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  Edges & Fray - on language...

  Danielle Vogel

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  Poetry, prose, and photographs, explore the edges of languageEdges & Fray is an embodied meditation that cultivates receptivity and deep listening to the ways we inhabit language and its ethereal resilience. Combining close observation of birds' nests and the writing process, Danielle Vogel brings the reader into communion with language as a mode of presence. The frayed edges of consciousness are carefully arranged to suggest how writing, and the book, can serve as a site of radical transformation. Experimental and deeply grounded, this work is lyrical and patient. The text creates overlapping ecological fields, wherein each field is a system always in a state of becoming. Finding its strength in fragility, Edges & Fray is personal without feeling private, experimental without feeling programmatic. Its construction is intuitive and masterful, its many threads interwoven and intrinsically linked. This is a beautiful and inspiring book at the intersection of poetry, somatics, ecology, and divination.

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  The Missing Months

  Lachlan Mackinnon

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  Many of the poems in The Missing Months occupy the strange hiatus afforded by lockdown. They look forward as well as back, toying with possible futures, enthused by utopian dreams or fearing cultural and bodily entropy. They celebrate and mourn the lives of friends and relatives, captivated by carefully tended images from the past. Lockdown's 'missing months' in the world of a four-year-old granddaughter are laid down and remembered for her. Familiar objects - a park bench, stones, grass, stars, windows - are reanimated. This poetry of imaginative journeying 'stretches/Banks on a slope of air and turns' like the heron it watches. Between the crackle of radio signals and rain, the Russian poet Osip Mandelstam and the American singer Miranda Lambert, here is a poet in search of points of reference, the 'bright fresh leaves' of sunlight among the ruins.

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  Embark

  Sean O'Brien

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  A new collection by Sean O’Brien – ‘Auden’s true inheritor’, and one of our wisest poetic chronographers – is not just a literary event, but also, invariably, a reckoning of the times. Given the nature of our times, his voice is an essential one: there is no other poet currently writing with O’Brien’s intellectual authority, historical literacy and sheer command of the facts. Embark also registers our unique cultural climacteric, where the larger crises of the planet – the pandemic and the terrifying spectre of revanchist nationalism among them – impact all of us, and where the illusion of a church-and-state separation of the personal and political can no longer hold. As the poet turns seventy, he shows us how the inevitable absences that age brings are assuaged by how we furnish them; the result is not just a logic made from loss and pain, but a music, a metaphysic, and finally a redemptive art. Embark reminds us of the enduring consolations of love, of friendship, of the freedoms and possible futures still afforded by the imagination – and, through O’Brien’s own exemplary model, of poetry itself.

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  Phantasmorgia - The writer of...

  Lewis Carroll

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  Lewis Carroll was born Charles Lutwidge Dodgson on the 27th January 1832 at Daresbury, Cheshire, the eldest boy and the third child.  Another eight followed.   
   
  When Dodgson was 11, his cleric father moved his family to Croft-on-Tees in the North Riding of Yorkshire.  Although his father was active and highly conservative his son was ambivalent with those values and with the Church as a whole. 
   
  In his early years Dodgson was educated at home and by age 7 he was reading the likes of ‘The Pilgrim's Progress’.  He also spoke with a stammer which he called his ‘hesitation’. 
   
  At 12 he was dispatched to Richmond Grammar School in North Yorkshire and then on to Rugby.  He sailed through the curriculum.  He was accepted at Christ Church, Oxford but two days after arriving he was summoned home: his mother had died of ‘inflammation of the brain’ at only 47. 
   
  Dodgson was exceptionally gifted and, when not distracted, achievement came easily to him.  He remained at Christ Church studying and teaching in various capacities until his death. 
   
  In March 1856, he published the romantic poem ‘Solitude’ as by ‘Lewis Carroll’.  
   
  That same year he took up the new art of photography.  He soon excelled and became a well-known gentleman-photographer, and even toyed with the idea of making a living out of it.  When he ceased photography in 1880, he had his own studio and had created around 3,000 images. 
   
