Other books that might interest you

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  Raghuvir Sahay

  Mitansh

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  It may sound like socialism to say 
  we should treat horses like human beings, 
  especially when one of them happens to be a human being. 
  When we jump guiltily off a rickshaw, 
  and then feel sorry we've deprived the poor man of his 
  livelihood 
  and finally tip him out of pity- 
  in all three cases we're a trial to him, and he has to endure 
  us.

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  Futurism - A Very Short...

  Ara H. Merjian

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  Modern technology radically transformed urban life by the first decade of the twentieth century. As one of Western Europe's least industrialized countries, Italy appeared impervious to such developments. It was this state of affairs at which the Futurist movement took aim. With its founding in 1909, the poet and impresario F. T. Marinetti called for a revitalization of aesthetic expression by means of "movement and aggression." A growing cadre of Futurist painters, poets, authors, and musicians exchanged Italy's cultural patrimony for new technologies, media, and metaphors, championing machine-propelled speed and its salutary hazards.The movement's challenge to twentieth-century culture lay not in any specific set of images or objects, but a more comprehensive revolution of sensibility. By the mid-1910s there circulated several dozen Futurist proclamations on everything from men's clothing to set design, photography to film, dance to politics. That political impetus proved relentlessly paradoxical in origin and upshot. From its base in Milan, Futurist activity spread throughout the entire peninsula. Prefiguring and then propagandizing Fascist imperialism, Futurism also galvanized a range of progressive modernist phenomena. More than a century later, the "activist model" of the Futurist avant-garde remains deeply fraught in its historical implications.

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  Medieval Education - The Rise of...

  Harris Ropes

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  During the early medieval period, education in Europe was primarily shaped by the influence of the Church. With the decline of the Western Roman Empire, formal education systems deteriorated, leaving monasteries and cathedral schools as the main centers of learning. These institutions preserved classical knowledge and played a crucial role in the intellectual revival of the Middle Ages. Monastic and cathedral schools provided education for clergy members and, over time, expanded their reach to include nobles and, in some cases, commoners. 
  Monastic schools were among the earliest centers of learning, with monks serving as teachers and scribes. These schools focused on religious instruction, teaching Latin, biblical texts, and theological commentaries. The goal was to prepare future clergy members for service in the Church. Monastic scriptoria were responsible for copying and preserving important texts, ensuring the transmission of classical and Christian knowledge. While most students in monastic schools were destined for religious life, some noble families sent their sons for education in literacy and administration, as the Church held significant political influence. 
  Cathedral schools emerged as a response to the growing demand for education beyond monastic settings. They were often attached to large churches or bishoprics and provided instruction to a wider audience, including future clergymen, royal officials, and scholars. These schools offered a more structured curriculum, covering subjects such as grammar, rhetoric, and logic, which formed the foundation of medieval education. Over time, cathedral schools developed into important intellectual hubs, attracting students from various regions. The presence of prominent teachers and scholars helped establish certain cathedral schools as precursors to medieval universities.

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  Gustav Klimt: Art and intrigue

  Jane Rogoyska

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  Whether Madonna, muse, or temptress, women have been a source of artistic inspiration throughout history. In the Reveries series, Parkstone pays tribute to the important contribution women have made to artists by uplifting their spirits and giving free reign to their fantasies. We invite you to share the world of sensual pleasure of well-known painters such as Degas and Schiele, and now Klimt.
  This new genre of art book offers a glimpse into the private lives of some of the most influential artists of modern times. The most striking features of the Reveries series are their brief texts, sophisticated layouts, and high-quality reproductions. Each title pays homage to the artist's oeuvre and the elegant layouts include some rarely-seen images.
  Every page benefits from a unique design and offers a unique setting for some of the most sensual works of Klimt. These publications should be considered as works of art themselves, a delight for the enthusiast; instructive for the novice; a welcome and valuable addition to any library.

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  Ittingen Charterhouse

  Felix Ackermann

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  The last monks left Ittingen Charterhouse in 1848. The buildings, which had been built over centuries, passed into the possession of the Canton of Thurgau and later private owners, who used them as a stately residence and model farm. Since 1977, the Ittingen Charterhouse Foundation has operated the complex as a cultural and meeting centre, which also houses two cantonal museums. The excellently preserved site provides a lively insight into the history of the place and its former inhabitants. The monks’ cells, cloister gardens and richly furnished rococo church allow visitors to form a direct impression of how the Carthusians perceived of themselves as hermits in the community.

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  Rich Mullins (25th Anniversary...

  James Bryan Smith, Brennan Manning

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  Experience Rich Mullins's Legacy of Joy and Real Compassion 
   
   
   
  Beloved contemporary Christian musician Rich Mullins lived his life with abandon for God, leaving the spotlight to teach music among a Navajo community. An accident cut his life short in 1997, but his songs and ragamuffin spirit continue to teach many. 
   
   
   
  In honor of the twenty-fifth anniversary of Rich's homegoing, this edition of Rich Mullins: An Arrow Pointing to Heaven delivers an intimate look at the experiences that sparked praise hits and the values behind his Christ-like candor. James Bryan Smith captures just what Rich wished for when he said, "I hope I would leave a legacy of joy—a legacy of real compassion." 
   
   
   
  See the layers of his story through reflections from friends and family, an afterword by Rich's brother David Mullins, and Smith's own bond with him. And in remembrance, be inspired to enjoy God's world as Rich did.

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