Other books that might interest you

• 

  Actor's Guide To Mastering the...

  Oscar Stanley

  • 0
  • 0
  • 0

  Unlock the power of the Indian accent and bring your characters to life with authenticity and confidence. Whether you're preparing for a specific role or expanding your range as an actor, mastering this accent can set you apart in auditions and on screen. This audio-based training guides you through every step, helping you sound natural, nuanced, and believable — without falling into stereotypes. 
  The course breaks down the unique sound patterns of Indian-accented English, teaching you how to shape vowels, soften consonants, and replicate the musical rhythm that defines the accent. You'll learn how regional languages influence speech, giving your delivery a natural flow that goes beyond surface imitation. With a focus on ear training and vocal drills, you'll fine-tune every sound while developing an instinct for the accent's melody and pacing. 
  This training is designed to help actors create rich, layered performances. You'll understand not only how the accent sounds, but why it sounds that way — from the influence of Indian language structure to the subtle shifts in emphasis and intonation. By connecting the accent to character and context, you'll avoid clichés and build performances that feel grounded and authentic. 
  Every lesson is crafted with actors in mind, combining technical precision with practical exercises. Dialogue practice helps you integrate the accent into performance, preparing you for auditions, rehearsals, and on-camera work. The flexible audio format fits easily into your daily routine, letting you learn at your own pace. 
  With the right training, an accent becomes a powerful tool for storytelling. Mastering the Indian accent will give you the confidence to step into any role and deliver performances that are both compelling and true to life.

  Show book

• 

  Traveling Salesman's Son

  William Bernhardt

  • 0
  • 0
  • 0

  In his latest collection, William Bernhardt again demonstrates that he is a true poet, one whose work accomplishes the difficult task of being both accessible and profound. He communicates with grace and illumination, avoiding the obscurity and obfuscation that sometimes causes readers to avoid modern poetry. He writes about the subjects that matter most: personal relationships, family, children, and the challenges of everyday life. Bernhardt is a poet who appeals even to those who think they don't like poetry and is cherished by those who do. 
  While addressing subjects of everlasting import, Bernhardt's poems are engaging, relevant, and sometimes playful, reminiscent of beloved predecessors such as Billy Collins and Robert Frost. Readers will be struck by the versatility of the poems and the wide range of form. Smart, lyrical, observant, and textured, these poems explain why Rilla Askew (Kind of Kin) called Bernhardt "a compelling new voice in American poetry" and R.C. Davis-Undiamo (World Literature Today) named him one of "the nation's literary treasures." 
  "William Bernhardt writes with warmth, wit, and a clear desire to commune with his reader. Whether he is working in free verse or in meter and rhyme, Bernhardt makes of poetry a way of connecting person to person. Like Montaigne, Bernhardt is a man consubstantial with his book, and the full range of human feeling is on display in these poems with great honesty and ardent empathy." —Benjamin Meyers, OK Poet Laureate, Crouch-Mathis Professor of Literature, OBU

  Show book

• 

  Columbus - 19th century poem...

  James Russell Lowell

  • 0
  • 0
  • 0

  James Russell Lowell was born on 22nd February 1819 in Cambridge, Massachusetts. 
  Lowell graduated from Harvard in 1838, and thence on to earn a law degree from Harvard Law School.  
  His literary life began in 1841 with his first published collection of poetry.  Three years later he married Maria White and they had several children although, sadly, only one was to survive childhood. 
  A consuming issue at the time was the abolition of slavery.  Lowell was a staunch supporter even going so far as to move to Philadelphia to edit an abolitionist newspaper.  His poems were fully in support of Emancipation and the ending of this terrible abomination.  His later views were milder and came in for some criticism.  
  His publication in 1848 of the long poem ‘A Fable for Critics’, satirising the poets and critics of the then current poetry scene caused an uproar.  That same year came ‘The Biglow Papers’, which increased his fame and his finances.  His use of the Yankee accent in his character’s dialogue was an inspiration for many. 
  Maria died in 1853 and Lowell decided to travel to Europe for some time before returning to Harvard to take up a professorship of languages.   In 1857 he re-married and also took on the editorship of that key periodical ‘The Atlantic Monthly’ whilst continuing to teach at Harvard. 
  Lowell wrote and published poetry and essay collections throughout his literary career and is acknowledged as one of the ‘Fireside Poets’, a group of New England poets that rivalled the popularity of British poets.  Their work was not controversial and suitable for whole families to enjoy hence their name and appeal.  Whilst Lowell’s own work does not now attract the same praise as his then contemporaries, he was their equal. 
  Towards the end of his life Lowell was appointed as ambassador to the Kingdom of Spain and later to the Court of St. James's.  
  His last years were a return home to his estate in Cambridge, Massachusetts.  By the summer of 1891 doctors had diagnosed cancer in his kidneys, liver and lungs.  There was nothing that they could do except prescribe opium for the pain. 
  James Russell Lowell died on the 12th of August 1891 on the Cambridge estate where he was also born.  He was 72.

