Publisher: Librorium Editions
Pyrrhus, King of Epirus, entered at the very beginning of his life upon the extraordinary series of romantic adventures which so strikingly marked his career. He became an exile and a fugitive from his father’s house when he was only two years old, having been suddenly borne away at that period by the attendants of the household, to avoid a most imminent personal danger that threatened him.
'I'm okay!' The bestselling author of The Anti-Cool Girl returns with a devastating, heartbreaking, brilliant, brave and laugh-out-loud funny memoir of telling lies and being on the brink... 'I had made it! All my dreams had come true. I had an operating fridge, I was doing brilliantly, and I had written the memoir to prove it. I even had online haters. I had conquered life at 30 and nothing was ever going to go wrong again!' It was all going so well for Rosie Waterland. Until it wasn't. Until, shockingly, something awful happened and Rosie went into agonising free fall. Until late one evening she found herself in a hospital emergency bed, trembling and hooked to a drip. Over the course of that long, painful night, she kept thinking about how ironic it was, that right in the middle of writing a book about lies, she'd ended up telling the most significant lie of all.A raw, beautiful, sad, shocking - and very, very funny - memoir of all the lies we tell others and the lies we tell ourselves. Praise for The Anti-Cool Girl: 'Hilarious, wise, gutsy, clear-eyed, devastating and uplifting. It's a marvel.' Richard Glover 'Waterland's writing is ... individual, wounded, brilliant and hilarious' Sydney Morning Herald 'If Augusten Burroughs and Lena Dunham abandoned their child in an Australian housing estate, she'd write this heartbreaking, hilarious book.' Dominic Knight, The Chaser The Anti-Cool Girl was shortlisted for the 2016 Indie Book Awards and for the 2016 ABIA Awards for Biography of the Year, and in addition was the Winner of the 2016 ABIA Awards People's Choice for the Matt Richell Award for New Writer of the YearShow book
Female Serial Killers Through Time The fair sex. We've often heard this clichéd expression being used to refer to women. Although it has become increasingly outdated, the mindset still exists that women are the gentle and nurturing sex. When it comes to murder, that notion gets turned on its head. And this isn't a recent phenomenon; we can find plenty of female killers going back in history. In fact, some of the world's most notorious serial killers have been women. These female killers give their male counterparts a run for their money and deserve to be counted among the most famous serial killers. Unearth the disturbing histories of notorious women. From the chilling accounts of infamous black widow murders to the spine-tingling narratives of women who shocked the world with their sinister deeds, this anthology delves deep into the minds of these deadly women. Spanning eras and continents, these tales of true crime offer a chilling exploration of the darkest corners of human nature. If you liked books such as Lady Killers, The Big Book of Serial Killers, or The Best New True Crime Stories, you'll love Women Who Murder.Show book
Alexander Kuprin was born in Narovchat, Penza in Russia on 7th September 1870. At 3 his Father died and he and mother moved to Moscow. By 10 he was enrolled at the Second Moscow Military High School and there his interest in literature began. The Alexander Military Academy followed and two years later he was a sub-lieutenant and posted to an Infantry Regiment for a further four years. Despite his duties he was a now a keen writer and published his first short story at this time. His military duties also garnered him experiences for his breakthrough work ‘The Duel’. Leaving the military he left for Kiev to work for local newspapers. He continued to publish both stories and novels and by 1901 he was in St Petersburg becoming part of a group that included Chekhov, Ivan Bunin, Maxim Gorky and Leonid Andreyev. In the years that followed further controversial works and acclaim followed. His comments on the regime meant he was also put under secret police surveillance. As World War I erupted, Kuprin opened a military hospital but was then given command of an infantry company in Finland. He was soon discharged on grounds of ill health. The October Revolution saw him praise Lenin, but he warned that the Bolsheviks threatened Russian culture and might cause further widespread suffering to the peasants. As Civil War raged he took his family to Helsinki and then on to Paris. Exile saw his talents decline further and his succumbing to alcoholism. He became lonely and withdrawn. The family's poverty increased his malaise. In May 1937, the Kuprin’s returned to Moscow. He now saw his work published but wrote almost nothing new. In 1938 his health rapidly deteriorated. Already suffering from a kidney problems and sclerosis, he had now developed cancer of the oesophagus. Alexander Kuprin died on 25th August 1938.Show book
The bookshelves of World literature are incredible collections that have gathered together centuries of very talented authors. From their countries and continents their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is Olive Schreiner.Show book
The bookshelves of British literature are incredible collections that have gathered together centuries of very talented authors. From these Isles their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is Dora Sigerson Shorter.Show book
How do we reckon with our losses? In Animal Bodies Suzanne Roberts explores the link between death and desire and what it means to accept our own animal natures, the parts we most often hide, deny, or consider only with shame—our taboo desires and our grief. In landscapes as diverse as the Salamanca’s cobbled streets, the Mekong River’s floating markets, Fire Island’s windswept beaches, Nashville’s honky-tonks, and the Sierra Nevada’s snowy slopes, Roberts interrogates her memory and tries to make sense of her own private losses (deaths of people and relationships), as well as more public losses, including a mass shooting in her hometown, environmental devastation in the Amazon rainforest, and wildfire evacuations. With lyricism, insight, honesty, and dark humor, these essays illuminate the sometimes terrible beauty of what it means to be human, deepening the conversation on death and grief, sexuality, and the shame that comes from surviving the world in a female body with all of its complexities. Please note: This collection features writing on sensitive topics for some listeners, including but not limited to abortion, sexual assault, and death resulting from various causes.Show book
