Outros livros que poderiam interessá-lo

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  I'm Prancing As Fast As I Can -...

  Jon Kinnally, Ryan O'Connell

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  WARNING: Those who don't remember my past are doomed to repeat it.I'm Prancing As Fast As I Can is a coming of Gay story that takes us from a scared, self-hating kid who spends most of his time under his desk staring at the hunky man on the Doan's Pills box, to becoming a writer on Will & Grace, helping to make it a little easier for other scared, self-hating kids who might also be hiding and staring at their secret desire. It's a journey through Olympic mustaches and when Chér's name had an accent and losing your virginity to a trucker and chasing Gay bashers in six-inch heels dressed as a drag bunny and a terrible virus and memorials and memorials and memorials and ACTing UP and using the word "lover" and having a fan who's also a serial killer and Gay penguins and spreading your boyfriends' ashes with your new boyfriend and Prop 8 and getting to write lines for divas on Ugly Betty and Gay marriage and more stuff like that and in the end ketamine therapy to help it all make sense.

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  The Rose Tattoo

  Tennessee Williams

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  In the wake of World War II, a poor widow named Serafina lives with her only daughter Rosa in a Sicilian community on Louisiana’s Gulf Coast. As Rosa grows to maturity, Serafina is forced to reconcile the values of the New World with the deeply-held pain of her past. 
   
  
   
  This L.A. Theatre Works recording reunites Mercedes Ruehl and Anthony LaPaglia, who starred in the 1995 Broadway production that earned a Tony Award for Best Revival of a Play, and Drama Desk Awards for both actors.
   
  
   
  Recorded at the Skirball Cultural Center, Los Angeles in December 1999.
   
  
   
  Directed by Richard Masur
   
  Producing Director: Susan Albert Loewenberg
   
  
   
  An L.A. Theatre Works full-cast recording, starring:
   
  
   
  Emily Bergl as Rosa
   
  Marieclare Costello as Peppina and Bessie
   
  Tim DeKay as Jack
   
  Brent Hinkley as a Doctor and Salesman
   
  Anthony LaPaglia as Alvaro
   
  Carol Locatell as Guiseppina
   
  Kate Mulligan as Estelle, Miss Yorke
   
  Antonia Ray as Assunta
   
  Peggy Roeder as The Strega 
   
  Mercedes Ruehl as Serafina
   
  Vincent Schiavelli as Father DeLeo
   
  Claudette Sutherland as Violetta and Flora
   
  
   
  Stage Manager and Live Sound Effects: Jane Slater
   
  Assistant Stage Manager: Cary Thompson
   
  Radio production by Raymond Guarna

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  Art History Early Italian art

  Joseph Archer Crowe, Giovanni...

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  Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescoes on walls, but created the first mobile paintings on wooden panels. The visages of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible – visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader, in the course of these forgotten masterworks, will discover how the sacred began to take a more human form, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.

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  Inside the Dancer's Art

  Rose Eichenbaum

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  In this gorgeous book, the acclaimed photographer Rose Eichenbaum captures the spirit, beauty, and commitment of dancers along with the dancers' own words of wisdom and guidance. More than 250 color and black and white photographs are paired with inspirational quotes from legendary and emerging dancers, including Bill T. Jones, Katherine Dunham, Ann Reinking, Mark Morris, Pina Bausch, Jawole Willa Jo Zollar, Gregory Hines, Mitzi Gaynor, Desmond Richardson, Rennie Harris, Paul Taylor, Ohad Naharin, Tiler Peck, and many more. Here, words and images explore creativity, art making, the communicative power of the human body, the challenges of balancing everyday life with the physical and practical demands of the dancer's art, and more. In these intimate portraits, Eichenbaum reveals and celebrates the world of the dancer. Sensual and mesmerizing, these images will entrance dancer and non-dancer alike—as well as anyone who loves fine photography—with their powerful depiction of the human body.

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  Bob Dylan and Dylan Thomas - The...

  Jeff Towns, K G Miles

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  There are so many strange and wonderful connections and coincidences; shared passions and associations that tie these two cultural icons – BOB DYLAN and DYLAN THOMAS together.
  This provides a rich tapestry – from the ancient Welsh folk tales of the Mabinogion to the poems of the Beat Generation; from Stravinsky to John Cale; from Johnny Ray to Charlie Chaplain. Rimbaud and Lorca, Sgt Pepper and The Bells of Rhymney, Nelson Algren and Tennessee Williams and much more. And the wonderful connections between authors K G Miles and Jeff Towns makes it the perfect partnership to write this book.
  Fifty-two years ago, author Jeff Towns opened his first bookstore in Swansea – he called it Dylans Bookshop – a youthful homage to the poet Dylan Thomas born and raised in Swansea, an author he admired. Eight years before that, in 1962, (when he had never really heard of Dylan Thomas), he had bought his first ever LP record, Bob Dylan's first ever LP release calledBob Dylanwith a track list; In My Time of Dyin', Fixin' to Die, See That My Grave is Kept Clean and so on; baker's dozen of powerful songs. Jeff read that his new hero had been born Robert Zimmerman but had changed his name to BOB DYLAN, a homage to a Welsh poet named DYLAN THOMAS.
  From that moment on THE TWO DYLANS became a constant part of and backdrop to his life. And the two Dylans kept on giving – they were both on the cover of the Beatles Sgt Pepper album. Peter Blake who fashioned the cover of Pepper, was a huge fan on Dylan Thomas' radio play Under Milk Wood. Jeff went to see Peter, they became friends and still are. Peter gave permission to use his wonderfulTiny Tina the Tattooed Lady©Peter Blake image for the cover of this book.
  London co-author K G Miles has been inspired by BOB DYLAN since being an awestruck child at Bob's Isle of Wight Festival in 1969. He is now the co-curator the of theDylan Room at London's Troubadour Cluband was honoured to address the inaugural conference at the Tulsa Archive in 2019.

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  Carib Civilization - The...

  Rolf Hedger

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  The Carib civilization, known for their resilience and military prowess, was one of the dominant forces in the Caribbean before and during the early phases of European colonization. The Caribs, who were part of the larger Arawakan language family, developed a distinct culture that set them apart from other indigenous groups in the region. Their territory spanned many of the islands in the Lesser Antilles, with notable populations in Dominica, Saint Vincent, and Grenada. While they were widely recognized for their fierce resistance against European colonizers, their rich history and cultural achievements also played a significant role in shaping the Caribbean. 
  The early origins of the Caribs are a subject of ongoing research, but they are believed to have migrated from South America, possibly from the Orinoco River Basin in present-day Venezuela. Over time, they settled in various parts of the Caribbean, with their most prominent presence being on the islands of the Lesser Antilles. The Caribs are often distinguished from their neighbors, the Arawaks, due to their more aggressive and militaristic nature, a characteristic that would become critical in their dealings with the European powers who arrived on their shores. 
  Carib society was organized around a hierarchical structure with a chief, or ouin (sometimes known as karifuna), at the top, followed by warriors, farmers, and fishermen. Despite their reputation as fierce fighters, the Caribs were also skilled agriculturalists and fishermen. Their diet was rich in cassava, corn, fruits, and fish, which they caught using canoes made from hollowed trees. The Caribs' ability to navigate the seas using their advanced knowledge of the stars and ocean currents made them formidable maritime traders and warriors. They built large, ocean-going canoes capable of carrying multiple warriors, enabling them to wage successful raids across the Caribbean islands.

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