  Show book

• 

  The Southbury Child (NHB Modern...

  Stephen Beresford

  • 0
  • 0
  • 0

  Raffish, urbane and frequently drunk, David Highland has kept a grip on his remote coastal parish through a combination of disordered charm and high-handed determination.
  When his faith impels him to take a hard line with a bereaved parishioner, he finds himself dangerously isolated from public opinion. As his own family begins to fracture, David must face a future that threatens to extinguish not only his position in the town, but everything he stands for.
  Stephen Beresford's play The Southbury Child is a darkly comic drama exploring family and community, the savage divisions of contemporary society, and the rituals that punctuate our lives. It was co-produced by Chichester Festival Theatre and the Bridge Theatre, London, in 2022, starring Alex Jennings and directed by Nicholas Hytner.

  Show book

• 

  Four One-Act Plays by WB Yeats

  W. B. Yeats

  • 0
  • 0
  • 0

  Set against the backdrop of Ireland’s struggle for freedom, "Cathleen Ní Houlihan" unfolds with quiet intensity as a young man’s ordinary life is gradually overtaken by a strange and irresistible call to something greater. In the presence of a beguiling visitor whose words seem to shimmer with myth and longing, dreams of marriage and home give way to visions of sacrifice and national pride. W.B. Yeats weaves a lyrical, otherworldly tale that blurs the line between reality and enchantment, capturing the powerful sway of idealism, identity, and the mysterious forces that drive people to give everything for a cause--the cause for Ireland's freedom. 
  Brimming with charm and mischief, "The Pot of Broth" is a delightful one-act comedy co-written with Lady Gregory in which a clever wanderer, armed with nothing but an empty pot and a silver tongue, convinces a wary country couple that he can brew a magical broth from a simple stone. As tall tales bubble up alongside the imaginary soup, the ordinary kitchen becomes a stage for trickery, laughter, and the quiet magic of believing in just a little more than what’s in front of you. Come into the Irish countryside, where even the poorest pot can cook up a most entertaining story. 
  W.B Yeats' "Purgatory" is a grim representation of generational guilt and spiritual entrapment, as a father confronts the ghosts of his family’s past in the ruins of a once-noble home, where memory and violence echo years afterwards. 
  Meanwhile, in "The Cat and the Moon," two beggars—one blind, one lame—make their way to a holy well where Saint Colman resides in the hopes of curing their respective ailments. But when given the opportunity of being healed or being blessed, both beggars are forced to reassess their convictions. Will they use their newfound gifts for justice, or will they accept placement in the hereafter?

  Show book

• 

  How We Begin

  Elisabeth Lewerenz

  • 0
  • 0
  • 0

  Helen and Diana are perfect for each other: they've both got good degrees, busy jobs and nice flats. There's just one small problem – Diana's got a boyfriend.
  Elisabeth Lewerenz's play How We Begin is a tender exploration of love, queerness and identity. It was staged at VAULT Festival, London, in 2023, and won the VAULT Festival Award at the OffFest Theatre Festival Awards in 2024. An earlier version was staged at the King's Head Theatre, Islington, in 2019.

  Show book