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  The Short Stories of Henry W...

  Henry W Nevinson

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  Henry Woodd Nevinson was born on October 11th, 1856. 
  Nevinson was schooled at Shrewsbury School and at Christ Church, Oxford. John Ruskin influenced his time at Oxford. Fascinated by German Culture he spent some time at Jena before publishing, in 1884, Herder & His times, a study on Johnann Gottfried Herder. 
  In 1897 he became the Daily Chronicle's reporter for the Greco-Turkish War. He was also noted for his reporting on the Second Boer War. 
  During the 1880s Nevinson had attached his politics to Socialism and by 1889 had joined the Social Democratic Federation. 
  In 1904, he was hired by Harper's Monthly Magazine to report on a supposed trade in slaves from Angola to the cocoa plantations of São Tomé. He produced evidence of people being trafficked to settle debts or seized by Portuguese agents and taken in shackles to the coastal towns. Once there he wrote that Portuguese officials "freed" them and continued the charade by declaring they were now voluntary workers who agreed to go to São Tomé for five years. Despite severe ill health he continued to follow the slaves to São Tomé. He found plantation conditions so appalling that one in five workers died each year. His account was serialised from August 1905 and then published as ‘A Modern Slavery’ in 1906. 
  He was also a suffragist, being one of the founders in 1907 of the Men's League for Women's Suffrage. 
  In 1914 he co-founded the Friends' Ambulance Unit and later in World War I, as a war correspondent, was wounded during the infamous Gallipoli campaign. 
  E. M. Forster described Nevinson's book, ‘More Changes, More Chances’ in 1925 as "exciting", and that "He has brought to the soil of his adoption something that transcends party-generosity, recklessness, a belief in conscience joined to a mistrust of principles". 
  A committed Socialist Nevinson could see, during the 20s and 30s, the foundations of a titanic struggle began to gather its forces. He would later state "I detest the cruel systems of persecution and suppression now existing under Hitler in Germany, Mussolini in Italy and Stalin in Russia". 
  Nevinson married Margaret Wynne Jones and, after her death in 1933, he married his long-time lover, and fellow suffragist, Evelyn Sharp. 
  Henry W. Nevinson died on November 9th, 1941. 
   
  01 - Henry W. Nevinson. A Short Story Volume - An Introduction 
  02 - St George of Rochester by Henry W. Nevinson 
  03 - The Aristocrat of Labour by Henry W. Nevinson

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  Exchange is Robbery - From their...

  Richard Marsh

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  Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London.  
  By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content.  
  In October 1882, Heldmann was promoted to co-editor of Union Jack, a popular magazine, but his association with the publication ended suddenly in June 1883.  It appears Heldman was prone to issuing forged cheques to finance his lifestyle.  In April 1884 he was sentenced to 18 months hard labour. 
  In order to be well away from the scandal and the damage that this had caused to his reputation Heldmann adopted a pseudonym on his release from jail.  Shortly thereafter the name ‘Richard Marsh’ began to appear in the literary periodicals.  The use of his mother’s maiden name as part of it seems both a release and a lifeline. 
  A stroke of very good fortune arrived with his novel ‘The Beetle’ published in 1897.  This would turn out to be his greatest commercial success and added some much-needed gravitas to his literary reputation.   
  Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour.   His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.   
  Richard Marsh died from heart disease in Haywards Heath in Sussex on 9th August 1915.  He was 57.

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  Places Like These

  Lauren Carter

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  Finalist for the 2023 Foreword INDIES Book of the Year Awards
  A widow visits a spiritualist community to attempt to contact her late husband. A grieving teenager confronts the unfairness of his small-town world and the oncoming ecological disaster. A sexual assault survivor navigates her boyfriend's tricky family and her own confusing desires. A mother examines unresolved guilt while seeking her missing daughter in a city slum. A lover exploits his girlfriend's secrets for his own purposes. Whether in Ecuador or San Francisco, rural Ontario or northern Manitoba, the landscape in each of Carter's poignant short stories reflects each character's journey.
  Psychologically complex and astute, Places Like These plumbs the vast range of human reactions to those things which make us human—love, grief, friendship, betrayal, and the intertwined yet contrasting longing for connection and independence.

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  The Tree

  H. P. Lovecraft

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  Title: The Tree 
  Author: H. P. Lovecraft 
  Narrator: Jonathan Dunne 
  Original Publication: 1921 
  Public Domain: Yes 
  Series Placement: Number 33 in the Timeless Terrors series 
  Description: 
  The Tree by H. P. Lovecraft is a haunting parable of art, envy, and the quiet vengeance of nature — a story where beauty and death grow from the same root. Set in ancient Greece, it tells of two sculptors, Musides and Kalos, whose friendship and creative genius draw the admiration of all who know them. Yet when jealousy, death, and strange growths intertwine, the boundaries between art and decay dissolve into something both poetic and terrible. 
  Lovecraft’s tale departs from his usual cosmic scale to reveal horror in the natural and the human — a mythic meditation on pride, mortality, and the price of creative rivalry. Beneath its serene surface lies a creeping inevitability, where the living and the dead are bound by the same relentless cycle. 
  Narrated by horror author Jonathan Dunne, this performance evokes the story’s classical rhythm and tragic atmosphere — the stillness of marble, the whisper of leaves, and the final, inescapable judgment of the earth itself. While the text itself is in the public domain, this narration is an original performance and copyright © 2025 Jonathan Dunne. 
  Part of Timeless Terrors, a series dedicated to resurrecting the great voices of the uncanny, The Tree stands as a tale of eerie beauty and timeless punishment — where the roots of envy reach far deeper than the grave. 
  Prepare for a story carved in stone and shadow, where art becomes epitaph and the living are outlasted by what they create.

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  3 Christmas Stories - About...

  Anton Chekhov, Hans Christian...

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  There is something about the number 3.    
   
  The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two.   
   
  Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois.  It seems good things usually come in threes. 
   
  Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating. 
   
  From their pens to your your ears.

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  The Picture in the House

  H. P. Lovecraft

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  Title: The Picture in the House 
  Author: H. P. Lovecraft 
  Narrator: Jonathan Dunne 
  Original Publication: 1921 
  Public Domain: Yes 
  Series Placement: Timeless Terrors #58 
  Description: 
  The Picture in the House is a masterclass in creeping dread — a tense, claustrophobic story where isolation and obsession blur the line between horror and fascination. 
  The tale begins with a traveler seeking shelter from a storm in an ancient, decaying New England farmhouse. Inside, he encounters a gaunt, ancient man whose fascination with a grotesque, centuries-old illustration depicting cannibalism quickly becomes unsettling. Every creak, flicker of candlelight, and shadow heightens the traveler’s growing unease as he realizes the horror he has stumbled upon may be closer than he ever imagined. 
  Lovecraft’s story relies on atmosphere, suspense, and human curiosity rather than gore or spectacle. The terror is subtle, intimate, and lingering. 
  Narrated by Amazon-bestselling horror author Jonathan Dunne, this performance brings Lovecraft’s chilling tale of dread and lurking menace vividly to life. While the text is firmly in the public domain, this narration is an original performance and copyright © 2025 Jonathan Dunne. 
  Part of Timeless Terrors, a series dedicated to resurrecting the masters of the macabre, The Picture in the House reminds us that sometimes the most terrifying thing isn’t what’s on the page, but the dark intentions of the mind that studies it.

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