Outros livros que poderiam interessá-lo

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  Every Brain Needs Music - The...

  Larry S. Sherman, Dennis Plies

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  Whenever a person engages with music―when a piano student practices a scale, a jazz saxophonist riffs on a melody, a teenager sobs to a sad song, or a wedding guest gets down on the dance floor—countless neurons are firing. Playing an instrument requires all of the resources of the nervous system, including cognitive, sensory, and motor functions. Composition and improvisation are remarkable demonstrations of the brain's capacity for creativity. Something as seemingly simple as listening to a tune involves mental faculties most of us don't even realize we have. 
   
   
   
  Larry S. Sherman, a neuroscientist and lifelong musician, and Dennis Plies, a professional musician and teacher, collaborate to show how our brains and music work in harmony. They consider music in all the ways we encounter it—teaching, learning, practicing, listening, composing, improvising, and performing—in terms of neuroscience as well as music pedagogy, showing how the brain functions and even changes in the process. Every Brain Needs Music draws on leading behavioral, cellular, and molecular neuroscience research as well as surveys of more than a hundred musical people. It provides new perspectives on learning to play, teaching, how to practice and perform, the ways we react to music, and why the brain benefits from musical experiences.

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  Lost Federations - The...

  A. J. Black

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  "An innovative and unusual account of Star Trek’s lost voyages that makes for a fascinating alternate history." — Brian J. Robb in Sci-Fi Bulletin
  
  SPACE. THE FINAL FRONTIER. THESE WERE ALMOST THE VOYAGES OF THE STARSHIP ENTERPRISE.
  
  We think we know the history of Star Trek. Born at the height of 1960s popular culture, the five-year mission of Captain James T. Kirk and his crew faced early cancellation, bounced back with a series of beloved movies in the 1980s and gave way to a fleet of successful sequels and spin-offs that kept on exploring strange new worlds.
  
  In Lost Federations: The Unofficial Unmade History of Star Trek, author A. J. Black tells a different story. This is an alternate history of the franchise, one filled with roads not taken, from early 1960s feature-films and spin-offs, the original sequel Star Trek: Phase II in the 1970s, via epic planned movies such as Planet of the Titans and into many untold episodes, arcs and character stories from The Next Generation, Deep Space Nine and Voyager, all the way through to the modern era.
  
  Bringing together pre-existing material over decades for the first time in one space, plus some new reflections from Star Trek writers and analysis of how it all fits into the wider cultural trends of the last sixty years, Lost Federations invites you to boldly explore a history you may not already know...

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  Behind Existing Places

  Asma Hamad Alshaali

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  Architecture in the gulf portrays an important link in the examination of the former times and traditions of the region. Behind Existing Places attempts to transport viewers to the past while assisting them in observing locations outside of their normal field of vision. Each image will have a distinct story that will alter the viewer's perception of the scene.

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  The Way They Were - How Epic...

  Robert Hofler

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  It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. 
   
   
   
  Screenwriter Arthur Laurents wrote the role of Katie with Barbra Streisand in mind. Casting Hubbell was another matter. Robert Redford, already a superstar, was reluctant to play what he perceived as the "Ken doll" to Streisand's lead, and demanded his role be changed and expanded. Laurents resisted, telling director Sydney Pollack, "You'll ruin the movie if it ends up being about two people. It's Katie's story, not Hubbell's." Despite his protests, ten writers were brought on to rework the script. 
   
   
   
  Laurents's fears were well founded, and the first preview was disastrous. Producer Ray Stark and Pollack cut several scenes, upsetting Streisand and Laurents. Yet the edits worked. Such was the movie's success that Redford was open to making a sequel, though the script was never greenlit. 
   
   
   
  Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

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  The City - (from Civilization in...

  Lewis Mumford

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  What can a city reveal about the civilization that built it? 
   
  In The City, influential urban thinker Lewis Mumford examines the growth of American cities and the social values embedded in their streets, buildings, industries, and neighborhoods. 
   
  Mumford argues that every period of American history leaves its physical mark on the urban landscape. Older provincial communities reflect one form of social life, while the rapidly expanding commercial and industrial city reveals another—driven increasingly by speculation, machinery, finance, and relentless growth. 
   
  Among his sharpest criticisms is the American gridiron street plan. Designed largely for convenient subdivision and real-estate development, the rigid grid sacrifices geography, beauty, community, and human needs to economic efficiency. 
   
  Yet Mumford’s concern reaches far beyond architecture. He sees the modern metropolis becoming a new kind of wilderness: crowded yet isolating, mechanically efficient yet socially fragmented. For cities to become truly civilized, he argues, planning must serve human life rather than commerce alone. 
   
  Originally published in the influential 1922 anthology Civilization in the United States, The City offers an early and remarkably prescient critique of urban sprawl, speculative development, industrial growth, and the challenge of building cities for people. 
   
  Narrated by Brett Carter.

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  Our Secrets are the Same - The...

  Jim Kerr, Charlie Burchill

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  Exploring key songs, places, years, and events in the Simple Minds story and told in the distinct voices of both men, Our Secrets Are the Same explores a bond that has encompassed stratospheric highs and humbling lows, marriages and divorces, fatherhood, fickle fame, tricky inter-band dynamics, and the occasional explosive bust-up.
  		 
  The long-awaited memoir from Simple Minds’ founding members and lifelong collaborators, Jim Kerr and Charlie Burchill, now available in North America!
  		 
  A candid, moving, and kinetic story of self-realization through the power of music, Our Secrets Are the Same is the remarkable joint memoir by Simple Minds’ founding members, Jim Kerr and Charlie Burchill. It not only reveals the inner workings of one of the most innovative and successful British bands of the past half-century, but the deeply personal tale of an extraordinary friendship that powered teenage dreams into visionary action.
  		 
  Their connection is grounded in shared experiences and a set of values and codes so deeply ingrained they don’t need to be spoken. For Our Secrets Are the Same is not just the story of two rock stars, but of two sons, brothers, partners, and parents who have never forgotten where they come from.
  		 
  Fascinating and funny, evocative and inspiring, this unforgettable memoir captures a unique journey through life and music, and a friendship like no other.

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