Editorial: Latorre-Editore
A sepal, petal, and a thorn Upon a common summer's morn - A flash of Dew, a Bee or two - A Breeze A caper in the trees - And I'm a Rose!
'In a minute there are many days.' In Verona, in the height of summer, two young people meet at a party. The rest is tragedy. Shakespeare's electrifying and timeless tale of love was brought to life in a new production directed by Robert Icke, which premiered at the Harold Pinter Theatre, London, in 2026. It was produced by Empire Street Productions and starred Sadie Sink and Noah Jupe in their West End debuts. This edition features the version of the text used in that production, alongside an introduction by the director and an essay by author and academic Daniel Swift.Ver libro
This anthology presents the set selection of solo and duologue scenes for Learners entering LAMDA Graded Examinations in Performance: Acting from Grade 1 to Grade 5. The 100 speeches and scenes in this collection include excerpts from published plays and adapted novels, as well as new, original material written specifically for this anthology. There are monologues for solo performance and duologue scenes for two performers, all carefully curated to offer a broad range of material written by a variety of acclaimed playwrights, from Euripides, Shakespeare and Ibsen to Caryl Churchill, Chinonyerem Odimba and Jack Thorne. Also included is a foreword by actor and LAMDA graduate Ruth Wilson. For Learners taking LAMDA Examinations, this anthology offers a wide choice of characters and worlds to explore. There is material for younger candidates who are just entering the world of performance, as well as material for older, more experienced actors. For the general reader, this anthology is an ideal starting point for discovering the work of contemporary playwrights, as well as reconnecting with celebrated writers of the past.Ver libro
”Samay Ki Pukar” is a collection of Hindi devotional poetry, sung with music. Discover it’s magic and let your mind be transported to a different world. Even if you don’t speak Hindi, your mood will be instantly lifted by those happy, sunny tunes. The Brahma Kumaris World Spiritual University is an international organisation working at all levels of society for positive change. Established in 1937 it now carries out a wide range of educational programmes for the development of human and spiritual values throughout its 4000 branches in over 86 countries. The University is a Non-Governmental Organisation in general consultative status with the Economic and Social Council of the United Nations and in consultative status with UNICEF. It is also the recipient of seven UN Peace Messenger awards. Local centres provide courses and lectures in meditation and positive values, enabling individuals to recognise their true potential and make the most of their lives. The University offers all its services free of charge.Ver libro
'you need to be a warrior right now,especially in Wetherspoon's where you're slightly scaredto take a pissand for comfort you search 'Mudlarking' on your phone,as you squat in the cubicle with one footpressed hard against the doorin case someone should come inand realise what you are.' Jackson Phoenix Nash is an essential new poetic voice. Funny, tragic, deeply lived, his poems snap you wide awake. 'There is an artful balance of humour and melancholy that makes these poems into a gorgeously unforgettable experience for the reader. Jackson's poetry embodies both trans joy and trans vulnerability in such a candid and heartfelt way that it leaves a beautiful mark on the mind.' Golnoosh Nour 'This collection is essential reading: powerful, arresting, brave, heartbreaking and funny. Jackson's 'glissando' journey from 'geezerbird' through 'decomposing girlhood' and 'premature elation' to 'phoenix' is told with wry humour, deft imagery and open-hearted candour. It ought to be on every school syllabus.' Maggie ButtVer libro
Not all love is the same, which is one of the most peculiar truths in life. Your Love is as unique as the individual you feel it for. I think that’s one of the greatest paradoxes we will live through. It seems to me, there is little choice in how big it is, or how hard it hits. There’s no telling what it will do to you when you enter the arena, and that is why it can be a force we sometimes fight; because it has felt like a battle we’ve lost before. Although it feels like you are powerless in Love, you aren’t powerless at the end of Love. You choose whether or not big Love crushes you, or if it shrinks for you to carry it in your pocket as a reminder of the greatness it once was. The desire to not be destroyed by Love is where I am. This is a story of 14 days that coincided with my 40th birthday and a time I fell in Love. It was through a difficult turn of events that I got to step away from my uncomfortable life to experience turning 40 in Mexico; with someone I didn’t just love, but who I liked. So this is also a story about the importance of falling in Like. For a long time I said if I ever shared this story, I’d have to call it fiction because it feels so personal. But eventually I realized it made more sense to just admit: it’s me. I’m the quiet naive girl in these pages who had barely begun to know herself and didn’t know how to communicate as well as she thought she did. I’m the one who was learning that Love can be complicated; while seeming simple to me. One of the greatest lessons anyone learns, is knowing what it feels like to fall in love and experience connection. That was my greatest benefit; because I have been able to use that measure of connection ever since. One can break and fall apart in many ways, but it’s my opinion that until big love breaks you, a level of innocence remains. After that, you decide whether or not big love heals you. For me, it took this little trip of 14 days to finally benefit from the long journey of 40 years.Ver libro
Cynthia Manick’s poetry collection personifies love of self and culture through fresh observations and bitter truths voiced with breathtaking lyricism. No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought. Satisfying moments are captured in odes to Idris Elba’s dulcet tones on a meditation app and the satisfaction of half-priced Entenmann’s poundcake; in childlike observations of parental Black love, the coveted female form on Jet Magazine covers, and the desire for Zamunda to be a real place full of Black joy. The sour taps into an analysis of reclusiveness, silencing catcalls from men on the street, and detailed recipes and advice to the Black girls forced to endow themselves with armor against the world. Cynthia Manick’s latest is a playlist of everyday life, introverted thoughts, familial bonds, and social commentary. In piercing language, she traces the circle of life for a narrator who dares to exist between youthful remembrances and adulthood realities. Each poem in No Sweet Without Brine is a reminder that a hint of sorrow makes the celebration and recognition of the glory of Blackness in all ways, and through all people, that much sweeter. Supplemental enhancement PDF accompanies the audiobook.Ver libro
