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  Lyrics & Lines by "Carolus"

  Unknown Unknown

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  Written under the pseudonym "Carolus", Lyrics & Lines is a book of poems written, probably circa 1890 - 1900, as a gift to one he had loved and lost.Love, Humour,  Moralisation and the Macabre all come together in a most readable and enjoyable manner. Who he was, when and exactly where he lived and his age at the time he wrote this book  are unknown. That he was a modest man can be gleaned from his description of himself as "...a poetaster". Beautifully written; these poems should not only appeal to lovers of poetry but to those who would never normally consider reading verse.

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  In The Cold Heat of Battle

  Mike Blake

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  In The Cold Heat of Battle :: This poem describes the universal feelings of a soldier in contemplation of his own mortality and impending death.The battle of forces, not just of the enemy in front of him but the battleraging from within. His self doubt and questioning why he is even on the battlefield in the first place, fighting for this war.The Universal Soldier is reflecting on his decision to be there at the pointy end of war, the vanguard of the front line. This is an anti-war Poem.Part of the War Theme Series:   https://www.amazon.com/dp/B09F73X52HFind the Author & Follow here: https://www.amazon.com.mx/stores/Mike-Blake/author/B00SG40RM8Instagram:   https://www.instagram.com/wild_poetrys

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  Chrome Valley - Poems

  Mahogany L. Brown

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  "Browne’s narration of her work is masterful, capturing a range of emotion through inflection, cadence, and volume. It’s an unfettered celebration of Black resilience that will leave listeners satisfied, yet eager to hear more from this gifted poet." - Library Journal, Starred Review 
   
  From Lincoln Center’s inaugural poet-in-residence comes this unflinching collection that intricately mines the experience of being a Black woman in America. 
   
  A highly anticipated volume from critically acclaimed poet Mahogany L. Browne, Chrome Valley is at once a luminous hymn and a battle cry. Spanning the course of her own life as well as embodying centuries of virulent history, this collection pays solemn tribute to the women who came before her. Musically effervescent yet cutting poems capture the peculiar joys and pangs of Black girlhood: “you ain’t had freedom / ’til you climb on a bus 62 / & head to the closet mall / for a girl fight”; while others explore the inherent grief of motherhood, rhythmically intoning names like the tolling of a church bell: “Because Lesley McSpadden / Because Mamie Till / Because a Black mother know ain’t no song for that empty in ya belly.” Transcendent and grounded, funny and furious, the poems within bring depth to a movement, announcing Mahogany L. Browne as one of the most important poetic voices of our time.

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  The Walrus Has a Right to Adventure

  Billie Collins

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  'There was a moment... Where it looked at me. The stag. We looked at each other. And I had this feeling like... Like it was gonna show me something.'
  Meet Oskar, Rio and Hazel: three people getting on with their lives in different corners of the globe. They've never spoken. They've never met. But they're each about to experience a startling wild-animal encounter. One that will transform the way they think about their world.
  From Norway's glittering fjords to Colorado's stunning peaks via Halewood's majestic Tesco, The Walrus Has a Right to Adventure is a swooping, soaring play about instinct, expectation and identity – and what it means to be truly free.
  Inspired by real stories from around the world, Billie Collins's powerful and inventive play premiered at the Liverpool Everyman in 2025, directed by Nathan Crossan-Smith.

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  The Face on the Barroom Floor

  Hugh Antoine d'Arcy

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  LibriVox volunteers bring you 8 different recordings of The Face on the Barroom Floor by Hugh Antoine D'Arcy.

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  Why I Was Late

  Charlie Petch

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  With kitchen-table candour and empathy, Charlie Petch’s debut collection of poems offers witness to a decades-long trans/personal coming of age, finding heroes in unexpected places.   
  Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humour, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance. No subject—grief, disability, kink, sexuality, gender politics, violence—is off limits.  
  A poet so good at drag they had everyone convinced that they were a woman for the first forty years of their life, Petch has somehow brought the stage and its attendant thrills into the book. Better late than. And better.

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