Outros livros que poderiam interessá-lo

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  Baby Bird: A Short Story

  Vincent Reid Bryant

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  Allison Horvath is an attorney, a wife, and a mother. This is a day in her life.

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  The Black Man's Lament or How to...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  Routes

  Rhiya Pau

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  At the core of this debut collection is a question – what is worth holding onto?
  Through poetic experiments that blend the academic and the artistic, Rhiya Pau queries complex characters and tender landscapes. Routes journeys from Ba's kitchen in Sonia Gardens to Independence hour in Delhi, across the pink shores of Nakuru, to meet a painter on Lee High Road.
  Celebrating fifty years since her community arrived in the UK, Pau chronicles the migratory histories of her ancestors and simultaneously lays bare the conflicts of identity that arise from being a member of the East African-Indian diaspora. In this multilingual discourse exhibiting vast formal range, Pau wrestles with language, narrative and memory, daring to navigate their collective fallibilities to architect her own identity.
  '[Routes]...holds up to the light the wisdom of the past, and asks what else is passed down along with it...a work of humane intelligence, formal experiment and linguistic verve' - Sarah Howe, Judge of Eric Gregory Awards 2022

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  Stormbound

  Irtika Kazi

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  n her first poetry chapbook, the poet talks about her growth as a writer, how she was encouraged, amidst uncertainty and fear, by time spent in different landscapes and by exposure to evolution, to the wide array of events that took place in congruence with art and writing. The poems in this chapbook are interwoven with diverse themes ranging from emotions to social concerns and slivers of mythology.

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  Untitled for Now - Based on a...

  Desiree Moore

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  Helen wanted to break the cycle. 
  Raised in the deserts of Southern California by a family plagued with addiction, poverty, and trauma, Helen’s life was full of heartache and turmoil. Nevertheless, her circumstances fueled her desire to make it out. That was until one day, she broke. 
  When Helen wakes up in a mental hospital, her mind is shattered, her memories are gone, and she clings to the comfort of not remembering. But, when a memory of her daughter emerges, Helen realizes she has no choice but to unearth the painful truth and face her past. 
  Through dual timelines, readers will be immersed in the intricate tapestry of Helen’s life, gradually unraveling the events that led to her broken state. 
  Untitled for Now captures the difficulty of breaking chains, the essence of mother/daughter relationships, grief, and finding forgiveness for yourself. It is a novel for those who revel in the lived experiences of others and want to know that even the saddest stories can have a happy ending.

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  Female Poets of the Nineteenth...

  George Eliot

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  For much of history women have been seen rather than heard. Their thoughts, their views have lain too long in the shadows of our culture.  Whilst this traditional view has some merit it is not entirely accurate. 
  Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. 
  For the Female Poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere.  These lines, these gilded verses often protest otherwise. 
  The contribution of women in these earlier centuries is immense and in this series we bring together poets who have created some of the most beautiful and expressive verses ever written.  And remember these words, these telling lines, have been written against the grain of society's male bias.  With their remembered words these female poets have given us a history that we can all now share. 
  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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