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  Stumbling and other poems

  Laura Quinney

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  Most poets recollect or describe the present. In her third book of poems, Laura Quinney (whose “superbly spare meditations” Harold Bloom compared to the poetry of Paul Celan and Emily Dickinson) does something more uncanny: recalling what it once was like to anticipate the future, she remembers what she thought the past would look like from the present moment, and in so doing deepens the meaning of memory. This is her third book of poetry.

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  The Poetry of Sarojini Naidu -...

  Sarojini Naidu

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  Sarojini Chattopadhyay was born into a Bengali family in Hyderabad, India on 13th February 1879, the eldest of the eight siblings. The family was well-respected in Hyderabad and were established artists. 
   
  Naidu passed her matriculation examination at the University of Madras and took a four-year break from her studies.  
   
  In 1895, H.E.H. the Nizam's Charitable Trust founded by the 6th Nizam, Mahbub Ali Khan, gave her the chance to study in England, first at King's College, London and later at Girton College, Cambridge.  
   
  Even in these early times she was a social activist.  It was whilst in England that she worked as a suffragist and was first drawn to the Indian National Congress' Hindu movement for India's independence from British Colonial rule.  
   
  She began writing at the age of twelve. Her play, ‘Maher Muneer’, written in Persian, impressed the Nawab of Hyderabad. It was an auspicious start. 
   
  Sarojini met Paidipati Govindarajulu Naidu, a physician, and after finishing her studies at age 19 married him. The couple would have five children.  Interestingly their families approved their marriage even though they were from different castes and society was not as tolerant as it might be today.  Additionally, Sarojini was from Bengal and Naidu from Andhra Pradesh and marriages between those from the north and south were frowned upon.  Happily, they overcame these problems and both marriage and careers thrived. 
   
  In 1905, her first collection of poems, ‘The Golden Threshold’ was published. 
   
  Naidu became a part of the Indian nationalist movement and was a follower of Mahatma Gandhi and his idea of swaraj (this was an India without its colonial administration systems).  Despite her growing political career she still found time to write and published several further volumes of poetry. Such was her eloquence that she became known as the ‘Nightingale of India’. 
  Sarojini was appointed the President of the Indian National Congress in 1925 and was a major influence and figure in the Independence movement.  
   
  Along with several other Congress leaders including Gandhi and Jawaharlal Nehru she was arrested for taking part in the 1930 Salt March.  Indeed Sarojini faced frequent arrest by the British Authorities and spent, in total, many months in prison. 
   
  Following India's independence from British rule in 1947, Sarojini was appointed as the governor of the present-day Uttar Pradesh in so doing she became India's first female governor. 
   
  Returning from work in New Delhi on 15th February, 1949 she was advised to rest by her doctors, and her official engagements were cancelled.  Her health deteriorated rapidly and on 1st March bloodletting was performed after she complained of severe headache.  
   
  Sarojini Naidu died of a cardiac arrest on 2nd March 1949.  She was 70.

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  A Leaf on the Wind - A...

  Brett C. Persson

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  Explore an illuminating collection of Tanka poetry that echoes from the depths of uncertainty, darkness, and beauty. 
  Beautifully communicating timeless themes through the form of classic Japanese Tankas, this thought-provoking poetry collection pushes against the border of love and loss, painting a vivid picture with flowing prose and imagery that leaves a lasting impression in the minds of all who read it. Embodying the reflections of poet and author Brett C. Persson, A Leaf on the Wind wades through the tumultuous depths of uncertainty and pain, offering a source of comfort and peace as it plays over stories of hope, nature, and light. 
  With the distinctive syllables and layout that have made Tankas such a popular and beloved form of poetry, A Leaf on the Wind explores the familiar and the profound, expressing deep thoughts and wisdom through a new artistic medium. Channeling creativity to provide readers of all backgrounds with a refreshing poetry collection, this book gifts those familiar with poetry a new outlet, and gives newcomers a memorable introduction to Tankas. 
  Perfect for any poetry fan seeking a new collection to leaf through, this poignant book speaks to your heart and soul, making it perfect for the creative, the visionary, the dreamer, and anybody who seeks knowledge and wisdom in art. A Leaf on the Wind is the culmination of the author's lifelong journey, and it will resonate with anyone who has struggled with addiction, grief, pain, or hardship in their life.

