Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
iStripper: Audalove - cover

iStripper: Audalove

iStripper

Publisher: Dollhouse Publications LLC

  • 0
  • 4
  • 0

Summary

This xxx picture book is designed for anyone who is a fan of beautiful women and photography! iStripper features only the sexiest and most sophisticated nude models in the industry. iStripper is an indispensable (PICTURE ONLY) eBook for lovers of feminine beauty and the beautiful art of photography. You will come across beautiful, famous women and sculptress bodies. The sexiest models photographed without any garment and in a dazzling way. You will be sure to enjoy the best works of art, more beautiful than any painting ever painted. Pictures of stunning beauty, images that can be seen and reviewed a lot of times, and yet it is impossible to stop admiring them. This xxx iStripper eBook is only one volume of many so be sure to collect them all.

FREE BONUS LINK TO EXCLUSIVE PICTURES AND VIDEOS FOR COSTOMERS AT THE END OF THE EBOOK!
Available since: 06/12/2021.

Other books that might interest you

  • Ernst Ludwig Kirchner and artworks - cover

    Ernst Ludwig Kirchner and artworks

    Klaus Carl

    • 0
    • 0
    • 0
    The self-appointed “leader” of the artists’ group Die Brücke (Bridge), founded in Dresden in 1905, Ernst Ludwig Kirchner was a key figure in the early development of German Expressionism. His first works show the influence of Impressionism, Post-impressionism and Jugendstil, but by about 1909, Kirchner was painting in a distinctive, expressive manner with bold, loose brushwork, vibrant and non-naturalistic colours and heightened gestures. He worked in the studio from sketches made very rapidly from life, often from moving figures, from scenes of life out in the city or from the Die Brücke group’s trips to the countryside. A little later he began making roughly-hewn sculptures from single blocks of wood. Around the time of his move to Berlin, in 1912, Kirchner’s style in both painting and his prolific graphic works became more angular, characterized by jagged lines, slender, attenuated forms and often, a greater sense of nervousness. These features can be seen to most powerful effect in his Berlin street scenes. With the outbreak of the First World War, Kirchner became physically weak and prone to anxiety. Conscripted, he was deeply traumatised by his brief experience of military training during the First World War. From 1917 until his death by suicide in 1938, he lived a reclusive, though artistically productive life in the tranquillity of the Swiss Alps, near Davos.
    Show book
  • Emmett Miller: An Obscure Minstrel Yodeler Who Changed Music Forever - cover

    Emmett Miller: An Obscure...

    Jack Norton

    • 0
    • 0
    • 0
    One of the strangest, most obscure, and intriguing stories from the last century of American music is that of Emmett Miller. He helped define the popular music of the last 75 years, and for the most part, today he is all but forgotten. Emmett Miller left many legacies which influenced the American musical landscape for generations. Certainly his singing style - the odd nasal pitch tone, along with the breaking of lines and bars in a song to a high yodel-like yelp - has been imitated by scores of singers since Miller first waxed his signature style to record in 1924. Jimmie Rodgers, Gene Autry, Lefty Fritzell, the Rhythm Wreckers, Bob Wills, Woody Guthrie, Howlin' Wolf, Leon Redbone and Bob Dylan all have been influenced by Miller's one-of-a-kind vocal abilities. Of equal importance was Miller's visionary fusion of blues and jazz, country and swing, black and white, comedy and crooning. 
    Whether he knew what he was doing at the time or not, Miller almost single-handedly tore down the strict boundaries of musical ideas of the era. Here was a young, white, Christian man from the south, singing hot-jazz and black music in the north. Performing as a blackface with some of the most influential jazz musicians of all time (Jimmy and Tommy Dorsey, Gene Krupa, Eddie Lang, Jack Teagarden, and more). He created an entirely new style of country: pop. Country which swung. Country that was equally parts white and black, urban and rural. Country that was slurred through whiskey, girls, the road, and came out as the earliest forms of beatnik jive. Listening to Miller's music today, one can hear the startling sound of a man perfectly in sync with the present: he's influenced by the past, while he anticipated what was coming just around the bend. For fans of music history, musicology, Americana, country music, hillbilly, minstrelsy and vaudeville.
    Show book
  • Work Song - Three Views of Frank Lloyd Wright - cover

    Work Song - Three Views of Frank...

    Jeffrey Hatcher, Eric Simonson

    • 0
    • 0
    • 0
    In Work Song, tensions between master architect Frank Lloyd Wright and his tempestuous relationships are explored in this uniquely prismatic view of one of the great architects of the modern era.  This engaging production includes a panel discussion with Wright biographer Harold Zellman.An L.A. Theatre Works full-cast performance featuring Jim Beaver, Amy Brenneman, Chris Butler, Matthew Patrick Davis, Sean Dougherty, Robert Foxworth, Charles Janasz, Kathryn Meisle, Kali Rocha and Raphael Sbarge.
    Show book
  • Hip Hop at Europe's Edge - Music Agency and Social Change - cover

    Hip Hop at Europe's Edge - Music...

    Adriana Helbig, Milosz Miszczynski

    • 0
    • 0
    • 0
    Essays examining the impact of hip hop music on pop culture and youth identity in post-Soviet Central and Eastern Europe. 
     
    Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the United States, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with “the West” in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world. 
     
    “The volume represents a valuable and timely contribution to the study of popular culture in central and eastern Europe. Hip Hop at Europe’s Edge will not only appeal to readers interested in contemporary popular culture in central and eastern Europe, but also inspire future research on post-socialism’s unique local adaptations of global cultural trends.” —The Soviet and Post-Soviet Review 
     
    “The authors of this edited volume do not romanticize and heroize the genre by automatically equating it with political opposition, a fate often suffered by rock before. Instead, the book has to be given much credit for presenting a very nuanced picture of hip hop’s entanglement—or non-entanglement, for that matter—with politics in this wide stretch of the world, past and present.” —The Russian Review
    Show book
  • Speech and Debate - cover

    Speech and Debate

    Stephen Karam

    • 0
    • 0
    • 0
    A fiercely funny and surprisingly timely new play by new playwright Stephen Karam. They may go to the same school, but misfits Solomon, Diwata and Howie have never met and their teachers and peers just don’t take them seriously – until a sex scandal involving one of their teachers brings them together.  Soon they realize that three voices are stronger than one. And since their school has no speech and debate squad, maybe this is their chance to be heard at last – by the school and even the world.  Variety says it's "bristling with vitality, wicked humor, terrific dialogue and a direct pipeline into the zeitgeist of contemporary youth."An L.A. Theatre Works full-cast performance featuring Andrea Bowen, Reed Diamond, Nora Dunn, Gideon Glick, Andre Sogliuzzo and Bobby Steggert.
    Show book
  • Dragnet: Big Parrot - cover

    Dragnet: Big Parrot

    Jack Webb

    • 0
    • 0
    • 0
    A man and his wife are found strangled to death in a rooming house, and the killer has set fire to the room to cover his tracks. Also a dead parrot, who's also been strangled, lies on the floor beside the bodies.
    Show book