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  Frankenstein

  Mary Shelley

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  Frankenstein by Mary Shelley is a thrilling and captivating novel that has mesmerised readers for over 200 years.  
  The story follows the brilliant and ambitious scientist, Victor Frankenstein, as he creates a monstrous being using stolen body parts. But as the creature struggles to find acceptance and meaning in a hostile world, Victor is consumed by guilt and fear, realising too late the horrifying consequences of his actions. As the two engage in a battle of wills and wits, Shelley's vivid and evocative language paints a chilling picture of a world gone awry, where science and technology have unleashed dark and dangerous forces beyond our control. "Frankenstein" is a haunting tale of ambition, revenge, and the consequences of playing God, which continues to shock and captivate readers today. 
  This new audio edition is brought to life for 21st century listeners by narrator Jake Urry.

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  The Secret Places of the Heart

  H. G. Wells

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  A tired American businessman and a psychiatrist take a motor tour of the West Country — Stonehenge, Avebury, Salisbury, Glastonbury — and talk, for a week, about the man's marriage, his mistress and what is wrong with him. Wells trained under Darwin's champion Huxley and brought a biologist's eye to fiction; this 1922 novel is barely disguised autobiography, and the stones are the only thing not talking.

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  Father Goriot - The Illustrated...

  Honoré de Balzac

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  In a shabby Paris boarding house an old vermicelli merchant sells the last of his silver to keep two daughters in the gowns their marriages require, while upstairs a law student learns the city's actual curriculum. Balzac compresses the whole Human Comedy into one street, and Rastignac's challenge from the cemetery closes it. Paintings of gas-lit streets, candlelit garrets and glittering salons; Gilded Library ornament of boarding-house key, mantel clock and tallow.

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  Paul's Case - From their pens to...

  Willa Cather

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  Willa Sibert Cather had Welsh ancestry but like her parents Charles and Mary, was born in Virginia, on 7th December 1873.  Despite strong roots in the community, Willa was 9, when the family moved to Nebraska, to work the rich soil and avoid TB of which there were numerous outbreaks in Virginia.   
  The vastness and drama of the Nebraska prairie and its’ extreme weather conditions as well as the many diverse cultures of the local families proved to be a major influence on her and can be evidenced in much of her later writing.   
  Her first writing was for the local journal when she was at the University of Nebraska and later became the managing editor of the student newspaper.    
  In 1896 she obtained work for a woman’s magazine in Pittsburgh and soon after became a regular contributor to the Pittsburgh Leader and wrote poetry and short stories for the Library, another local publication.   
  Her first collection of short stories, ‘The Troll Garden’, was published in 1905 and contains several of her most famous including ‘A Wagner Matinee’ and ‘Paul's Case.’ As a writer Cather was now taking immense strides forward.   
  Between 1913 and 1918 Cather wrote her Prairie Trilogy: ‘O Pioneers!’, ‘The Song of the Lark’, and ‘My Ántonia’ and in 1922 the Pulitizer Prize was hers for her novel ‘One of Ours’ set during WWI.  
  Acknowledged as one of America's greatest writers’ further honours flowed. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year Cather received the gold medal for fiction from the National Institute of Arts and Letters.  
  A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. 
  On 24th April 1947, Willa Siebert Cather died of a cerebral haemorrhage at her Manhattan home. She was 73.

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  The Thing in the Weeds

  William Hope Hodgson

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  William Hope Hodgson's "The Thing in the Weeds" is a short horror tale of the Sargasso Sea, in which a ship and her crew venture near a mysterious, weed-choked waterway where an unseen, malevolent presence lurks. The story first appeared in the magazine The Storyteller, in its January 1913 edition.

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  Woodcutters

  Thomas Bernhard

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  Fiercely observed, often hilarious, and "reminiscent of Ibsen and Strindberg" (The New York Times Book Review), this exquisitely controversial novel was initially banned in its author's homeland. 
   
   
    
  A searing portrayal of Vienna's bourgeoisie, it begins with the arrival of an unnamed writer at an 'artistic dinner' hosted by a composer and his society wife—a couple he once admired and has come to loathe. The guest of honor, a distinguished actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the writer, who narrates a silent but frenzied tirade against these former friends, most of whom have been brought together by Joana, a woman they buried earlier that day. Reflections on Joana's life and suicide are mixed with these denunciations until the famous actor arrives, bringing an explosive end to the evening that even the writer could not have seen coming.

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