Otros libros que te pueden interesar

• 

  You need to hear this -...

  Anastasia Washington

  • 0
  • 0
  • 0

   Anastasia grew up in a weird mix of chaos. As a Bi-Racial child, she experienced the truths of the world in a very fast and open, and sometimes aggressive, way. That’s how she became an actress and comedian, learning quickly that to entertain is an easy way to deliver messages and to make people laugh is good for the soul and great way to break up the chaos. Nobody can stay mad while chuckling. Try it. I’ll wait. See?! Anastasia has lived by this philosophy. With honesty and love and bit of humor she tells you hard truths and teaches you how to be your own best friend in this Self-help essay book. It includes things like Cake Wednesday to celebrate life’s wins every week. And Days of yes, because everyone should have days where they don’t hear no, and so much more. So take a seat because You need to hear this!

  Ver libro

• 

  Sundaland: The History of the...

  Editors Charles River

  • 0
  • 0
  • 0

  By the time the Pleistocene Epoch ended around 12,000 years ago, Homo sapiens had become one of the most significant species on the planet. 	It was also near the end of that period of time that modern humans began to gradually populate what would become Europe, Asia, and the Americas, eventually becoming the inheritors of the Paleolithic era and the only human species to make it into the Neolithic era. The process was long and difficult, and the survival of the species only happened through a combination of human tenacity and a fair amount of luck. As much as humans evolved during the Pleistocene, the topography, geography, and environment changed even more. 
  The cold Pleistocene temperatures lowered water levels across the planet, exposing land that was not there before or after the period. At the same time, significant regions of the planet were very different during the Pleistocene, including Southeast Asia, particularly the modern islands of Bali, Borneo, Sumatra, and the Malay Peninsula, roughly equivalent to parts of Indonesia, Malaysia, Myanmar, and Thailand. This region, which modern scholars refer to as Sunda or Sundaland, was unique because all of it was connected by land, meaning today’s islands were once part of a contiguous subcontinent, and in terms of the people, flora, and fauna, it was very different than it is today. If a modern traveler could somehow transport back to the Pleistocene, Sundaland would look nothing like modern Southeast Asia and would resemble as much of a lost world as something out of a science fiction novel.  
  Although much is still unknown about Sundaland, researchers have uncovered plenty of evidence bringing this lost world to life. As anthropologists and archaeologists developed new models and discovered ancient material culture, they learned that Sundaland played a significant role in the development of Neolithic Southeast Asia in many ways. 

  Ver libro

• 

  TAKE IT EASY - And more tips for...

  Ryan Millar

  • 0
  • 0
  • 0

  TAKE IT EASY™ isn't about a new way of doing improv, nor is it meant to replace your own style or approach. Instead it's a mindset that can inform your performance and your approach to improvisation. The exercises and ideas in here will give you more freedom onstage, help you be less attached to the outcome and more in the moment, and generally see you having more fun. 
  This is not an ‘introduction to improv’ book, nor is it a how-to manual. This book is a collection of thoughts and observations designed to give people a different perspective on their craft, and it also includes games and exercises for people to do on their own or to bring to their group to reinforce some of the principles and ideas and thoughts expressed herein. 
  Improv is, paradoxically, a pursuit that requires both dedication and an absence of trying. For when a player is trying too hard, they will inevitably fail. This book, by longtime improviser and improv teacher Ryan Millar, is filled with stories, thoughts, advice, and exercises to help players improve their improv, and do more by doing less.  
  TAKE IT EASY™ is the chillest way to supercharge your improv.

  Ver libro

• 

  Futurism - A Very Short...

  Ara H. Merjian

  • 0
  • 0
  • 0

  Modern technology radically transformed urban life by the first decade of the twentieth century. As one of Western Europe's least industrialized countries, Italy appeared impervious to such developments. It was this state of affairs at which the Futurist movement took aim. With its founding in 1909, the poet and impresario F. T. Marinetti called for a revitalization of aesthetic expression by means of "movement and aggression." A growing cadre of Futurist painters, poets, authors, and musicians exchanged Italy's cultural patrimony for new technologies, media, and metaphors, championing machine-propelled speed and its salutary hazards.The movement's challenge to twentieth-century culture lay not in any specific set of images or objects, but a more comprehensive revolution of sensibility. By the mid-1910s there circulated several dozen Futurist proclamations on everything from men's clothing to set design, photography to film, dance to politics. That political impetus proved relentlessly paradoxical in origin and upshot. From its base in Milan, Futurist activity spread throughout the entire peninsula. Prefiguring and then propagandizing Fascist imperialism, Futurism also galvanized a range of progressive modernist phenomena. More than a century later, the "activist model" of the Futurist avant-garde remains deeply fraught in its historical implications.

  Ver libro

• 

  The Dad Rock That Made Me A Woman

  Niko Stratis

  • 0
  • 0
  • 0

  A memoir-in-essays on transness, dad rock, and the music that saves us. 
   
   
   
  When Wilco's 2007 album Sky Blue Sky was infamously criticized as "dad rock," Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad's glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock's emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward. 
   
   
   
  In taut, searing essays rendered in propulsive and unguarded prose, Stratis delves into the emotional core of bands like Wilco and The National, telling her story through the dad rock that accompanied her along the way. She found footing in Michael Stipe's allusions to queer longing, Radiohead's embrace of unknowability, and Bruce Springsteen's very trans desire to "change my clothes my hair my face"—and she found in artists like Neko Case and Sharon Van Etten that the label transcends gender. A love letter to the music that saves us and a tribute to dads like Stratis's own who embody the tenderness at the genre's heart, The Dad Rock That Made Me a Woman rejoices in music unafraid to bare its soul.

  Ver libro

• 

  In the Footsteps of the East...

  Gallery The Nunnery,...

  • 0
  • 0
  • 0

  Based on an exhibition at the Nunnery Gallery held in autumn 2024, In the Footsteps of the East London Group brings together 35 original paintings by members of the East London Group, paired with 22 new interpretations and responses from contemporary painters including David Hepher, Doreen Fletcher and Tim Craven.
  The East London Group were a group of artists who created paintings in the 1920s and 30s of buildings, streets, and London life. They were mostly working class, realist painters whose formal education had often stopped at an early age. The group developed from an art club at the Bethnal Green Men's Institute to a group of painters who exhibited alongside prominent artists of the day and attracted enormous press coverage and support. They were taught by Walter Sickert, John Albert Cooper, Phyllis Bray, and others.
  Curated by the Urban Contemporaries Group, a London-based collective who are interested in exploring the urban experience, the exhibition features 35 original paintings by members of the East London Group alongside 22 contemporary paintings inspired by them, from leading artists working in the urban landscape tradition, including Timothy Hyman, Philippa Beale, Nicole Poh and Marc Gooderham. Each artist selected for the show has a respect and curiosity for the history of the area and for these paintings made on the streets of Bow a hundred years ago, and which open a window onto the past life of east London and an earlier period in British art.
  This fascinating book brings together all the images from the exhibition in print, showcasing surprising pairings of paintings from a group of artists that are steadily growing in popularity and reputation with fresh interpretations from a new generation of painters.

  Ver libro