Other books that might interest you

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  Scorpions

  Dane Zajc

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  Dane Zajc belongs to the first post-war generation of poets who brought modernism to Slovene poetry. Sharing sentiments of a tense, sceptical and disillusioned worldview, they relinquished intimate testimony in lieu of an impersonal portrayal of reality on the charred ruins of the Second World War. On a formal level, their poetic expression broke grammatical rules, coalescing within free verse. This poet generation is remembered by the Slovene literary lore as the surrealists or neo-expressionists.
  The lyrical world of Zajc is one of inescapable, constant duality and arising ever-incompletion, even antagonistic ambivalence – "a twofold void”, a twofold loneliness, a twofold language (one uttering, one mute). Though Dane, who was considered the most influential of Slovene modernists, is frequently portrayed as the "poet of existential dread, of despair and grim obsession with the suffering of man”, his verses sparkle with refined irony and bestial dark humour.
  "Dane Zajc understands the paradoxes between the physical and the metaphysical the same way he understands the balance between pathos and the quotidian, between magic incantation and ironic, cold alienation. Zajc's poetry does not entirely forego personal elements – a fallen partisan-brother, the mother figure – what remains central, though, is the natural landscape of things and his own "inability of expression”, making Zajc's verse neither intimate confession nor propaganda. He consistently rejects political tendencies, any ideological engagement whatsoever, in fact, which – in the Communist era – won him the fame of a rebel poet”, writes Ilma Rakusa in her afterword to the Scorpions collection.

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  Eleanor of Aquitaine: Mother of...

  Catherine Muschamp

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  A woman of extraordinary courage, beauty and iron will - uniquely Queen of France then Queen of England, and mother of two English Kings - Eleanor of Aquitaine’s name was legendary even before her death.B7 Media have teamed up with Tara Arts to release for the first time on audio Eileen Page's mesmerising final performance as 'Eleanor of Aquitaine: Mother of the Pride’.Tara Arts, Artistic Director, Jatinder Verma, describes Eileen Page’s performance: “Eileen Page’s Eleanor has all the mellifluous poise, resolve and wit you would expect of the only woman to have ruled England and France. A tour de force!”

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  Chaos

  Laura Lomas

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  'If the world is chaos, then it means there's no order, and if there's no order, then it basically means that anything is possible'
  A girl is locked in a room. A boy brings another boy flowers. A girl has tied herself to a railing. A boy doesn't know who he is. A girl worries about impending catastrophe. A woman jumps in front of a train. A boy's heart falls out his chest. A butterfly has a broken wing.
  Laura Lomas's play Chaos is a symphony of dislocated and interconnected scenes. A series of characters search for meaning in a complicated and unstable world. Bouncing through physics, the cosmos, love and violence, they find order in the disorder of each other.
  Written specifically for young people, the play formed part of the 2019 National Theatre Connections Festival and was premiered by youth theatres across the UK. It offers opportunities for a large, flexible cast of any size or mix of genders, and can incorporate chorus work, movement and music.

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  The Merchant of Venice

  William Shakespeare

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  Hugh Griffin, Harry Andrews, Ian Holm and Roy Dotrice perform Shakespeare's tragic comedy.

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  Sonnets

  Julia Caroline Dorr

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  This is a collection of Julia Caroline Dorr's Sonnets, from her collected poems. - Summary by Carolin

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  In the Night Field

  Cameron McGill

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  "All fire and surprise, sadness and forgiveness...I could never say enough about the beauty of this work." —Jericho Brown 
  "Cameron's poems are wonderfully full, energetic, and ardent." —Vijay Seshadri 
  "McGill skillfully navigates the mysteries of relationship, memory, and regret as the best poets do." —Dorianne Laux 
  "It’s been a long time since I have heard the 'god of small thunder' echo so powerfully in a collection." —Campbell McGrath 
  Cameron McGill’s debut collection of poetry, In the Night Field, spotlights the effects of memory: its startling artistry, varied discontents, and casual fallibility. These poems chart the complex relationship between mental health and place; the difficult paths home can be lonely and circuitous, the emotional coordinates we map along the way a reminder of those intimate regions that hold and haunt us. These can be isolating passages, but are just as often fertile: “I walk further each day toward the strange / austerity my heart makes of reason.” Between the attentive, persistent self and the longed-for, absent other arises a fragmented conversation, an exchange that’s in a constant state of arrival. As McGill shows us, memories are a corrective, carrying back to us occasions for instruction, reconciliation, or in those astonishing flashes of clarity, what again hopes to be loved.

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