Editorial: Bu Classics Books
Orphaned by a devastating earthquake, young Clare is thrust into a world that tests his gentle nature at every turn. His wanderings expose him to the harshness of humanity, yet he retains an innate goodness that touches those he meets. This narrative is a poignant exploration of innocence persisting amidst the rough shaking of a cruel world.
Young Jack Clayton, unaware of his legacy, is lured from England to the wilds of Africa by his father’s nemesis in Edgar Rice Burroughs' "The Son of Tarzan." Embracing his heritage, he transforms into Korak the Killer, forging bonds with the jungle and the enchanting Meriem. Facing perilous challenges and fierce adversaries, Jack's journey becomes a tale of survival and self-discovery, where the call of the wild reveals his true nature and lineage.Ver libro
David Herbert Lawrence was born on the 11th September 1885 in Eastwood, Nottinghamshire, a coal mining town where the reality of a harsh life was only useful as experiences for future literary works. He was educated at Beauvale Board School and became the first local boy to receive a scholarship to attend Nottingham High School. After 3 years he became a junior clerk in Haywood’s surgical appliances factory. He was also attempting a literary career which, in the short term, led to a teacher training position in Eastwood and later a teaching qualification from University College, Nottingham. Lawrence’s first efforts were poems, short stories and a draft of ‘The White Peacock’. Moving to London and a teaching position in Croydon his writing attracted the attention of Ford Madox Ford, editor of The English Review, and he commissioned him to write ‘Odour of Chrysanthemums’. Wanting to write full-time he now began work on what would become ‘Sons and Lovers. In 1912 he met the older and married mother-of-three Frieda Weekley. They eloped to Germany and here Lawrence could see for himself the growing tensions with France. So keen was his interest that he was arrested and accused of being a British spy. In early 1914 Frieda obtained her divorce and they returned to Britain to be married just days before the outbreak of war. Owing to her German parentage, and his own public dislike of militarism and violence, the couple were treated with contempt and suspicion throughout the war years. Despite this he continued to write but his reputation in England was so tarnished and, mirrored by his own disdain for the country, he and Frieda left England in November 1919, first for Europe and then America via Ceylon and Australia. They bought a ranch in Taos, New Mexico and visited Mexico several times. The third visit in March 1925 caused a near fatal attack of malaria. To convalesce they moved to Florence. Here he continued work on ‘Lady Chatterley’s Lover’ which for many years would cause controversy. A renewed interest in oil painting resulted in an exhibition in 1929 which was raided by the police and several works were confiscated. D H Lawrence died of complications arising from a bout of tuberculosis on the 2nd of March 1930 in Vence, France. He was 44.Ver libro
Antony and Cleopatra (First Folio title: The Tragedie of Anthonie, and Cleopatra) is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around 1607; its first appearance in print was in the Folio of 1623. The plot is based on Thomas North's 1579 English translation of Plutarch's Lives (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the Final War of the Roman Republic. The major antagonist is Octavius Caesar, one of Antony's fellow triumvirs of the Second Triumvirate and the first emperor of the Roman Empire. The tragedy is mainly set in the Roman Republic and Ptolemaic Egypt and is characterized by swift shifts in geographical location and linguistic register as it alternates between sensual, imaginative Alexandria and a more pragmatic, austere Rome. Many consider Shakespeare's Cleopatra, whom Enobarbus describes as having "infinite variety", as one of the most complex and fully developed female characters in the playwright's body of work. She is frequently vain and histrionic enough to provoke an audience almost to scorn; at the same time, Shakespeare invests her and Antony with tragic grandeur. These contradictory features have led to famously divided critical responses. It is difficult to classify Antony and Cleopatra as belonging to a single genre. It can be described as a history play (though it does not completely adhere to historical accounts), as a tragedy (though not completely in Aristotelian terms), as a comedy, as a romance, and according to some critics, such as McCarter, a problem play. All that can be said with certainty is that it is a Roman play, and perhaps even a sequel to another of Shakespeare's tragedies, Julius Caesar. Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.Ver libro
Candide is characterised by its sarcastic tone, as well as by its erratic, fantastical and fast-moving plot. A picaresque novel with a story similar to that of a more serious bildungsroman, it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism. Voltaire's men and women point his case against optimism by starting high and falling low. A modern could not go about it after this fashion. He would not plunge his people into an unfamiliar misery. He would just keep them in the misery they were born to. But such an account of Voltaire's procedure is as misleading as the plaster cast of a dance. Look at his procedure again. Mademoiselle Cunégonde, the illustrious Westphalian, sprung from a family that could prove seventy-one quarterings, descends and descends until we find her earning her keep by washing dishes in the Propontis. The aged faithful attendant, victim of a hundred acts of rape by negro pirates, remembers that she is the daughter of a pope, and that in honor of her approaching marriage with a Prince of Massa-Carrara all Italy wrote sonnets of which not one was passable. We do not need to know French literature before Voltaire in order to feel, although the lurking parody may escape us, that he is poking fun at us and at himself. His laughter at his own methods grows more unmistakable at the last, when he caricatures them by casually assembling six fallen monarchs in an inn at Venice. A modern assailant of optimism would arm himself with social pity. There is no social pity in "Candide." Voltaire, whose light touch on familiar institutions opens them and reveals their absurdity, likes to remind us that the slaughter and pillage and murder which Candide witnessed among the Bulgarians was perfectly regular, having been conducted according to the laws and usages of war. Had Voltaire lived today he would have done to poverty what he did to war. Pitying the poor, he would have shown us poverty as a ridiculous anachronism, and both the ridicule and the pity would have expressed his indignation.Ver libro
Some mistakes carve wounds. Others, however, carve paths—twisting, unexpected roads that lead straight to the heart of what truly matters. In A Christmas Mistake, Montgomery paints a holiday tale where a simple misunderstanding reshapes lives in ways neither regret nor logic could predict. The charm of this story lies in its warmth, its humanity, and the quiet wisdom that sometimes, what seems like misfortune is nothing more than fate wrapped in disguise. Witty, touching, and utterly Montgomery, this is Christmas storytelling at its finest—where mishaps become blessings and where the wrong road just might lead to the right home.Ver libro
A new term is beginning at Beckford College, and "Bishop" Gethryn seems to have it all: He's the head prefect of his schoolhouse, a top athlete on both the cricket and rugby teams, and is respected by his schoolmates and the Headmaster. But when his uncle arrives at the school, Gethryn's world (and that of the school's cricket team) is upended. The Prefect's Uncle is P. G. Wodehouse's second novel, and was first published in 1903. P. G. Wodehouse (died 1975) was a significant literary figure of the 20th century. Their work has endured across generations and continues to be read and studied worldwide. As a work of classic literary fiction, A Prefects Uncle exemplifies the narrative craft and social insight that defined great storytelling of its era. Literary fiction of this period was characterized by careful attention to character psychology, social milieu, and the moral questions that animated public discourse.Ver libro
