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  Run Away Home

  Toni Lynn Britton

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  1st Poetry collection from Toni Lynn Britton -- Toni B.  A Hampton Roads poet in true fashion, as she came upon our shores from distant lands, starting in Ohio.  This is the story of how a poet leaves home to find... Home.The author brings us through her experiences with family, relationships, grief, life challenges and finding peace in a moving world.

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  Now I Lay Me Down to Fight - A...

  Katy Bowser Hutson

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  In stirring verse and essays, Katy Bowser Hutson chronicles her battle with breast cancer and the complications of faith amid such a fight. Accentuated by the art of Jodi Hays, Katy's words lead us through the realization of cancer, the experience of chemotherapy and a mastectomy, relentless rounds of radiation, the uncertainty of ongoing treatment, and what comes after survival. She writes in resistance to sickness, of wrestling toward beauty:
  Cancer is an overgrowth, a kudzu:Tangling and strangling legitimate life.
  
  Chemo is a killing, a burning out:
  
  Burning down to ashy carbon, indiscriminately
  
  But cancer, did you know that I am a poet?
  Through it all, she shows what it means to struggle in a battered body and to pray to a God who is near to the broken. Join her in this consideration of mortality and witness her persisting trust in God's unseen ways.

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  The Poetry of Michael Drayton -...

  Michael Drayton

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  Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown.  
  Drayton first published, in 1590, a volume of spiritual poems; The Harmony of the Church.  Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed. 
  In 1593 he published Idea: The Shepherd's Garland, 9 pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64 sonnet cycle. 
  With the publication of The Legend of Piers Gaveston, Matilda and Mortimeriados, later enlarged and re-published, in 1603, under the title of The Barons' Wars. His career began to gather interest and attention.  
  In 1596, The Legend of Robert, Duke of Normandy, another historical poem was published, followed in 1597 by England's Heroical Epistles, a series of historical studies, in imitation of those of Ovid. Written in the heroic couplet, they contain some of his finest writing. 
  Like other poets of his era, Drayton wrote for the theatre; but unlike Shakespeare, Jonson, or Samuel Daniel, he invested little of his art in the genre. Between 1597 and 1602, Drayton was a member of the stable of playwrights who worked for Philip Henslowe. Henslowe's Diary links Drayton's name with 23 plays from that period, and, for all but one unfinished work, in collaboration with others such as Thomas Dekker, Anthony Munday, and Henry Chettle. Only one play has survived; Part 1 of Sir John Oldcastle, which Drayton wrote with Munday, Robert Wilson, and Richard Hathwaye but little of Drayton can be seen in its pages. 
  By this time, as a poet, Drayton was well received and admired at the Court of Elizabeth 1st. If he hoped to continue that admiration with the accession of James 1st he thought wrong.  In 1603, he addressed a poem of compliment to James I, but it was ridiculed, and his services rudely rejected.  
  In 1605 Drayton reprinted his most important works; the historical poems and the Idea. Also published was a fantastic satire called The Man in the Moon and, for the for the first time the famous Ballad of Agincourt. 
  Since 1598 he had worked on Poly-Olbion, a work to celebrate all the points of topographical or antiquarian interest in Great Britain. Eighteen books in total, the first were published in 1614 and the last in 1622.  
  In 1627 he published another of his miscellaneous volumes.  In it Drayton printed The Battle of Agincourt (an historical poem but not to be confused with his ballad on the same subject), The Miseries of Queen Margaret, and the acclaimed Nimphidia, the Court of Faery, as well as several other important pieces. 
  Drayton last published in 1630 with The Muses' Elizium.  
  Michael Drayton died in London on December 23rd, 1631.  He was buried in Westminster Abbey, in Poets' Corner.  A monument was placed there with memorial lines attributed to Ben Jonson. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Naming the Trees

  Ness Owen

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  In this our imagined future we watch them sound the trees hoping for deadwood, knowing the living are always harder to cut.
  – Show Us What it is to Love a Forest with Song
  A deep-dive into the human relationship with trees and how trees have shaped folklore and literature. Sparked by a campaign to save the ancient forest of Penrhos, an SSSI on Ynys Môn, from being turned into a holiday camp, Ness explores Welsh folklore of trees and her own love for and engagement with the trees and other wild aspects of her home, as well as more common garden flowers, which should be treated with respect (Daffodils are Dangerous). Ness has an ongoing conversation with her native language and some poems are presented bilingually: there is a link to be made between the disregarding of native language and the disregarding of native habitat. Far more than a book of nature poems there is a simmering frustration at the casual way we despoil our environment without any concern for what is destroyed or the ongoing impact of that destruction.

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  From A Bird's Eye view - Life...

  Wadzanai Chiwereza

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  This book was written over a period of ten years. These poems are inspirational, they leave the reader with points to ponder. The book is inspired by real life experiences and stories from those around me. The book covers a wide range of topics from family dynamics, love, oppression, xenophobia, discrimination. It touches on issues, that people are not comfortable sharing. The book cover was painted by a great friend, whom I consider a sister, a Kenyan painter and art entrepreneur Wanjiru Kibera. We met in France 10 years ago. So I hope this book will be a full artistic encounter, that will enrich and touch  your soul. I hope it will cause reflective thinking.  
  As, for me the author, I have a Bachelor's degree in French Theatre and Cinema, both practical and theoretical (Arts du Spectacle/Performing Arts) from the prestigious French University : Université de Grenoble Alpes. 
  For speaking engagements, you can contact me at wchiwereza@gmail.com/ wadzichiwez@gmail.com

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  Bad Weather Mammals - Poems

  Ashley-Elizabeth Best

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  “The sick should be good. / It is a kind of undoing,” Ashley-Elizabeth Best writes in her second collection. Bad Weather Mammals navigates the devastations and joys of living in a disabled and traumatized body. By taking a backward glance, she traces how growing up under the maladaptive bureaucracy of social services with a single disabled mother and five younger siblings led her to a precarious future in which she is also disabled and living on social assistance. In poems that explore a variety of formal constraints, such as the suite “ODSP 1, 2, & 3,” which infuses government forms with lyric poetry, she suggests all the ways the medical and bureaucratic systems can dehumanize and traumatize our most vulnerable citizens. By digging deep into her own experiences, Best has archived the ways we fail each other in our most desperate times — while at the same time outlining how we can show up to revel in disabled joy and community. Bad Weather Mammals disassembles dominant narratives about how disabled individuals should be and reconceptualizes the embodied experiences that recenter us in our own narrative.

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