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  Enough Rope

  Dorothy Parker

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  “If I abstain from fun and such, / I'll probably amount to much, / But I shall stay the way I am, / Because I do not give a damn.” 
    
  American poet Dorothy Parker lived a life of heartache and hardship, but her writing became her weapon to fight back. She refused to temper her strong opinions, even at the cost of her editorial position at Vanity Fair. Parker continued to write—unfiltered and unapologetic—and found solidarity in community with other writers. Enough Rope was Parker’s first volume of poetry, featuring poems originally published in Life, Vanity Fair, and The New Yorker. Parker’s poetry has galvanized generations of strong-willed women, and the fire in her voice burns strong even a century after the first publication.

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  Dear Boys

  Michaela Kathleen

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  A feminist poetry collection.

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  The Morning Light - never passes...

  Brian Lisus

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  Poetic, engaging and original, The Morning Light is a charming story of discovering the ancient and shared voice within each of us. 
  A violin maker’s story of music, craftsmanship and the seeking of serenity set against homelessness, twists of fate and a never ending desire to reproduce the sweet and soulful sound of a grandfather’s violin, fine-tuned to play with a resonance that connects the heart. 
  The chapters are interspersed with gorgeous pieces of music played on instruments created in Brian's studio in Ojai, California. https://www.themorninglight.org/ or https://www.lisusviolins.com/

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  Our Generation

  Alecky Blythe

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  'To be honest with you, before I went secondary school I thought that the kids they would be like really mature and like by the time I reached Year Ten I'd be fully mature and everything. And I'd lose my like funsense and stuff... But, I don't know if it's just my class in particular but we really haven't matured at all... I don't want to be the serious adult and have serious children and have serious future in a serious house and serious everything.'
  Alecky Blythe's engrossing verbatim play tells the stories of a generation. Created from five years of interviews with twelve young people from across the UK, Our Generation is a captivating portrait of their teenage years as they journey into adulthood.
  Often too extraordinary to be fiction, this funny and moving play is for anyone who is – or has ever been – a teenager.
  It was co-produced by the National Theatre, London, and Chichester Festival Theatre in 2022, directed by Daniel Evans.

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  Lava (NHB Modern Plays) - (new...

  James Fritz

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  A small asteroid has hit the capital city. Thousands have been displaced. And in a town far away, a young man called Vin is finding it hard to talk. The only person who seems to notice is Rach, who resolves to find out what's troubling him and help him find his voice again.
  But when Rach's family take in an articulate and charismatic survivor of the asteroid incident, Vin's silence is no longer her first priority. How does it feel when the suffering of others seems more legitimate than our own?
  James Fritz's Lava is a timely play about grief and the power of expression, rocking with raw emotion and sharp humour. It premiered at Nottingham Playhouse in 2018, in a co-production with Fifth Word who commissioned the play. It was revived on tour in 2022, including a run at Soho Theatre, London.
  'Compassionate, warm and funny... Fritz's work pairs structural playfulness with emotional intelligence and inky wit... his plays are contained and compassionate, and frequently find reservoirs of humour in places you wouldn't expect' - The Stage

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  Deaf Republic - A Lyric Essay

  Ilya Kaminsky

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  Finalist for the National Book Award; finalist for the PEN/Jean Stein Award; finalist for the National Book Critics Circle Award; winner of the Los Angeles Times Book Prize; winner of the Anisfield-Wolf Book Award; winner of the National Jewish Book Award; finalist for the Kingsley Tufts Poetry Award; finalist for the T. S. Eliot Prize; and a finalist for the Forward Prize for Best Collection 
   
   
   
  Ilya Kaminsky's astonishing parable in poems asks us, What is silence? 
   
   
   
  Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear—they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya's girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky's long-awaited Deaf Republic confronts our time's vicious atrocities and our collective silence in the face of them.

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