Other books that might interest you

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  The Gathered Leaves (NHB Modern...

  Andrew Keatley

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  A moving, poignant and funny family drama that sees the weight of family history, of reputation, and of expectation, all descend on one family over Easter weekend in 1997.
  For more than seventeen years, the Pennington family has never been together in the same room. But now, on the eve of William's seventy-fifth birthday, all three generations have gathered with the intention of putting the past behind them. If only it were that simple...
  And time is running out. Especially for William, as the world he has always known begins to crumble around him.
  The Gathered Leaves premiered at Park Theatre, London, in July 2015.

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  Mean Time

  Professor Carol Ann Duffy DBE

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  In her prize-winning fourth collection, Mean Time, Poet Laureate Carol Ann Duffy dramatizes scenes from childhood, adolescence and adulthood, finding moments of grace or consolation in memory, love and language amid the complexities of life. These are powerful poems of loss, betrayal and desire.

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  Our Generation (NHB Modern Plays)

  Alecky Blythe

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  Alecky Blythe's engrossing verbatim play tells the stories of a generation. Created from five years of interviews with twelve young people from across the UK, Our Generation is a captivating portrait of their teenage years as they journey into adulthood.
  Often too extraordinary to be fiction, this funny and moving play is for anyone who is – or has ever been – a teenager.
  It was co-produced by the National Theatre, London, and Chichester Festival Theatre in 2022, directed by Daniel Evans.

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  Sorry Wrong Number

  Lucille Fletcher

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  When wires get crossed, a woman accidentally overhears the telephone conversation of two men plotting a murder. Suspense and terror mounts as the woman slowly realizes that the intended victim is herself. This legendary one-act became one of radio’s most famous plays, and was later adapted into a now classic work of film noir starring Barbara Stanwyck and Burt Lancaster.An L.A. Theatre Works full-cast performance starring Susan Sullivan as Mrs. Stevenson alongside Pamela Dunlap, Sam McMurray, Andre Sogliuzzo, Kate Steele, and Sarah Zimmerman.Directed by Rosalind Ayres. Recorded at The Invisible Studios, West Hollywood.

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  Twelfth Night

  William Shakespeare

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  “If music be the food of love, play on,Give me excess of it; that surfeiting,The appetite may sicken, and so die."After a shipwreck separates Viola from her twin brother in a strange town, she decides the best course of action is to disguise herself as a man, so that she can become a servant to a Duke named Orsino. This small deception quickly spirals out of control, as she mistakenly ends up in the middle of a love triangle with her Orsino and the object of his affection, Olivia. Confusion and hilarity ensue as Viola evades Olivia’s growing affections, while also trying to win over Orsino while still being disguised as Cesario. The situation grows even more complicated when Viola’s twin shows up and gets mixed into the chaos, and as a man named Malvolio attempts to enter himself into the complicated romance by vying for Olivia’s affections.Twelfth Night is one of Shakespeare’s most amusing works, from the witty dialogue to the amusing scenes that play on themes of gender, class, and honesty. The complex love triangle has served as the inspiration for many comedic books and films over the centuries, and remains amusing to a modern audience.

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  Quiet Night Think - Poems & Essays

  Gillian Sze

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  “One function of the poet at any time is to discover by his own thought and feeling what seems to him to be poetry at that time,” writes Wallace Stevens. In Quiet Night Think, award-winning poet Gillian Sze expresses her own definition.
  		 
  During the remarkable period of early parenthood, Sze’s new maternal role urges her to contemplate her own origins, both familial and artistic. Comprised of six personal essays, poems, and a concluding long poem, Quiet Night Think takes its title from a direct translation of an eighth-century Chinese poem by Li Bai, the subject of the opening essay. Sze’s memory of reading Li Bai’s poem as a child marks the beginning of an unshakable encounter with poetry. What follows is an intimate anatomization of her particular entanglement with languages and cultures.
  		 
  In her most generically diverse book yet, Sze moves between poetry and prose, mother and writer, the lyrical and the autobiographical, all the while inviting readers to meditate with her on questions of emergence and transformation: What are you trying to be? Where does a word break off? What calls to us throughout the night?

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