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  The Stuttering Magician

  Jay MacNamee

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  Tired of life in a noisy city, a group of magicians gathers together and POOF! -- they create their very own town. Being rather self-centered, they elect themselves to various positions in the town. When the voting is over, every magician has been elected to office; everyone, that is, except young Abracadabra Bartholomew Brown. Why not Bartholomew? Because he stutters, which causes some people to tease him and think less of him. As a result, Bartholomew is terribly shy and afraid to speak up. When the town's first birthday arrives, people realize that the town was never named when it was made. And since everyone else in town already holds office, the role of Namer of Towns falls to young Mr. Brown, despite the objections of one mean old magician. Now Bartholomew must think up a name and say it out loud to the assembled crowd, a task that fills him with dread. Will he come up with a name that pleases his fellow magicians? Will he be able to say it out loud? How will folks respond? Using cleverly rhymed couplets, The Stuttering Magician tells a humorous, heartfelt, and ultimately uplifting story that not only helps build self-esteem in young people people who stutter, but encourages greater empathy towards and understanding of the affliction among their peers and adults alike. Proceeds from the sale of this audiobook benefit the National Stuttering Association.

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  George Bernard Shaw: MRS...

  George Bernard Shaw

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  .Mrs. Warren's Profession is a play written by George Bernard Shaw in 1893, and first performed in London in 1902 but was banned after two performances because of the profession talked about. The play is about a former prostitute, now a madam (brothel proprietor), who attempts to come to terms with her disapproving daughter. It illustrates Shaw's belief that the act of prostitution was not caused by moral failure but by economic necessity. It also has a lot to say about the hypocrisy of English society that profited from many despised and illegal professions and used people in despicable ways but pretended to look down on them. This was probably why it was banned, not because of the 'profession' of Mrs. Warren, but because it exposed very highly placed people doing nasty things to make money

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  Why I Am Not a Bus Driver

  Ashley Hickson-Lovence

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  Why I Am Not a Bus Driver is a moving and musical debut collection exploring grief, love and the power of community, from the author of The 392, Your Show and Wild East. The heart of this book beats in sync with that of the poet's late grandfather, as, sonnet after unconventional sonnet, Hickson-Lovence uncovers the micro-histories woven into the streets and journeys that shape us. These poems speak with Frank O'Hara, in their stream-of-consciousness lyricism, in meditations that dance like winding roads, both immediate and nostalgic. Committed to honouring the authentic and everyday, the real and true, human connection is the destination in this stirring collection, and every reader has a priority seat.
  "Among the most natural, elegant sonnet sequences I've read: a memorial, moving in its radical honesty and grace. What both broke and strengthened my heart about this collection is the sheer humanity and authentic curiosity that make a life feel meaningful, transfiguring both the extraordinary and the everyday with dignity, love and imagination. Just gorgeous." Luke Kennard
  "A moving collection attuned to the knowledge that poetry of the family is both plain and complex, that the dead sometimes require elegy and sometimes celebration; and all of this held within the strength and uncertainty that is the human-made body of the poem." Andrew McMillan
  "A heartfelt elegy to a grandfather, skilfully weaving themes of legacy, promises, influences and dreams. While the grandfather takes centre stage, England itself emerges as a powerful backdrop to the story. Hickson-Lovence's unified themes lend the book the feel of a novel-in-verse, yet each poem resonates with its own emotional strength. An endearing and enlightening read—don't miss it." Roger Robinson
  "Ashley Hickson-Lovence's debut collection offers an intricate reminiscence, an insight into fierce familial bonds and how they shape a life indefinitely. These poems pulse with longing, vulnerability and doubt, highlighting the human need for connection, the resilience that grows from loss, the certainty that comes when the love unfolds." Rebecca Goss

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