Publisher: The Emma Press
The voices of humans and animals, living and dead, clamour for the reader's attention in Meat Songs. Headlice roam their strange habitat, a severed pig's head questions an undergraduate's choices, and packaged meat products are ignoring the future.
This collection of poems is engaging, amusing and sometimes downright hilarious. An occasional dip into nonsense provides a wonderful distraction from everyday worries! I wrote this book So you could look To see what I had written, And that in a while You would smile And with its characters you’d be smitten.Show book
LibriVox volunteers bring you nine different recordings of When We Two Parted, by George Gordon, Lord Byron. This was the weekly poetry project for the week of November 26th, 2006.Show book
Tapping At Glass charts girlhood, multilingualism, and psychogeography from Hong Kong to Scotland. Myths, meditations on the arts and mass media, and migration stories entwine. Through protest-stricken urban spaces, love hotels, farming as activism, frog watching, alternative therapies, and seascapes where racial and social memories flow in all directions, the working class subjects in Cheng's poems reflect on what it means to exist in one locale and dream of elsewhere, where the past and future, interconnectedness and othering, are in perpetual negotiation. Tapping into various moods, Cheng's poems question the making of a self and a city, and the languages one uses to translate microhistories. Tapping At Glass is Tim Tim's debut pamphlet collection. "Tim Tim Cheng is a wonderful new voice in the poetry landscape. Playful, serious, complicating any attempt to pin her down – even in the short span of a pamphlet she dances through images and ideas. Already so accomplished, she is definitely a poet who is going places." – Niall CampbellShow book
The audiobook her devoted listeners have been waiting for. At last, New York Times betselling author Kathleen Norris's first continuous narrative . . .a story of sex, drugs, and poetry.After spending her high school years in Hawaii, Kathleen Norris was woefully unprepared for Bennington College in the 1960s, with its culture of drugs, sex, and bohemianism. But it was also at Bennington that she discovered her great love of poetry, which carried her to New York City at a time when a new generation of poets was emerging and shaking up the establishment.Working at the Academy of American Poets for her beloved mentor, Elizabeth Kray, and hanging out at clubs with Andy Warhol's crowd at night, Norris found herself immersed in an exciting and emotionally turbulent new world. Her memoir of that time—of her friendships and encounters with poets, including Jim Carroll, Denise Levertov, Gerard Malanga, Erica Jong, James Merrill, Stanley Kunitz, and James Wright—is an inspiring tribute to poetry and a stunning evocation of time and place. Her tenuous balancing act on the bridge between naïve experimentation and indirection and the more focused responsibilities of adulthood, makes for a dramatic and illuminating account of coming-of-age at a tumultuous moment in our history."Through three bestselling books published over the past six years, Kathleen Norris has captured [readers'] hearts and fed their souls." —Common BoundaryShow book
In three short months, Oscar Wilde, the most celebrated playwright and wit of Victorian England, was toppled from the apex of British society into humiliation and ruin. Drawing from trial documents, newspaper accounts, and writings of the key players, Moisés Kaufman ignites an incendiary mix of sex and censorship, with a cast of characters ranging from George Bernard Shaw to Queen Victoria herself.An L.A. Theatre Works full-cast performance featuring JB Blanc, Dakin Matthews, Ian Ogilvy, Peter Paige, Julian Sands, Simon Templeman, John Vickery, Douglas Weston and Matthew Wolf.Show book
Cat on a Hot Tin Roof first heated up Broadway in 1955 with its gothic American story of brothers vying for their dying father's inheritance amid a whirlwind of sxuality, untethered in the person of Maggie the Cat. The play also daringly showcased the burden of sxuality repressed in the agony of her husband, Brick Pollitt. In spite of the public controversy Cat stirred up, it was awarded the Pulitzer Prize and the Drama Critics Circle Award for that year. Williams, as he so often did with his plays, rewrote Cat on a Hot Tin Roof for many years?the present version was originally produced at the American Shakespeare Festival in 1974 with all the changes that made Williams finally declare the text to be definitive, and was most recently produced on Broadway in the 2003-04 season. This definitive edition also includes Williams' essay "Person-to-Person," Williams' notes on the various endings, and a short chronology of the author's life. One of America's greatest living playwrights, as well as a friend and colleague of Williams, Edward Albee has written a concise introduction to the play from a playwright's perspective, examining the candor, sensuality, power, and impact of Cat on a Hot Tin Roof then and now.Show book
