Other books that might interest you

• 

  First Do No Harm

  Peter Sykes

  • 0
  • 0
  • 0

  Set against industrial action that beset the NHS in the 1970's, the normal healthy camaraderie of the City Hospital is lost as the dispute sets nurse against nurse and doctor against doctor. Operations are cancelled, waiting lists spiral out of control and patient's lives are put at risk.Kate and Paul are saddened that so many of their colleagues are prepared to become involved. Hadn't they agreed to abide by the Hippocratic Oath with its simple message 'First do no harm'?The devastating effect that the disruption has on their patients causes the young couple great concern. They are desperate to avoid being involved in industrial action - but are destined to be drawn in against their wishes.

  Show book

• 

  Flyfishing the High Country

  John Gierach

  • 0
  • 0
  • 0

  ● Tactics for fishing high country lakes, the conflicting currents of high mountain streams, and the ever-changing waters of beaver ponds 
   
   
   
  ● Cutthroats, brook trout, goldens, rainbows, grayling 
   
   
   
  ● The best weather and seasons to fish and the tackle and flies to take into the high country 
   
   
   
  "The mountains—any mountains—can make you pay for your fishing with time, shoe leather, exertion, and even disappointment. But they usually give back more than they take in terms of solitude and a sense of adventure that you just won't find on more civilized waters." —John Gierach 
   
   
   
  Fly-fishing in scenic and remote mountain waters is a special kind of fishing, explored in depth by veteran fly fisher John Gierach. Along with Fly Fishing Small Streams, this guide, Gierach's first book, explains how to find the best waters and how to fish them to the best advantage.

  Show book

• 

  Before the Law - From their pens...

  Franz Kafka

  • 0
  • 0
  • 0

  Franz Kafka was born on 3rd July 1883 in Prague, then in Bohemia, the eldest of 6, into a middle-class Jewish family. 
  Life for the young Kafka and his passion for literature was often made an ordeal by his over-bearing and domineering entrepreneur of a father.   
  In 1889 Kafka was sent to the Deutsche Knabenschule, an elementary school in Prague. His father would only allow him to be educated in German-speaking schools and even went so far as to limit visits to the synagogue to four a year. 
  In 1901 he graduated from the classics-oriented Altstädter Gymnasium. Kafka did well there and across a large range of subjects.  He now enrolled at the Charles Ferdinand University, to study chemistry, but quickly switched to law for which he obtained his degree in June 1906 and then performed the mandatory year of unpaid service as clerk at the civil and criminal courts. 
  A job at an Italian insurance company left him little time to write and after a year he took another job with the Worker's Accident Insurance Institute for the Kingdom of Bohemia where he stayed until ill health led to his resignation in 1922. 
  Although he saw work as a means to pay the bills and to allow him time to write, he received several promotions and was noted as a good employee. 
  By 1917 Kafka was suffering from tuberculosis, which required frequent periods of convalescence. Interspersed with this, were several intense affairs before he settled in Berlin with Dora Diamant, a 25-year-old kindergarten teacher who herself having left the ghetto now influenced Kafka's interest in the book of Jewish law, the Talmud. 
   
   
  Kafka’s on-going health was littered with problems. Apart from TB there were several other ailments, including migraines, insomnia, boils, depression, all usually brought on by excessive stresses and strains. He attempted to counteract all of this by naturopathic treatments, a vegetarian diet and consuming large quantities of unpasteurized milk. 
  His tuberculosis still worsened. He returned to Prague, where he died on 3rd June 1924. He was 40.

  Show book

• 

  Top Billin' - Stories of...

  Bill Bellamy

  • 0
  • 0
  • 0

  From the MTV trailblazer, stand-up comedian, and actor, a hilariously candid memoir that is an intimate, entertaining, and heartfelt tour through the exclusive, elusive, and eternally iconic world of ’90s pop culture. 
  Imagine 50 Cent’s Hustle Harder, Hustle Smarter written by a nerdy Black kid from Newark, New Jersey, who made it big despite the skepticism of his family. That’s Top Billin'. 
  Bill Bellamy is Carlton Banks’s slightly cooler and comedically inclined alter-ego—a guy who went against the grain and left a promising corporate career path to pursue comedy (much to the dismay of his family). Making the leap paid off—in ways Bill never expected. In Top Billin', he looks back at his time at MTV during the ’90s, when the cable music channel was at the epicenter of pop culture. He recounts his legendary interviews with the biggest pop stars—Tupac, Biggie, and Kurt Cobain—making friends with Janet Jackson, and even coining the infamous term “booty call” on HBO’s Def Comedy Jam. During his time at MTV, Bill broke color and class barriers, appearing four times a week on the network’s various programs, including MTV Jamz and MTV Beach House. 
  Top Billin' is an exclusive, all-access backstage pass to Bill’s career and life. It’s all in here—memories, music, and unforgettable moments, including conversations with some of the decade’s legendary artists, the best of the ’90s celebri-tea, nostalgia, and insights on what it meant to be a tastemaker during one of the most exciting and innovative periods in music and American pop culture history.

  Show book

• 

  Shadows of Love Shadows of...

  William T. Vollmann

  • 0
  • 0
  • 0

  In this landmark collection, William T. Vollmann offers a kaleidoscopic retrospective of the visual artwork he has produced over four decades, with new commentary from Vollmann on his process, inspiration, and the many intersections with his writing. 
   
   
   
  The celebrated author of over twenty-five books (among them the National Book Award–winning novel Europe Central; the seven-volume Rising Up and Rising Down, based on Vollmann's career as a war correspondent; and the two-volume climate change investigation Carbon Ideologies), Vollmann's equally ambitious and prolific career as a photographer, printmaker, and painter reflects the artist’s deep interest in people existing on the margins, a profound empathy for his subjects, and the humility and generosity to meet them on their terms. 
   
   
   
  In Shadows of Love, Shadows of Loneliness, a series of essays  commissioned especially for this book lays out Vollmann's views on what photographs can and should say, how he chooses what to represent (beauty, suffering, compassion, love, desire, ideology), thoughts on photographic consensuality, and any number of technical descriptions. Particularly useful for Vollmann fans and scholars are the cross-references between these artistic and photographic projects and his books.

  Show book

• 

  Songbook - The Lyrics and Music...

  Steven Heighton

  • 0
  • 0
  • 0

  From the award-winning, multi-genre author and musician Steven Heighton, Songbook brings together Heighton’s lyrics and music for the first time in a single volume, including his final songs, which have never been heard or seen until now. When Steven Heighton died suddenly of cancer in 2022, he was in the middle of an intensely creative period of songwriting. He released his first album of original material, The Devil’s Share, in 2021 and was preparing to record his second album. Known first as a poet, Heighton had always held that “music and poetry are two words for the same thing.”
  		 
  As in his songwriting, in Songbook, Heighton moves fluidly between genres and subjects, from political songs like “The Butcher’s Bill,” about the carelessness of nations sending their youth to war, to reimagining the myth of Orpheus (“I'll hold my breath the whole way down / And find your soul in the undertown”), to blues tunes like “Last Living Woman Alive,” and a tribute to the late John Prine, the “Buddha of Song.” With chords accompanying the lyrics, readers and musicians have the ability to bring the songs to life with their own interpretations. The music in Songbook was the final work of Heighton’s life, and it is not only a gift to have his lyrics and chords but an invitation from Heighton himself, challenging his readers to answer the call and keep singing along.

  Show book