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  The Sugar Wife

  Elizabeth Kuti

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  'We choose the world we live in. We make it, day by day...'
  Dublin, 1850. The delicate balance at the heart of an affluent couple's marriage and family business is challenged when two visitors – a former enslaved woman and her emancipator – come to Ireland to speak to the public about trade, money and the abolition of slavery.
  Exploring the dark side of global commodities, Elizabeth Kuti's's play The Sugar Wife offers an engrossing examination of sexual politics and political morality.
  The play won the Susan Smith Blackburn Prize in 2006. It was first produced by Rough Magic, and performed at Project Arts Centre, Dublin, in 2005, before transferring to Soho Theatre, London. It was revived, in the version published here, at the Abbey Theatre, Dublin, in 2024, directed by Annabelle Comyn.

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  The Anarchist

  Karina Wiedman

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  'In the morning they'll shut the streets, roll the tanks in and begin the arrests. Everyone who tries to leave will be taken in for days, weeks, years. If I don't board the flight tonight, I'll be here forever.'
  Middle-aged, middle-management Dasha is ordered to quell the anti-government protests in her factory in Belarus by firing sixty workers.
  Her only escape is a one-way ticket to the US, but as she prepares to flee, she cannot escape memories of her rebellious youth resisting the Soviets. As her country heads to the polls, Dasha must make a decision…
  The Anarchist is a gripping, timely and deeply moving play, which won the inaugural Woven Voices Prize for migrant playwrights. It was first performed during the Footprints Festival at Jermyn Street Theatre, London, in 2022, directed by Ebenezer Bamgboye.
  Originally from Kazakhstan, Karina Wiedman lived in Russia and Belarus before moving to the UK. The Anarchist is her first play.
  'A beautifully written play for our times' Jatinder Verma, Chair of the Woven Voices Prize judging panel

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  The Fever Syndrome (NHB Modern...

  Alexis Zegerman

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  Dr Richard Myers, the great IVF innovator, is virtually a secular saint because of the thousands of babies he has created throughout his career. Now, his family have gathered at his home on Manhattan's Upper West Side to see him receive a lifetime achievement award.
  It's not long before this fractious group, more accustomed to debate than empathy, fall into dispute once again: over conflicting Thanksgiving memories, polarised opinions on investment banking, and how best to care for their ailing father. And crucially, who will inherit Richard's wealth and his prestigious science institution?
  A vivid and thrilling portrait of a brilliantly dysfunctional family, Alexis Zegerman's The Fever Syndrome was first produced at Hampstead Theatre, London, in March 2022, directed by Roxana Silbert.

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  We're jumping tomorrow

  B. J. Birkmann

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  Written for boys who like to eat other people's sorrows, or not eat at all, and for girls who love them regardless. 
  Nick and Mark are 20-something nihilists with nothing but Thursday evenings, a mattress, and the weight of their own thoughts. In one final attempt to find meaning, they give themselves a week to search. If they fail, they jump. 
  We’re Jumping Tomorrow is an intimate, hauntingly poetic novella designed to be read in one sitting, like stumbling upon a stranger’s tragic story online, finding empathy for them, and then scrolling away. Combining sharp cynicism with raw, visual prose, it captures the fleeting yet profound nature of human connection, mental illness, and the quiet desperation of young adulthood. 
  Never quite meant for the public eye, We’re Jumping Tomorrow holds enough importance to be released anyway. Though darkness and pessimism spread throughout its pages, an unshakable sense of humor and self-deprecation stand firm, reflecting this generation’s ability to face even the most gruesome thoughts with a grin.

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  The Lightest Element

  Stella Feehily

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  'Nothing compares with being the first person in the history of the world to see something, but timing is everything. The world has to be ready for you.'
  Boston, 1956. Cecilia Payne-Gaposchkin, one of the most eminent astronomers of the twentieth century, is about to be appointed Chair of Astronomy and the first woman to head a department at Harvard University. Only two things stand in her way: a covert investigation aimed at exposing her as a Communist sympathiser, and the entrenched conservatism of her male colleagues.
  When a student journalist asks to profile her, it feels like an opportunity to control her own narrative – assuming, of course, that the invitation is actually what it seems…
  Stella Feehily's play The Lightest Element is a taut drama exploring how a challenge to social norms can be almost as difficult as overturning scientific orthodoxy. It premiered at Hampstead Theatre, London, in 2024, directed by Alice Hamilton.

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  Heavy Is the Head

  Sumaya Enyegue

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  "Where does all the grief go when it's not tugging at your wrist?" Enyegue's debut collection is an ode to girlhood, to Blackness, to generational trauma, sexual assault, and mental health. 
   
  This collection does not aim to heal anyone who reads it, but instead help them confront their own healing. Rather than sugar-coated bullets that enter you lightly, these poems are designed to hurt.  
   
  They are for the girls with difficult names, the boys with softness at their core, and the people with neither. They are meant for the people who are Black, and the people who are not—because we are all tethered together by the heaviness of the human experience.

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