  He enjoyed moderate success with his early poems and short stories but had an array of other interests in the pre-Raphaelite circle, Psychical Research and even ordained in the Church of England in 1861.  
   
  In July 1862 he told a young Alice Liddell the story that would become his first and greatest success.  Alice begged him to write it down, and eventually he did and later presented her with a handwritten and illustrated ‘Alice's Adventures Under Ground’.  The publisher Macmillan agreed to publish it as ‘Alice's Adventures in Wonderland’ by Lewis Carroll.  
   
  It was a huge and sensational life-changing success.  Royalties quickly accumulated as did fan mail.  
   
  In 1871, the darker themed sequel ‘Through the Looking-Glass, and What Alice Found There’ was published.  A half decade later came ‘The Hunting of the Snark’, a fantastical nonsense poem, as nine tradesmen and a beaver set off to find the snark.  It was another enormous success. 
   
  He also loved to invent such delights as a writing tablet ‘the nyctograph’ that allowed note-taking in the dark as well as many word games, such as the precursor to ‘Scrabble’, and alternative systems of parliamentary voting.  Within the discipline of mathematics, he worked in geometry, linear and matrix algebra, mathematical logic, recreational mathematics and wrote nearly a dozen books on the subject.   
   
  Lewis Carroll died of pneumonia following influenza on 14th January 1898 in Guildford, Surrey.  He was 65.  
   
  01 - Phantasmagoria by Lewis Carroll - An Introduction 
  02 - Phantasmagoria -  Canto 1. The Trystyng by Lewis Carroll 
  03 - Phantasmagoria -  Canto 2. Hys Fyve Rules by Lewis Carroll 
  04 - Phantasmagoria -  Canto 3. Scarmoges by Lewis Carroll 
  05 - Phantasmagoria -  Canto 4. Hys Nouryture by Lewis Carroll 
  06 - Phantasmagoria -  Canto 5. Byckerment by Lewis Carroll 
  07 - Phantasmagoria -  Canto 6. Dyscomfyture by Lewis Carroll 
  08 - Phantasmagoria -  Canto 7. Sad Souvenaunce by Lewis Carroll

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  Whispers Beneath the Skin -...

  Unrepeatable Beauty, Lena Elisabet

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  A sensual healing experience narrated by Lena Elisabet. 
  Whispers Beneath the Skin is not erotica—it’s poetry for the body. 
  A journey into softness, safety, and sacred pleasure. 
  Let the words touch you. Let the breath guide you. 
  You are not broken. You are blooming. 
  © Brilliant Woman Studios

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  Summer and Smoke

  Tennessee Williams

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  Alma Winemiller is a shy, religious young woman who grew up pining for the boy next door, John Buchanan. He’s grown up to become a doctor with a penchant for sexual conquest, so when he returns to their Mississippi town to start a medical practice, their strange attraction sets them on a path of turmoil and heartbreak.
   
  
   
  Recorded before a live audience at the Skirball Cultural Center in June 2008.
   
  
   
  Directed by Michael Hackett
   
  Producing Director: Susan Albert Loewenberg
   
  
   
  An L.A. Theatre Works full-cast recording, starring:
   
  
   
  Ann Gee Byrd as Mrs. Winemiller and Rosemary
   
  Kristen Frazier as Nellie
   
  Mark Kudisch as John Buchanan Jr.
   
  Carlos Lacamara as Papa Gonzalez
   
  Gabriel Olds as Dusty, Vernon, and Archi Kramer
   
  Tina Sánchez as Rosa Gonzalez
   
  David Selby as Dr. Buchanan Senior
   
  Tegan West as Roger Doremus 
   
  Armin Shimerman as the Reverend Winemiller
   
  Kitty Swink as Mrs. Bassett
   
  Sarah Zimmerman as Alma Winemiller
   
  
   
  Recording, editing and mixing engineer: Mark Holden
   
  Live Sound Effects by Eddie Mills
   
  Music Supervisor: Scott Willis
   
  
   
  Original music by Gareth S. Brown

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