strong woman who, once free from the trammels of a family that raised her to be obedient, rises from her ashes and the damnatio memoriæ to become the mater and the domina of the feud of Carbognano. 
  With an absorbing prose, and based on an historical plot of true events, the author gives back to La Bella the dignity that historical documentation has always overlooked, preferring to chase after fifth century gossip.

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  The Wild Mandrake - A Memoir

  Jason Jobin

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  Doctors used to tell him he was cured. That was a long time ago. Ever since he first left home at age nineteen, writer Jason Jobin has had cancer. Every five years, like clockwork, it relapses, and yet he always pulls through, surrounded by friends and family but isolated by illness. Chemotherapy, surgeries, radiation—these persist, but they aren't the milestones of his life. They can't be, he won't let them be. 
   
   
   
  From helicoptering into the Yukon backcountry to teaching in an elite writing program, Jason strives to enter adulthood with some normalcy, but his is the life of "a special case." And he does live. He lives working at a deli for minimum wage as his students come down the hill to shop and ask what he's doing there. He lives measuring out nausea pills and benzos while his roommates drink and smoke and party. He lives lying to girlfriends about past diagnoses because what can you say? What do you build on rubble? He lives high and low and in between. Again he is sick, again he is cured. It's miraculous. A great gift. But never enough. 
   
   
   
  Told in short glimpses, this story redefines what it means to survive. Jobin brings together the illuminated moments of loss and joy as he navigates chronic illness and builds from it something new and wildly unexpected.

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  Dancing Under the Red Star - The...

  Karl Tobien

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  Between 1930 and 1932, Henry Ford sent 450 of his Detroit employees plus their families to live in Gorky, Russia, to operate a new manufacturing facility. This is the true story of one of those families—Carl and Elisabeth Werner and their young daughter Margaret—and their terrifying life in Russia under brutal dictator Joseph Stalin. 
   
   
   
  Margaret was seventeen when her father was arrested on trumped-up charges of treason. She and her mother were left to withstand the hardships of life under the oppressive Soviet state, an existence marked by poverty, starvation, and fear. Refusing to comply with the Socialist agenda, Margaret was ultimately sentenced to ten years of hard labor in Stalin's Gulag. Filth, malnutrition, and despair accompanied merciless physical labor. Yet in the midst of inhumane conditions came glimpses of hope and love as Margaret came to realize her dependence upon "the grace, favor, and protection of an unseen God." In all, it would be thirty long years before Margaret returned to kiss the ground of home. Of all the Americans who made this virtually unknown journey—ultimately spending years in Siberian death camps—Margaret Werner was the only woman who lived to tell about it. Written by her son, Karl Tobien, Dancing Under the Red Star is Margaret's unforgettable true story: an inspiring chronicle of faith, defiance, and personal triumph.

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  My Brother's Ashes are in a...

  Michelle Brasier

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  Your future is not guaranteed. And isn’t that fucking freeing? If you found out you had less time to live than the average bear, how might you spend it? 
   
  That’s a question comedian Michelle Brasier has been asking herself since her dad died of cancer, then her brother, and she was told there’s a high chance she’ll get it too. She’s only young (oh my god so young, and such great skin) but she has been through a lot and it’s taught her to live each day like it’s her last – because it just might be. 
    
  From teenage fumblings in the back of a car in Wagga Wagga (teen pregnancy capital of Australia), to performing with Aunty Donna and her own sell-out comedy shows, Michelle invites you into the highs (seeing Jason Momoa drinking a Guinness next a classic car in SoHo) and the lows (getting dumped ¾ of the way through Pirates of the Caribbean). 
    
  It’s an examination of the tiny things and the big things – how much it hurts to be a woman and a person, and how funny it is to try and get into shapewear and how funerals are silly. It’s self help for those of us who hate self help. A bit of a laugh and a bit of a cry. Balance. Yoga in the morning, whisky in the evening. 
    
  Heartbreaking and hilarious, My Brother’s Ashes are in a Sandwich Bag moves between grief and joy, reminding us that life’s too short to be taken seriously. 
   
  ‘Michelle Brasier can write. This book is painful. gut wrenching and incredibly funny. Her writing is insatiable. Loved this book.’ – Tanya Hennessy, author of Am I Doing This Right?

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  Raising Ryland - Our Story of...

  Anonym

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  This powerful, moving story—which has already touched more than seven million through a viral video created by the Whittington family—is a mother’s first-hand account of her emotional choice to embrace her transgender child. 
  When Hillary and Jeff Whittington posted a YouTube video chronicling their five-year-old son Ryland’s transition from girl to boy, they didn’t expect it to be greeted with such fervor. Beautiful and moving, the video documenting Hillary’s and Jeff’s love for their child instantly went viral and has been seen by more than seven million viewers since its posting in May 2014. 
  Now for the first time, they tell their story in full, offering an emotional and moving account of their journey alongside their exceptional child. After they discovered their daughter Ryland was deaf at age one and needed cochlear implants, the Whittingtons spent nearly four years successfully teaching Ryland to speak. But once Ryland gained the power of speech, it was time for them to listen as Ryland insisted, “I am a boy!” And listen they did. After learning that forty-one percent of people who identify as transgender attempt to take their own lives, Hillary and her husband Jeff made it their mission to support their child—no matter what. 
  From the earliest stages of deciphering Ryland through clothing choices to examining the difficult conversations that have marked every stage of Ryland’s transition, Hillary Whittington shares her experiences as a mother through it all, demonstrating both the resistance and support that their family has encountered as they try to erase the stigma surrounding the word “transgender.” In telling her family’s story, she hopes she can assist the world in accepting that even children as young as five, can have profound and impactful things to say and share. What emerges is a powerful story of unconditional love, accepting others for who they are, and doing what’s right, regardless of whether those around you understand it.    

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  Planes Flying over a Monster -...

  Daniel Saldaña París

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  From one of Mexico's most exciting young writers, a cosmopolitan and candid essay collection exploring life in cities across the world and reflecting on the transformative importance of literature in understanding ourselves 
   
   
   
  In ten intimate essays, Daniel Saldaña París explores the cities he has lived in, each one home to a new iteration of himself. In Mexico City he's a young poet eager to prove himself. In Montreal—an opioid addict desperate for relief. In Madrid—a lonely student seeking pleasure in grotesque extremes. These now diverging, now coalescing selves raise questions: Where can we find authenticity? How do we construct the stories that define us? What if our formative memories are closer to fiction than truth? 
   
   
   
  Saldaña París turns to literature and film, poetry and philosophy for answers. The result is a hybrid of memoir and criticism, "a sensory work, full of soundscapes, filth, planes, closed spaces, open vastness" (El País).

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