Publisher: Glissato Edizioni Musicali
Violin II part of "Aida" prelude by Giuseppe Verdi for string quartet (Violin I, Violin II, Viola, Cello) by Enrico Zullino. Intermediate level - key D maj / duration 3 (+-). Score & Parts available in series. Scan Qr code (in cover) for audio demo or visit www.glissato.it. product code: EG0468.
Film Reel Rewind: Movie Trailers from the 1970s, Volume 2 includes trailers for the following movies: Avalanche (1978), Cleopatra Jones, Casino Of Gold (1975), Coming Home (1978), Doc Savage (1975), Escape From Alcatraz (1979), F.I.S.T. (1978), One On One (1977), Psycho Sisters (1974), Race With The Devil (1975), Sinner (1972), Sudden Fury (1975), Terminal Man (1974), Watership Down (1978).Show book
Me And My Friends At the Musical PartyParties are always exciting, and especially when they aremusical parties! The news of this special party is rapidly spreading around the neighbourhood –but whose party is it?Show book
"Before my version begins to fade, Let me relieve what happened today. Today was not a lifetime of discrimination and shame, But of celebration as a black man living in Ukraine." - culled from the EPIGRAPH A brave and explorative Artisan Calm exterior but he was born a warrior A Leon not bothered about territory A Leon who hunted alone. And a Leon who hurt alone. With a free prefrontal cortex, he came prepared for learning... And learn he did, as his memory campus would get soiled with complex realities. In my first anatomy tour, all I saw were dry cadavers, But by the end of my tenure, I saw my own fresh blood. No tribal marks but you can tell he started out with an Afro. And in this foreign soil, explorations were his special dish. To-and-fro he evolved... and no, he didn't hail from the safari. From a genial ark but he always kept his wits about him. And when he stepped out, he was like a fresh aphrodisiac. Through his eyes, you could hear all of his favorite tunes. Black vanilla at his core as he had a thing for interfacing. General with a stylus brush, Hankie forever in the back pocket. Like his paws, his heart appears four-chambered, But on closer inspection, you see a fifth chamber a short distance away from the rest. A blind Cub walking in the midst of hyenas, With lesions so deep, they suffocated him where it hurt most. The pages are filled with art and expression, As I relive this once-in-a-lifetime experience... Which shaped me into the man I am today.Show book
We often face conflicts or challenges in decision-making situations, and do not know how to deal with them. In this episode we use Chanakya's policies to help us to tackle such situations in our lives.Show book
DISCLAIMER: THIS IS NOT THE OFFICIAL BOOK. This is a summary, & it does not accompany the official In 'The Creative Act: A Way of Being' by Rick Rubin, the renowned music producer takes readers on a journey beyond the traditional notions of artistry. Instead of focusing solely on the mechanics of creating great works of art, Rubin explores the profound concept of 'how to be.' He shares his unique approach of providing a space where artists from diverse genres can discover their true selves and unlock their creative potential. Throughout the book, Rubin emphasizes the importance of transcending self-imposed limitations and reconnecting with a sense of innocence that leads to unexpected and inevitable moments of creativity. He argues that being an artist is not solely about the output but about one's relationship with the world. Creativity, he asserts, is a universal capacity that can be expanded by all individuals, making it a significant responsibility for everyone. 'The Creative Act' offers readers a generous and enlightening exploration of the artist's path—one that is accessible to all. It distills a lifetime of wisdom into a captivating read that empowers individuals to create moments of exhilaration and transcendence in their own lives. Rick Rubin's book encourages everyone to embrace their creative potential and broaden the scope of their creative endeavors.Show book
Sounds of Other Shores takes an ethnographic ear to the history of transoceanic stylistic appropriation in the Swahili taarab music of the Kenyan coast. Swahili taarab, a form of sung poetry that emerged as East Africa's first mass-mediated popular music in the 1930s, is a famously cosmopolitan form, rich in audible influences from across the Indian Ocean. But the variants of the genre that emerged in the Kenyan coastal city of Mombasa during the twentieth century feature particularly dramatic, even flamboyant, appropriations of Indian and Arab sonic gestures and styles. Combining oral history, interpretive ethnography, and musical analysis, Sounds of Other Shores explores how Swahili-speaking Muslims in twentieth-century Mombasa derived pleasure and meaning from acts of transoceanic musical appropriation, arguing that these acts served as ways of reflecting on and mediating the complexities and contradictions associated with being "Swahili" in colonial and postcolonial Kenya. The result is a musical anthropology of Kenyan Swahili subjectivity that reframes longstanding questions about Swahili identity while contributing to broader discussions about identity and citizenship in Africa and the Indian Ocean world.Show book
