Altri libri che potrebbero interessarti

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  Pop Scars - '90s Pop Addiction...

  Anthony Kavanagh

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  The shocking, tell-all memoir from '90s popstar and heart-throb formerly known as KavanaBorn in Manchester in 1977, Anthony Kavanagh's rise to fame was stratospheric, scoring a record deal at the age of just eighteen and winning the much-coveted Smash Hits Male Artist of the Year Award in 1997, all the while achieving top ten hits, appearing on countless magazine covers, performing on Top of the Pops and gigging alongside the Spice Girls. The stuff that dreams are made of.  But Anthony - or Kavana as he came to be known - was also trying to keep his sexuality a secret while navigating his way through an industry where image was everything; where his success depended on him having to be exactly who he wasn't.What followed was a dark and dangerous spiral into addiction, an illness that would insidiously follow and baffle him for years to come. Pop Scars is a story told with fearless honesty that's at times as funny as it is heartbreaking, chronicling the highs, the lows, the self-destruction and the chaos of hitting rock bottom and then finding out that rock bottom has a basement.Thirty years on, Anthony is ready to tell his jaw-dropping story. Pop Scars is a book about teenage stardom, fame, addiction, grief and - ultimately - survival and sobriety.

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  Between the Lines -...

  Eric Simonson

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  In the spring of 2022, the renowned Steppenwolf Theatre Company boldly, and perhaps cavalierly, re-emerged from the Covid-19 pandemic with a brand new, 43 million dollar, state-of-the-art theatre. Director Yasen Peyankov insisted he cast the premiere production - a brand new, adaption of The Seagull - with as many Steppenwolf ensemble members as possible. This meant coaxing one non-actor, director and writer Eric Simonson, into coming back to the stage after a 33 year absence. Taking a leap in the dark, and battling the demons of stage-fright, confidence and homesickness, Simonson took up the challenge and started on a journey into the great theatrical unknown. Part diary, part history of the Chicago Theater Renaissance, this memoir takes the reader behind the scenes of a Steppenwolf classic, and inside the head of a man desperate to rediscover the joy and craft of acting.

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  Eating Chilli Crab in the...

  Matthew Schneider-Mayerson

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  In this era of climate crisis, in which our very futures are at stake, sustainability is a global imperative. Yet we tend to associate sustainability, nature, and the environment with distant places, science, and policy. The truth is that everything is environmental, from transportation to taxes, work to love, cities to cuisine. 
   
   
  This book is the first to examine contemporary Singapore from an ecocultural lens, looking at the ways that Singaporean life and culture is deeply entangled with the nonhuman lives that flourish all around us. The authors represent a new generation of cultural critics and environmental thinkers, who will inherit the future we are creating today. From chilli crab to Tiger Beer, Changi Airport to Pulau Semakau, O-levels to orang minyak films, these essays offer fresh perspectives on familiar subjects, prompting us to recognise the incredible urgency of climate change and the need to transform our ways of thinking, acting, learning, living, and governing so as to maintain a stable planet and a decent future.

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  Composing for the Jazz Orchestra

  William Russo

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  "Although it will be of primary interest to those who are engaged in composition themselves, [this] book is also recommended for readers who may wish to gain further insight into just what makes jazz composition so different from traditional approaches."—Malcolm Bessom, The Music Magazine

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  Nothing New But Abortive Gasp -...

  Ludwig Kamberlein

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  „Nothing New But 'Abortive Gasp'“ portrays the short-lived, controversial Hamburg electro-industrial band Abortive Gasp (1987–1989). Founded by Harry Luehr (instruments) and Tim Paal (vocals) with rotating guests, they stood out for their high improvisation – unusual in the electronic scene. Their sound mixed early dub, parodies of Front 242/Ministry, and ironic-anarchic elements. As „Hamburg Bunker Bands“ (with Girls Under Glass), they played clubs like Kir or Stairways near the Schanzenviertel Flakbunker – a refuge from scene hostility. 
  The name „Abortive Gasp“ (antinatalist undertones) triggered constant debates as an alleged attack on family norms, though the band never took an explicit stance on abortion. Harry Luehr later: „The name can be programmatic, but it was more a vague premonition of our future paths.“ Childlessness was viewed as failure in the late 80s; today it’s normal (career, pets, free sexuality as balance). 
  Their openly apolitical attitude – „We don't need any moral standards!“ – isolated them in left-leaning Hamburg indie circles; international supporters (Don Campau, Brian Duguid) were more open. Despite provocations, it ended in 1989: Final gig supporting Borghesia at Kir. „End, out, over … Break successfully completed.“ 
  The feature contrasts the era’s taboo-breaking openness (Skinny Puppy, Marilyn Manson hailed as subversive) with today’s sensitivity: Creative edge now only accepted with „clean“ political alignment – exactly what Abortive Gasp refused. It illuminates the left’s shift toward state reconciliation, rising sex-negativity in progressive spaces, and why apolitical-provocative art barely survives today – especially in Gothic/Darkwave scenes demanding explicit stances. 
  This is the English version as primary/supplementary chapter; the German version („Nichts Neues außer 'Abortive Gasp'“) precedes it as the first chapter.

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  120 Famous Easy Piano Songs for...

  Veronica Ramirez, TEDMA Academy

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  Would you like to learn to play piano with famous and fun melodies from around the world? 
  120 Famous Easy Piano Songs for Beginners is more than a songbook, it's a step-by-step piano course with lessons and music theory, based on famous tunes and simplified classical pieces. It's perfect for ages 11 and up, and for adults of any age, even without prior musical experience. 
  Teach yourself how to play piano with songs that progress step by step from very easy to intermediate level, with sheet music, note names, finger numbers, and video tutorials showing you where to place your fingers and how to read the music. 
  Written by piano professor Veronica Ramirez, who holds a Bachelor of Music, and a M.A. in Music Education degree, and based on 25+ years of experience and educational research, this audiobook is designed for self-learners or those with a teacher wanting to complement their learning. 
  Here is what you will find:120 famous and fun melodies from around the world.A complete guide to reading music.Pieces in progressive order of difficulty.Divided into sections: you’ll first play with one hand, then with chords, and finally with both hands.The first melodies include note names and finger numbers written on the sheet music (provided in PDF).A bonus set of highly educational video tutorials showing exactly how to play each piece.A chord guide with visual diagrams to help you learn, play, build, and transform chords (PDF).Music Theory made easy.Exercises and practice routines, including scales, arpeggios, and chords, to develop your piano technique. 
  So, if you're ready to play songs you love and build solid piano skills, scroll up and click “Add to Cart” to get your copy today!

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