Outros livros que poderiam interessá-lo

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  Christmas at Thompson Hall

  Anthony Trollope

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  Originally published in the 1876 Christmas edition of The Graphic, Christmas at Thompson Hall is a Victorian tale concerning the proper Mr. and Mrs. Brown and their journey from southern France to Thompson Hall to celebrate Christmas with their relatives-a trip that becomes a comedy of errors once Mr. Brown's throat condition, a malady that almost prevented the trip entirely, worsens. This recording of Christmas at Thompson Hall was recorded as part of Dreamscape's Classic Christmas Stories: A Collection of Timeless Holiday Tales.

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  Pudd'nhead Wilson

  Mark Twain

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  At the beginning of Pudd'nhead Wilson a young slave woman, fearing for her infant's son's life, exchanges her light-skinned child with her master's.  From this rather simple premise Mark Twain fashioned one of his most entertaining, funny, yet biting novels.  On its surface, Pudd'nhead Wilson possesses all the elements of an engrossing nineteenth-century mystery:  reversed identities, a horrible crime, an eccentric detective, a suspenseful courtroom drama, and a surprising, unusual solution.  Yet it is not a mystery novel.  Seething with the undercurrents of antebellum southern culture, the book is a savage indictment in which the real criminal is society, and racial prejudice and slavery are the crimes.  Written in 1894, Pudd'nhead Wilson glistens with characteristic Twain humor, with suspense, and with pointed irony:  a gem among the author's later works

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  Grisha

  Anton Chekhov

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  Anton Chekhov (1860 – 1904) is considered to be the last classic writer of the Golden Age of the Russian literature. Before Chekhov the literature had no way to analyze fleeting features of everyday and to give an overwhelming picture of life simultaneously. "Grisha" is a story of a boy taken for a walk outside of his house for the first time. He looks at the world around him and studies it with curiosity. He tries to communicate to the adults: his mother, his nanny and the people they meet during the walk. He learns the rules of the world, which is completely new for him, with childish ingeniousness and directness. The writer tries to find an answer to the question, what children may mean as they mutter so lovely, and at the same time shows our life the way we prefer not to think about.A SmartTouch Media production.

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  Extract from Captain...

  Mark Twain

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  The story follows Captain Elias Stormfield on his extremely long cosmic journey to heaven; his accidental misplacement; his short-lived interest in singing and playing the harp (generated by his preconceptions of heaven); and the obsession of souls with the "celebrities" of heaven, like Adam and Moses, who according to Twain become as distant to most people in heaven as living celebrities are on Earth. Twain uses this story to show his view that the common conception of heaven is ludicrous and points out the incongruities of such beliefs.Lots of his usual barbed humor here.

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  Three Minute Stories

  Laura E. Richards

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  This is a delightful collection of little stories for little people, just right to be listened to at bed time by a sleepy boy or girl.   Some have a moral, some are just fun and some are poems; but all of them are either written or adapted by the well known author Laura  Richards.   These bite sized stories are all sweetly reminiscent of by gone days when life seemed simpler and easier for adults and children.   - Summary by Phil chenevert

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  British Short Story The - Volume...

  Percival Gibbon, Radclyffe Hall,...

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  These British Isles, moored across from mainland Europe, are more often seen as a world unto themselves.  Restless and creative, they often warred amongst themselves until they began a global push to forge a World Empire of territory, of trade and of language. 
   
  Here our ambitions are only of the literary kind.  These shores have mustered many masters of literature. So this anthology’s boundaries includes only those authors who were born in the British Isles - which as a geographical definition is the UK mainland and the island of Ireland - and wrote in a familiar form of English. 
   
  Whilst Daniel Defoe is the normal starting point we begin a little earlier with Aphra Behn, an equally colourful character as well as an astonishing playwright and poet.  And this is how we begin to differentiate our offering; both in scope, in breadth and in depth.  These islands have raised and nurtured female authors of the highest order and rank and more often than not they have been sidelined or ignored in favour of that other gender which usually gets the plaudits and the royalties. 
   
  Way back when it was almost immoral that a woman should write.  A few pages of verse might be tolerated but anything else brought ridicule and shame.  That seems unfathomable now but centuries ago women really were chattel, with marriage being, as the Victorian author Charlotte Smith boldly stated ‘legal prostitution’.  Some of course did find a way through - Jane Austen, the Brontes and Virginia Woolf but for many others only by changing their names to that of men was it possible to get their book to publication and into a readers hands.  Here we include George Eliot and other examples. 
   
  We add further depth with many stories by authors who were famed and fawned over in their day.  Some wrote only a hidden gem or two before succumbing to poverty and death. There was no second career as a game show guest, reality TV contestant or youtuber. They remain almost forgotten outposts of talent who never prospered despite devoted hours of pen and brain. 
   
  Keeping to a chronological order helps us to highlight how authors through the ages played around with characters and narrative to achieve distinctive results across many scenarios, many styles and many genres. The short story became a sort of literary laboratory, an early disruptor, of how to present and how to appeal to a growing audience as a reflection of social and societal changes.  Was this bound to happen or did a growing population that could read begin to influence rather than just accept? 
   
  Moving through the centuries we gather a groundswell of authors as we hit the Victorian Age - an age of physical mass communication albeit only on an actual printed page.  An audience was offered a multitude of forms: novels (both whole and in serialised form) essays, short stories, poems all in weekly, monthly and quarterly form.  Many of these periodicals were founded or edited by literary behemoths from Dickens and Thackeray through to Jerome K Jerome and, even some female editors including Ethel Colburn Mayne, Alice Meynell and Ella D’Arcy. 
   
  Now authors began to offer a wider, more diverse choice from social activism and justice – and injustice to cutting stories of manners and principles.  From many forms of comedy to mental meltdowns, from science fiction to unrequited heartache.  If you can imagine it an author probably wrote it.  
   
  At the end of the 19th Century bestseller lists and then prizes, such as the Nobel and Pulitzer, helped focus an audience’s attention to a books literary merit and sales worth. Previously coffeehouses, Imperial trade, unscrupulous overseas printers ignoring copyright restrictions, publishers with their book lists as an appendix and the gossip and interchange of polite society had been the main avenues to secure sales and profits.

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