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  Wapping Workhouse (Unabridged)

  Charles Dickens

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  Charles Dickens was a writer and social critic who created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.
  WAPPING WORKHOUSE: My day's no-business beckoning me to the East-end of London, I had turned my face to that point of the metropolitan compass on leaving Covent-garden, and had got past the India House, thinking in my idle manner of Tippoo-Sahib and Charles Lamb, and had got past my little wooden midshipman.

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  Great Expectations

  Charles Dickens

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  Great Expectations is the thirteenth novel by Charles Dickens and his penultimate completed novel. It depicts the education of an orphan nicknamed Pip (the book is a bildungsroman; a coming-of-age story). It is Dickens' second novel, after David Copperfield, to be fully narrated in the first person. The novel was first published as a serial in Dickens's weekly periodical All the Year Round, from 1 December 1860 to August 1861. In October 1861, Chapman and Hall published the novel in three volumes.The novel is set in Kent and London in the early to mid-19th century and contains some of Dickens's most celebrated scenes, starting in a graveyard, where the young Pip is accosted by the escaped convict Abel Magwitch. Great Expectations is full of extreme imagery – poverty, prison ships and chains, and fights to the death – and has a colourful cast of characters who have entered popular culture. These include the eccentric Miss Havisham, the beautiful but cold Estella, and Joe, the unsophisticated and kind blacksmith.Dickens's themes include wealth and poverty, love and rejection, and the eventual triumph of good over evil. Great Expectations, popular with readers and literary critics, has been translated into many languages and adapted numerous times into various media.

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  A Slip of the Pen - From their...

  Amy Levy

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  Amy Levy was born in London, England in 1861, the second of seven in a fairly wealthy Anglo-Jewish family. The children read and participated in secular literary activities and became firmly integrated into Victorian life. 
  Her education was at Brighton High School, Brighton, before studies at Newnham College, Cambridge; she was the first Jewish student when she arrived in 1879, but left after four terms. 
  Amy’s writing career began early; her poem ‘Ida Grey’ appeared when she was only fourteen. Her acclaimed short stories ‘Cohen of Trinity’ and ‘Wise in Their Generation,’ were published by Oscar Wilde in his magazine ‘Women's World’. 
  Her poetic writings reveal feminist concerns; ‘Xantippe and Other Verses’, from 1881 includes a poem in the voice of Socrates's wife. ‘A Minor Poet and Other Verse’ from 1884 comprises of dramatic monologues and lyric poems. 
  In 1886, Amy began a series of essays on Jewish culture and literature for the Jewish Chronicle, including ‘The Ghetto at Florence’, ‘The Jew in Fiction’, ‘Jewish Humour’ and ‘Jewish Children’. 
  That same year while travelling in Florence she met the writer Vernon Lee. It is generally assumed they fell in love and this inspired the poem ‘To Vernon Lee’. 
  Her first novel ‘Romance of a Shop’, written in 1888 is based on four sisters who experience the pleasures and hardships of running a London business during the 1880s. This was followed by Reuben Sachs (also 1888) and concerned with Jewish identity and mores in the England of her time and was somewhat controversial. 
  Her final book of poems, ‘A London Plane-Tree’ from 1889, shows the beginnings of the influence of French symbolism. 
  Despite many friendships and an active life, Amy suffered for many years with serious depressions and this, together with her growing deafness, led her to commit suicide by inhaling carbon monoxide on September 10th, 1889. She was 27.

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  The Picture of Dorian Gray

  Oscar Wilde

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  "It is your best work, Basil, the best thing you have ever done," said Lord Henry, languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. The Grosvenor is the only place."    "I don't think I will send it anywhere," he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No: I won't send it anywhere."    Lord Henry elevated his eyebrows, and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion."    "I know you will laugh at me," he replied, "but I really can't exhibit it. I have put too much of myself into it."    Lord Henry stretched his long legs out on the divan and shook with laughter.  "Yes, I knew you would laugh; but it is quite true, all the same."    "Too much of yourself in it! Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you--well, of course you have an intellectual expression, and all that.    But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself an exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and consequently he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is a brainless, beautiful thing, who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him."

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  Sphinx Without a Secret The...

  Oscar Wilde

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  "The Sphinx Without a Secret" This very short story was first published in The World, in May 1887. In the story, Lord Murchison recounts to his old friend a strange tale of a woman he had loved and intended to marry, but was now dead. She had always been very secretive and mysterious, and he one day followed her to see where she went, discovering her stealthily going to a boarding house. He suspected there was another man, and confronted her the next day. She confessed to having been there, but said nothing happened. He did not believe her and left; she died some time later.

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  Les Misérables: Volume 5: Jean...

  Victor Hugo

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  Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose.
  BOOK 6: THE SLEEPLESS NIGHT: The night of the 16th to the 17th of February, 1833, was a blessed night. Above its shadows heaven stood open. It was the wedding night of Marius and Cosette. The day had been adorable.

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