Editorial: Glissato Edizioni Musicali
"La Vergine degli Angeli" from the opera "La Forza del Destino" by Giuseppe Verdi. Transcription for Trombone or Euphonium (treble clef) and Organ. Concert pitch: Eb
If you are thinking about taking ballet classes, have a child who is starting to dance, or want to know more about ballet, then HowExpert Guide to Ballet is for you. This book covers many things, such as: - How to find the best studio for you. - Elements to look for in classes from ages 3 to 18. - What to wear to class if you are a child or an adult dancer. - Things to bring to class in your dance bag. - How to make the perfect ballet bun. - Proper ballet etiquette. - How to behave in class, at the barre, and when dancing in the center of the room. - Warm-up exercises to do sitting and standing. - Basic feet and arm positions. - The five major methods of ballet instruction. - Advice and encouragement for adult beginners. - The history of pointe shoes. - How dancers soften or harden their pointe shoes from ripping them apart to baking them in the oven. - What dancers wear inside their pointe shoes to make them comfortable. - How to Identify “dead pointe shoes” and why they are dangerous. - The history of male dancers in ballet. - Information for parents whose sons want to take ballet classes. - What Men’s Classes and Partnering Classes are. - Featuring expert advice, tips and tricks, and stories from the barre. About the Author Lauren Dillon is a multifaceted writer who has been dancing classical ballet for over two decades. She has worked as a dance instructor for children and enjoys sharing classical ballet with others. Born and raised in Florida, Lauren was inspired to take ballet classes by her mother, who took ballet classes as an adult. Lauren earned her Bachelor of Arts in Russian & Eastern European Studies from Florida State University (FSU). HowExpert publishes how to guides by everyday experts.Ver libro
Nominated for a 2014 Saskatchewan Book Award Françoise Mouly, an editor and publisher of uncommon taste and creativity, and an artist in her own right, has spent nearly four decades transforming comics. With her husband, Art Spiegelman, Mouly founded the landmark magazine RAW, which showcased artists such as Ben Katchor, Chris Ware, Charles Burns and Sue Coe, and, along with Spiegelman's Maus, brought an avant-garde sensibility to the popular art form. As art editor of The New Yorker since 1993, Mouly has remade the face of that venerable magazine with covers that capture the political and social upheavals of the last two decades, from the black-on-black cover after 9/11 to the Obamas' pre-election fist-bump. And now, with TOONâ??Books, Mouly is at the forefront of a new wave of comic-making for children. Based on exclusive interviews with Mouly, Spiegelman and a pantheon of comics artists – including Dan Clowes, Anita Kunz and Bill Griffith – In Love With Art is both the first book-length portrait of a female pioneer in a male-dominated industry and a rare, behind-the-scenes look at some of today’s most iconic images. Through the prism of an uncommonly successful relationship, the book tells the story of one of the most remarkable artistic transformations of our time. ‘Jeet Heer more thoroughly and widely understands comics history and the perplexing binomial life of the cartoonist better than anyone who's not one. As well-versed in literature as he is in comics, he always gets at the peculiar, poetical texture of his subject not only by what he writes, but how he writes it – clearly, mellifluously, and beautifully. Our humble discipline is singularly lucky to have him telling its story.’ – Chris WareVer libro
The industrial and agricultural revolutions transformed the face of Britain. Fiery blast furnaces, pit-head steam engines and fuming lime-kilns scarred a landscape cut across by canals, turnpikes and railways. Within enclosed pasture and parkland, farm and sporting animals of startling proportions and striking dimensions grazed and raced by serpentine lakes and Palladian piles. One of the artists who depicted these prize bulls, pedigree sheep and thoroughbred stallions in Arcadian surroundings of bucolic tranquillity was Thomas Weaver of Shrewsbury (1775-1844). Travelling from country house to house to paint pedigree animals for pedigree people, his journeys map the networks of kinship, patronage and social aspiration that linked the landed families and gentry of Georgian England. Based on a unique and hitherto unexamined collection of Weaver's papers and pictures, including personal and professional correspondence, diary, contemporary newspaper cuttings, verse, and portraits of his family, Painter of Pedigree brings to life the work of an animal artist in the age of agricultural improvement, revealing the art, artistry and artifice that went into portraying and promoting these new breeds.Ver libro
The Cherry Orchard is Russian playwright Anton Chekhov's last play. It premiered at the Moscow Art Theatre 17 January 1904 in a production directed by Constantin Stanislavski. Chekhov intended this play as a comedy and it does contain some elements of farce; however, Stanislavski insisted on directing the play as a tragedy. Since this initial production, directors have had to contend with the dual nature of this play. The play concerns an aristocratic Russian woman and her family as they return to the family's estate (which includes a large and well-known cherry orchard) just before it is auctioned to pay the mortgage. The story presents themes of cultural futility — both the futility of the aristocracy to maintain its status and the futility of the bourgeoisie to find meaning in its new-found materialism. In reflecting the socio-economic forces at work in Russia at the turn of the 20th century, including the rise of the middle class after the abolition of serfdom in the mid-19th century and the sinking of the aristocracy, the play reflects forces at work around the globe in that period. (Summary from Wikipedia, edited by Elizabeth Klett)Cast: Mme. Ranevsky: Ruth GoldingAnya: Arielle LipshawVarya: Elizabeth KlettGaev: Lars RolanderLopakhin: Andy MinterTrofimov: mbSimeonov-Pischin: Denny SayersCharlotta: Anna SimonEpikhodov: hefydDunyasha: Tricia GFiers: om123Yasha: Kim StichTramp: Musicalheart1Narrator: David LawrenceAudio edited by: Elizabeth KlettVer libro
An incendiary album of unreleased material culled from the multitude of live recordings Hicks made for personal use from the mid ‘80s until his death in ’94.Ver libro
The now 65-year-old Geoffrey Giuliano has been a devout student of devotional yoga since the age of 15. He has written extensively on the subject and resided as a Vaishnava monk in India for five long years in the ancient, holy pilgrimage places of Vrndavana and Rishikesh. Here, along with master musician and composer Kurt Max, he presents what might well be considered the cream of his own unique spiritual journey and the timeless knowledge gathered along the way. Max’s incredible, powerful, eclectic soundtrack is the perfect accompaniment to the winsome wisdom echoed by Bhakti student Giuliano. A unique incantation of words and music to the greater truth within us all. Hare Om Tat Sat. Perfect for all university, school, and library collections.Ver libro
