Outros livros que poderiam interessá-lo

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  The Night Ocean

  H. P. Lovecraft, Robert H. Barlow

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  A quiet, contemplative tale steeped in atmosphere and artistic beauty. A painter retreats to a seaside cottage in search of rest and inspiration, but soon begins to sense strange presences along the shore and beneath the waves. Are they ghosts, sea ghouls, or beings older than time itself? The answers drift just out of reach, like mist over the ocean. 
  The story focuses on the sensations and intuitions of the main character, imbuing the whole narrative with an evocative taste of elusive dread, quite distinct from overt horror. The Night Ocean has long been part of the Lovecraftian canon, even though a manuscript discovered in the early 2000s, with Lovecraft’s revisions, reveals that only 10% of ‘The Night Ocean’ can be attributed to the writer from Providence. This realization underscores how sensitive and precocious the eighteen-year-old Robert H. Barlow was at the time. 
  It stands as the last existing work of fiction in which Lovecraft participated.

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  Wicked Harvest The: Book summary...

  Hazel Quinn

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  This content is an independent and unofficial summary created for informational and educational purposes only. It is not affiliated with, authorized, approved, licensed, or endorsed by the original author or publisher. All rights to the original work belong to its respective copyright holders. This summary is not intended to substitute the original book, but to offer a concise overview and interpretation of its main ideas.
   
  
  
   
  Step into the twisted fields of The Wicked Harvest, an audiobook that drags you into a world where crops whisper and roots thirst for more than water. In this haunting journey, you’ll:
  
   
  Wander moonlit rows of corrupted corn, where every rustle of stalks hints at something lurking just beneath the soil.
  
   
  Uncover the sinister pact between desperate farmers and an ancient earth spirit, its demands growing darker with each new season.
  
   
  Feel the unsettling pull of the harvest moon as it draws restless tendrils of fear through weathered barns and silent silos.
  
   
  Follow a reluctant agronomist racing against time to save her town—before the fields claim every last soul in their relentless cycle of sacrifice.
  
  
   
  Narrated with a tense, immersive cadence and woven with atmospheric soundscapes—from the soft snap of brittle stalks to distant, mournful chants—The Wicked Harvest entangles you in a tale of dread and desperation. Press play… and beware: once you hear the first scythe’s whisper, there may be no escape from what’s growing in the dark.

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  Witchwood Wail - The Haunting of...

  Bart Chapman

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  Prepare to have your senses haunted and your heart gripped in the vice of terror with "Witchwood Wail," an audiobook that transcends mere storytelling to become an immersive experience of fear, courage, and redemption. Step into the shoes of Evelyn Monroe, a young historian driven by an insatiable thirst for the macabre, as she embarks on a journey into the heart of darkness that is Ravenwood Valley. With every whispered secret and unearthed relic, you'll feel the weight of centuries-old curses pressing down on your shoulders, the tendrils of fear curling around your very soul. Narrated with a haunting intensity that will send shivers racing down your spine, "Witchwood Wail" plunges you headfirst into a world where nightmares roam freely and the line between reality and madness blurs beyond recognition. Are you ready to face your fears and embark on a journey that will leave you breathless and begging for more? Then step into the world of "Witchwood Wail" and prepare for an audiobook experience like no other. Dive into the darkness today. Your emotions await... if you dare.

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  The Act Of Killing God - A Short...

  Michael van der Voort

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  To stand opposite your own grave is a strange and deeply unnerving experience. I did it first at eleven years old, with my parents standing either side of me, Mother holding tightly onto my hand as Father intoned with brutal nonchalance the words, “This is where we buried you.”To see the name, your name, carved into granite and marble, gouged into the stone with chisel-edged finality, is enough to chill the blood to the same temperature as the slab. It is a leaden declaration for all the world to read that once you did exist, but now, now you do not.Still, it is not a unique experience. I read once that both...

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  The Phantom Coach - A true...

  Amelia Edwards

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  Amelia Ann Blanford Edwards was born on 7th June 1831 in Islington, London.  She was educated at home by her mother and showed early promise as a writer, publishing her first poem at the age of 7 and her first story at 12.  Thereafter several popular periodicals published her poetry, stories and articles. 
   
  In addition she also illustrated some of her own writings and painted scenes from books she had read.  This talent was not supported by her parents, who saw an artist’s life as scandalous.  Undeterred Amelia took up composing and performing music until a bout of typhus caused throat damage.  Other interests soon followed until, early in the 1850s, Amelia focused exclusively on writing.  Her early novels were well received, and with ‘Barbara's History’ in 1864, a work revolving around bigamy, her reputation was established.  
   
  Amelia’s pen was also the purveyor of ghost stories for magazines and are still anthologized as classic tales to this day. 
   
  In January 1851, Amelia became engaged, apparently to please her parents, but she quickly broke it off.  In reality her emotional attachments were almost exclusively with women.  From the early 1860s she lived with Ellen Drew Braysher, a widow 27 years her senior, until both women died in early 1892.  During this relationship other women also entered and left her life.  Her frequent travelling companion, Lucy Renshaw, accompanied her to Egypt in the winter of 1873 and there she found a life-changing interest in Egyptology.  Aware of increasing threats from tourism and modern development she became an advocate for their research and preservation.  
   
  To advance the work Amelia largely abandoned much of her writing in favour of Egyptology and even took on strenuous lecture tours to raise funds. 
   
  After catching influenza, Amelia Edwards, ‘the Godmother of Egyptology’ died on 15th April 1892 at Weston-super-Mare.  She was 60.  
   
  In this supernatural tale Edwards constructs superb characters that, as the tension rises, leads to an ending laced with revelation and fear.

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  Fetch

  Rachel Lawson

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  Dr Blake Alexander is Dr Death 
  What is Fetch a term meaning the meeting of two doppelgangers. 
  "What the-!" said Dr Death seeing a grim reaper, "You can't be here." 
   "Why?" asked the reaper Mortimer curiously. 
   "You know as well as I do," said the doctor. 
   "Yes, your right, this is ridiculous," said Mortimer. 
   "It is insane," said Dr Death. 
   "Glad you agree," said Mortimer. 
   "Why are you talking to yourself Dad?" asked the Necromancer seeing them as he entered the morgue. 
   "I don't know why, boy," said Dr Death puzzled. 
   "I came to talk to him," said the reaper. 
   "How can you be here I am you?" said Dr Death. 
   "Oh I forgot to tell me did I?" said Mortimer. 
   "Yes!" said Dr Death. 
   "I traveled from the future to warn me I am going to die if I don't catch the Necromancer," said Mortimer. 
   "What?" said Dr Death glaring at his son. 
   "I don't want to hurt you!" said the Necromancer. 
   "Sorry not him the other one," said Mortimer. 
   "What other one?" asked Dr Death. 
   "The fake one," said Mortimer. 
   "I have a copy cat?" said the Necromancer feeling flattered. 
   "He wants to kill me you psycho," said Dr Death. 
   "Sorry," said the Necromancer. 
  The copy cat kills only Magicians. 
  Dr Blake Alexander and the others set out a 
  trap for the killer he can not resist a stage 
  performance by the leader of the magicians 
  but will Blake survive or will he die as foretold.

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