Altri libri che potrebbero interessarti

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  Sounds of Other Shores - The...

  Andrew J. Eisenberg

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  Sounds of Other Shores takes an ethnographic ear to the history of transoceanic stylistic appropriation in the Swahili taarab music of the Kenyan coast. Swahili taarab, a form of sung poetry that emerged as East Africa's first mass-mediated popular music in the 1930s, is a famously cosmopolitan form, rich in audible influences from across the Indian Ocean. But the variants of the genre that emerged in the Kenyan coastal city of Mombasa during the twentieth century feature particularly dramatic, even flamboyant, appropriations of Indian and Arab sonic gestures and styles. Combining oral history, interpretive ethnography, and musical analysis, Sounds of Other Shores explores how Swahili-speaking Muslims in twentieth-century Mombasa derived pleasure and meaning from acts of transoceanic musical appropriation, arguing that these acts served as ways of reflecting on and mediating the complexities and contradictions associated with being "Swahili" in colonial and postcolonial Kenya. The result is a musical anthropology of Kenyan Swahili subjectivity that reframes longstanding questions about Swahili identity while contributing to broader discussions about identity and citizenship in Africa and the Indian Ocean world.

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  urban Geography and Land Use -...

  Lyric Vale

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  Cities are fundamentally exercises in spatial organization—complex arrangements of human activity, physical infrastructure, and natural systems that collectively define how metropolitan regions function, evolve, and adapt. The geographic logic of urban environments—how different uses are distributed, how resources are allocated, and how communities develop within specific physical contexts—represents one of the most profound expressions of human social organization and values. This comprehensive exploration delves into the intricate domains of Urban Geography, Urban Land Use, and Community Development—examining how spatial patterns emerge, how they reflect deeper social and economic forces, and how they ultimately shape the lived experiences of urban inhabitants. 
  The narrative of urban spatial organization is far more than a technical study of land allocation; it encompasses the dynamic interactions between physical geography, economic systems, social forces, and political decisions that collectively determine the form and function of our cities. By examining the complex mechanisms that drive urban spatial development—from market dynamics and zoning regulations to community activism and cultural preferences—this book illuminates how cities represent physical manifestations of our collective choices, priorities, and power structures. Readers will journey through diverse urban landscapes—from the historic patterns of concentric development to the fragmented geographies of postindustrial cities and the emerging forms of sustainable urbanism—while exploring how community development initiatives seek to reshape urban spaces to better serve human needs.

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  Life Belongs to the Loud

  Forrest Lonefight

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  Azul Morgan, a young Native / Indigenous woman is the next rock star to break. Trapped in M-town, Iowa during the "Next Seattle" Midwest Music Scene explosion during the aftermath of 9/11, she takes her guitar named, Mocha, & her composition notebook, The Bastard Chronicle, to write the greatest songs ever & form the perfect band. 
  Through the chaos she finds her tribe outside her native tribal roots in two amazing dudes, Rick, a womanizing drummer/singer, and Jesus, a cross-dressing guitarist. The three find the musical chemistry they've been looking for. Their unique new band are poised to take over the world-at-war. Azul writes about it all in The Bastard Chronicle, in her hilarious voice, as her past, present, & future collide in a coming-of-age story never told before in an era of the music scene when anything was possible. 
  This is author Forrest Lonefight's debut novel.

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  Original Method Actors The: The...

  Editors Charles River

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  It would be no exaggeration to say that James Dean has been more mythologized than any other actor in history, a development due more to his off-screen personality and conduct than the films he actually starred in. Much of Dean’s appeal derives from his humble and ordinary origins, and audiences are drawn to the romance of the Indiana farm boy who catapulted to the top of the motion picture industry in a single year — the same year that would see him die. 	Of course, James Dean remains well-known for being anything but humble and ordinary. As famous as his films are, Dean’s story is inextricably tied to his love for racing cars and his death in a high speed car crash.  
  Marlon Brando. Few names in the acting profession evoke such a strong, almost visceral reaction. Over the course of his long, prolific career, he was considered perhaps the greatest actor of the 20th century as well as one of the most complicated and misunderstood. Uniquely able to be both emotionally charged and technically constrained in the same performance, he single-handedly changed the direction of not only the American style of acting, influencing successors such as Robert De Niro, Al Pacino and even Johnny Depp, but the acting profession on a global scale. His iconic interpretations of characters such as Stanley Kowalski (A Streetcar Named Desire), Terry Malloy (On the Waterfront) and Vito Corleone (The Godfather) have been forever burned into the collective memory of film and theatre aficionados, scholars and critics for their immense passion, rage, love, defiance, vulnerability, cruelty and tenderness – basically, the full spectrum of the human condition. With several Oscars and Golden Globes to his name, Brando’s contributions remain the gold standard of the acting craft, and the American Film Institute has listed him as the 4th greatest screen legend in history.  

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  Supes Ain't Always Heroes -...

  Lynn S. Zubernis, Matthew Snyder

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  Go deeper inside the hit TV show The Boys and its characters with psychologists, media experts, filmmakers, and more—including the original comic series' cocreator and the actors behind Soldier Boy and Stormfront. 
   
   
   
  Supes Ain't Always Heroes offers a fresh look at The Boys, delving into the show's unflinching depiction of celebrity, politics, social media, corporate greed, racism, sexism, and more: 
   
   
   
  ● The true difference between Homelander and Billy Butcher—and who the show's biggest villain really is 
   
   
   
  ● What Soldier Boy's characterization says about how we define masculinity 
   
   
   
  ● How today's media landscape has contributed to The Boys' success 
   
   
   
  ● What the evolutions of Hughie, Starlight, A-Train, Mother's Milk, and other show standouts reflect about addiction, family, identity, and self-acceptance 
   
   
   
  PLUS: Exclusive interviews with The Boys comics cocreator Darick Robertson and actors Jensen Ackles, Jim Beaver, Aya Cash, and Nathan Mitchell provide a unique glimpse behind the scenes. Comments from editor interviews with more of the show's stars give further insight into their experiences in bringing these complex characters to life.

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  A Classic Interview with Music...

  Miles Davis

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  Miles Dewey Davis III (May 26, 1926 - September 28, 1991) was an American jazz trumpeter, bandleader, and composer. Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz. The following audio recordings are from a 1953 radio interview in East St. Louis and a 1984 television interview in Norway.

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