Publisher: Icarsus
Content : Unhappiness The Judgment Before the Law The Metamorphosis A Report to an Academy Jackals and Arabs A Country Doctor In the Penal Colony A Hunger Artist The Trial The Castle Amerika A Little Fable The Great Wall of China The Hunter Gracchus The Burrow
A vivid and compelling thriller about belief and retribution. Mustafa is in prison for the death of a teenage boy during an exorcism. Racked with guilt at the loss of an innocent life and isolated in a world where his beliefs are constantly challenged, he's trying to avoid trouble. But when prisoners who taunt him suffer mysterious injuries and prison officers start behaving strangely, Mustafa realises the spirit he tried to banish is still with him, and he must confront it once again. Naylah Ahmed's play Mustafa was first performed at Soho Theatre, London, in 2012 in a co-production by Kali Theatre and Birmingham Rep. 'Compelling and engaging' - Whatsonstage.com 'Manages to combine such explosive themes as power, violence, notions of guilt, psychological torture and the competing loyalties of faith and family with a persuasive and surprising theatricality... A sensitive and shocking piece of work' - www.onestoparts.com 'Weaves a cool and cunning story… delivers a good few cold shivers' - Time Out 'Naylah Ahmed uses the ideas of possession and haunting as a tantalising way of exploring perceptions of (and prejudices towards) 'otherness'' - Metro (London)Show book
A day and a night in the city that never sleeps. A young woman arrives into JFK with time to kill until her departure tomorrow. She looks up an old college friend who lives in the city. With thirty-one hours till she has to leave, she's taken on a whistle-stop tour of the city. Chronicling a night of debauchery and delicate connection followed by a difficult parting in the cold light of day, Gary Duggan's play Stop/Over asks what these little moments mean. First performed as a rehearsed reading at the Abbey Theatre, Dublin, in 2008, this new expanded version premiered at the Dublin Fringe Festival in September 2018, in a production by On The Quays.Show book
Charlotte Turner Smith was born on 4th May 1749 in London. Her early years were dominated by her mother’s early death and her father’s reckless spending. At age 15 she married Benjamin Smith in order to rid her father of his gambling debts. Charlotte was later to write that she now become a "legal prostitute". Benjamin was violent, unfaithful, more reckless with monies than her father and completely unsupportive with her writing that she had begun to spend more time on. In 1766, Charlotte and Benjamin had the first of their twelve children. She helped with her Father in law’s business and upon his death he left much to Charlotte and her children but this inheritance was tied up in legal wranglings that lasted for 40 years and became the inspiration for Dickens' central case in Bleak House. Her husband's spending landed him in prison and as was allowed at the time, Charlotte moved in to join him. It was here in 1784, that she wrote and published her first work, Elegiac Sonnets. It was an instant success, allowing Charlotte to pay for their release from prison and contributing to a revival of the sonnet. Charlotte moved to Chichester where she began to write novels believing she could earn more from their sale and rather unusually publishing all her work under her own name. Her first novel, Emmeline in 1788, was a success and in the next decade she wrote nine more. However, despite their initial success, her finances were a constant source of concern and she was often in debt being forced to move home frequently and impacting on declining health. By 1803, Smith was again poverty-stricken with severe gout which made writing painful and later almost paralysed her. On 23 February 1806, Charlotte finally received some of the inheritance, but was too ill to do anything with it and died on October 28th 1806. William Wordsworth described her as a poet "to whom English verse is under greater obligations than are likely to be either acknowledged or remembered".Show book
In his latest collection, William Bernhardt again demonstrates that he is a true poet, one whose work accomplishes the difficult task of being both accessible and profound. He communicates with grace and illumination, avoiding the obscurity and obfuscation that sometimes causes readers to avoid modern poetry. He writes about the subjects that matter most: personal relationships, family, children, and the challenges of everyday life. Bernhardt is a poet who appeals even to those who think they don't like poetry and is cherished by those who do. While addressing subjects of everlasting import, Bernhardt's poems are engaging, relevant, and sometimes playful, reminiscent of beloved predecessors such as Billy Collins and Robert Frost. Readers will be struck by the versatility of the poems and the wide range of form. Smart, lyrical, observant, and textured, these poems explain why Rilla Askew (Kind of Kin) called Bernhardt "a compelling new voice in American poetry" and R.C. Davis-Undiamo (World Literature Today) named him one of "the nation's literary treasures." "William Bernhardt writes with warmth, wit, and a clear desire to commune with his reader. Whether he is working in free verse or in meter and rhyme, Bernhardt makes of poetry a way of connecting person to person. Like Montaigne, Bernhardt is a man consubstantial with his book, and the full range of human feeling is on display in these poems with great honesty and ardent empathy." —Benjamin Meyers, OK Poet Laureate, Crouch-Mathis Professor of Literature, OBUShow book
The collection Poems: Series One presents the first installment of the complete poetic works of Emily Dickinson. It is broken into the four parts Life, Love, Nature, and Time and Eternity and includes 115 poems.Emily Elizabeth Dickinson (December 10, 1830 - May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry. Dickinson was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's house in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, to even leave her bedroom. Dickinson never married, and most friendships between her and others depended entirely upon correspondence. While Dickinson was a prolific writer, her only publications during her lifetime were 10 of her nearly 1,800 poems, and one letter. The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era. They contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends, and also explore aesthetics, society, nature and spirituality. Although Dickinson's acquaintances were most likely aware of her writing, it was not until after her death in 1886 - when Lavinia, Dickinson's younger sister, discovered her cache of poems - that her work became public. Her first collection of poetry was published in 1890 by personal acquaintances Thomas Wentworth Higginson and Mabel Loomis Todd, though both heavily edited the content. A 1998 article in The New York Times revealed that of the many edits made to Dickinson's work, the name Susan was often deliberately removed. At least eleven of Dickinson's poems were dedicated to sister-in-law Susan Huntington Gilbert Dickinson, though all the dedications were obliterated, presumably by Todd. A complete, and mostly unaltered, collection of her poetry became available for the first time when scholar Thomas H. Johnson published The Poems of Emily Dickinson in 1955.Show book
A true poet or singing artist may experience writers block or may stop writing due to a tragic event, however, their soul has such a great amount of passion or fiery for their craft; they cannot cease. Till The Ink Is Done is a book with collections of influential poems and quotes that speak messages that touch our lives as humans everyday, from struggles, betrayal, relationships, working hard, successes, self achievement, and overcoming the odds like the 300 Spartan men that fought their enemies in Thermopylae.Show book
