Other books that might interest you

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  A Supreme Love - The Music of...

  William Edgar

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  The Gospel Coaltion Award of Distinction—Arts and Culture
  ECPA Top Shelf Award Winner
  For practitioners and fans, jazz expresses the deepest meanings of life. Its rich history and its distinctive elements like improvisation and syncopation unite to create an unrepeatable and inexpressible aesthetic experience. But for others, jazz is an enigma. Might jazz be better appreciated and understood in relation to the Christian faith?
  In this volume, theologian and jazz pianist William Edgar argues that the music of jazz cannot be properly understood apart from the Christian gospel, which like jazz moves from deep lament to inextinguishable joy. By tracing the development of jazz, placing it within the context of the African American experience, and exploring the work of jazz musicians like Miles Davis, Duke Ellington, John Coltrane, Ella Fitzgerald, and Louis Armstrong, Edgar argues that jazz deeply resonates with the hope that is ultimately found in the good news of Jesus Christ.
  Grab a table. The show is about to begin.

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  Scripting Empire - Broadcasting...

  James Procter

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  Scripting Empire recovers the literary and cultural history of West Indian and West African writing at the BBC in order to rethink the critical mid-century decades of shrinking British sovereignty, late modernism, and mass migration to the metropole. Between the 1930s and the 1960s, a remarkable group of black Atlantic artists and intellectuals became producers, editors, and freelancers at the corporation. Operating at the interface of a range of literary and broadcast genres, this loose network of African Caribbean writers and thinkers prompt a reassessment of the aesthetic, formal, and political fallout of decolonization between the outbreak of World War II and the first airings of post-colonial independence. 
   
   
   
  Scripting Empire works comparatively across dozens of different programs spanning the General Overseas Service, Home Service, Light Program, and Third Program. Drawing upon a transnational archive of materials, including scripts, correspondence, periodicals, visual records, and sound recordings, it seeks to reposition the cultural contribution of West Indians and West Africans within a more pervasive and porous account of radio transmission, the legacy of which extends well beyond broadcasting.

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  Box Set: Fast Cheap and Under...

  John Gaspard

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  Two classic filmmaking books in one box set:  
  "Fast, Cheap and Under Control: Lessons Learned from the Greatest Low-Budget Movies of All Time" Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Includes never before published interviews with low-budget mavericks such as Steven Soderbergh, Roger Corman, Jon Favreau, Henry Jaglom, and many more.  
  "Fast, Cheap and Written That Way: Top Screenwriters on Writing for Low-Budget Movies" Hollywood's top screenwriters look back at their early low-budget efforts and provide valuable tips, tricks, and advice on how to create a solid screenplay for a low-budget movie. Includes in-depth interviews with: Tom DiCillo (Living in Oblivion), Whit Stillman (Metropolitan), Richard Glatzer (Grief), Henry Jaglom (Venice/Venice), Dan Futterman (Capote), John McNaughton (Henry: Portrait of a Serial Killer), Coleman Hough (Bubble), Rebecca Miller (Personal Velocity), Stuart Gordon (Re-Animator), Joan Micklin Silver (Hester Street), Ali Selim (Sweet Land), Stephen Belber (Tape), Eric Bogosian (subUrbia), George Romero (Martin), Bob Clark (Children Shouldn't Play With Dead Things), Roger Nygard (Suckers), Alex Cox (Repo Man), Amy Holden Jones (Love Letters), Kenneth Lonergan (You Can Count On Me), Dylan Kidd (Roger Dodger), LM Kit Carson (Paris, Texas), Kasi Lemmons (Eve's Bayou), and Miranda July (Me and You and Everyone We Know).  
  "We never put out an actual textbook for the Corman School of Filmmaking, but if we did, it would be Fast, Cheap and Under Control." — Roger Corman, Producer, New Horizons  
  "This terrific little book explains how to make every penny count on the often arduous journey from script to screen." — John Carpenter, Director, Halloween, Starman, Escape from New York 

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  So You Want To Do A Solo Show?

  Gareth Armstrong

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  A unique guide to every aspect of putting on your own solo show: choosing the subject, raising the finance, booking the venue - and performing it!
  More and more actors – faced with ever longer periods of unemployment – are turning to the solo show as a way of keeping active, keeping visible, and keeping the wolf from the door! This book is essential reading for anyone contemplating such a move, and comprehensively covers every aspect of putting on your own one-person show.
  Being a veteran of the solo-show circuit, as a writer, performer and director, Gareth Armstrong is the ideal guide. He takes you step by step through each stage of the process:
  Choosing the right material – or devising your own
  Raising the finance
  Finding the venues
  Hiring a bookings manager and other personnel
  Arranging publicity
  Winning an audience
  There is a special section on that mecca for solo shows, the Edinburgh Fringe, and an extensive appendix covering funding bodies, venues, festivals and more. Throughout the book, Armstrong illustrates his points with case studies of actual solo shows by performers such as Miriam Margolyes, Linda Marlowe and Guy Masterson.
  'So You Want To Do A Solo Show? is a thorough, meticulous, hands-on, "how-to-do" manual, covering everything from the germination of an idea right through to the costing of the flyers. It is, I think, the most valuable read for any performer who has ever thought "If only I could have some control over the way my career is going"' Maureen Lipman, from her Foreword

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  Anna Pavlova

  Vera Krasovskaya

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  Episodes from life and work of the great ballerina Anna Pavlova.

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  On Language

  John Grant

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  As one of the most strikingly original lyricists going, it's entirely unsurprising that John Grant has a life-long interest in language and languages—from the academic solace he found in his school days  upon discovering his talent for German, through to his love of Russian and the Icelandic language of his current home, Grant has found succour, relief and stimulation in words and how they work. In this fascinating interview with the writer Will Burns, John Grant's passion for language provides the foundations for hilarious and heartbreaking digressions on his own life, on politics, on history, on music and much more—John Grant On Language functions as a compelling and unique portrait of an artist in, and through, words.

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