Other books that might interest you

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  Crossing Blue Bridges

  Nicholas Betts

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  What did you want to be when you grew up? For a long time, I wanted to be a 
  walking talking real life superhero. For over eight years, I pursued that vision of myself in trying to become a Police Officer. With each attempt at selection, and with each letter of decline, I grew hungrier and more determined to make it. It’s answering the highest calling in serving my community, I said during my interview. The selflessness, the sacrifice, the unfathomable courage, and commitment to serve. 
   
  Finally, I had my shot. My dream had been realised. In three years, I served as a
   role model, and a protector for my community. I faced everyday what so much of society should never have to see or be exposed to. This is my story, a raw, honest, and open account of life as a South Australian police officer, and the most profound three years of my life. Violence, foot chases, car chases, mental health, domestic violence, and all extremes of human nature. I discovered trying to live everyday as a superhero, can bring its own personal struggles and conflicts. 
   
  I hope this serves to inspire others, who are considering and are already a part of this incredible career. It’s my humble pleasure to share with you some of the greatest lessons I learnt, what I experienced, and the awe I was in everyday of the heroic actions of the men and women who uphold that blue bridge that separates society from falling into all out chaos.

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  Old Fashioned Landowners -...

  Nikolai Gogol

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  Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore.   
   
  His father wrote poetry and plays which the young Gogol helped stage at his uncle’s home theatre.  This helped ignite in him a love of literature and blossomed when he attended, what is now, the Nizhyn Gogol State University at the age of 12.  Here he participated in school theatre productions and refined his mastery of his native Ukrainian and also the Russian of his Imperial masters. 
   
  In 1828 he went to St Petersburg and unsuccessfully tried to begin a career as an actor after finding that with no money and no connections the civil service was barred to him. 
   
  Embezzling money from his mother he embarked on a trip to Germany. When the money ran out, he returned to St Petersburg but the experiences were used in a series of stories he contributed to periodicals.  These tales were steeped in his childhood memories of the Ukrainian landscape and peasantry enlivened with the supernatural of its folklore woven with realistic events of the day.  He wrote in Russian in a whimsical, colloquial style with a smattering of Ukrainian words and phrases that provided an authenticity.  Eight stories were published as ‘Evenings on a Farm near Dikanka’.  Seemingly all at once fame and fortune arrived. Gogol was hailed by his contemporaries, including Pushkin, as a pre-eminent writer of Russian literature.   
   
  His success continued with his brilliant plays ‘The Inspector General’ and the comedy ‘The Marriage for the Theatre’, both being highly acclaimed.   
   
  In 1834 he became Professor of Medieval History at the University of St. Petersburg but with little academic or teacher training, failed to adequately fulfil many of his duties and soon resigned this post.  With no obligations and using his earnings from his writing, which now included the impressionistic and immortal ‘Dead Souls’, Gogol travelled around Europe, spending the most time in Rome where he studied art, read Italian literature and developed a passion for opera.  
   
  In the 1840s Gogol became preoccupied with a need to purify his soul and embarked on a pilgrimage to Jerusalem. In tandem he fell under the influence of a strict and austere spiritual ascetic who persuaded him to observe strict fasts that, allied with his depression and deteriorating health, contributed to his death on 21st April 1852 at the age of only 43. 
   
  In ‘Old Fashioned Land Owners’ Gogol describes a peaceful setting and a peaceful couple who have grown old together.  But foreboding makes an entrance and life is now a series of cruel twists that breaks everything.

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  Dispensing Beauty in New York &...

  Annette Blaugrund

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  “An excellently researched mixture of history and biography about a maverick Victorian woman who made beauty her business.” —Barbara Goldsmith, New York Times-bestselling author  
   
  Harriet Hubbard Ayer moved to New York City by 1883 and established Recamier Preparations, Inc., the earliest cosmetic company owned and operated by a woman. First with her creams and balms and then with her words about women’s health and beauty, she influenced several generations of women to look and feel good about themselves. The jealous and vindictive men in her life punished her for her ambition, accomplishments and independence by attempting to steal her lucrative business and seize her children. After she successfully sued them, they had her committed to an insane asylum. Indomitable, this former Chicago socialite reinvented herself as the highest paid newspaperwoman in the United States, editing the women’s pages of Joseph Pulitzer’s New York World. Her incredible story is presented here as never before. 
   
  “Ayer emerges from Dr. Blaugrund’s portrait as an innovative entrepreneur, crack reporter, and pioneer of the American feminist movement.” —Sidney Offit, author, teacher, curator emeritus of the George Polk Journalism Award of the Author’s Guild  
   
  “Just when we thought there were no more original American characters, along comes Annette Blaugrund’s fine biography of the little-known feminist pioneer Harriet Hubbard Ayer—her harrowing struggles, her inspiring achievements, her unexpected triumphs. What a marvelous tale written in a riveting manner!”—William A. Johnson, professor emeritus of philosophy, Brandeis University

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  A Magnificent Obsession -...

  Helen Rappaport

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  As she did in her critically acclaimed The Last Days of the Romanovs, Helen Rappaport brings a compelling documentary feel to the story of this royal marriage and of the queen's obsessive love for her husband – a story that began as fairy tale and ended in tragedy.After the untimely death of Prince Albert, the queen and her nation were plunged into a state of grief so profound that this one event would dramatically alter the shape of the British monarchy. For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert's death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later. Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling historical psychodrama--the crucial final months of the prince's life and the first long, dark ten years of the Queen's retreat from public view. She draws a portrait of a queen obsessed with her living husband and –  after his death – with his enduring place in history. Magnificent Obsession will also throw new light on the true nature of the prince's chronic physical condition, overturning for good the 150-year old myth that he died of typhoid fever.

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  An Expendable Squadron - The...

  Roy Conyers Nesbit

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  Roy Nesbit's highly illustrated history of Coastal Command's 217 Squadron  the squadron in which he served  gives a first-hand insight into the hazardous low-level missions the squadron flew against enemy shipping and ports during the Second World War. He chronicles the squadron's operations from the outbreak of war when it patrolled in Avro Ansons over the Western Approaches to the English Channel. Then came the most intense period of its wartime career when, flying Beauforts, it concentrated on minelaying and attacks on shipping along the west coast of German-occupied France. It also mounted daring raids on huge U-boat bunkers and other enemy installations. The story of these dangerous operations, in which many aircraft were lost and airmen were killed, makes up the most memorable section of the narrative. But Roy Nesbit takes the squadron's story right through to the later years of the war when, after a short and even more dangerous period flying from Malta in order to sink enemy shipping in the Mediterranean, it was based in Ceylon and was re-equipped with Beaufighters for the battle against the Japanese. In addition to telling the story of the squadron and the men who served in it, the narrative describes the conditions endured by the French people in the ports 217 attacked, and it covers the raids launched against German coastal bases after the squadron had moved to the Far East. An Expendable Squadron will be absorbing reading for anyone who has a special interest in the history of Coastal Command, in the aircraft 217 Squadron flew, and in the experience of combat flying seventy years ago.

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  Blinding Light - A Novel

  Paul Theroux

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  Slade Steadman's lone opus, published twenty years ago, was Trespassing, a cult classic about his travels through dozens of countries without benefit of passport. With his soon-to-be-ex-girlfriend Ava in tow, Steadman sets out for Ecuador’s jungle in search of a rare hallucinogenic drug and the cure for his writer’s block. Amid a gang of thrill-seeking tourists, he finds his drug and his inspiration but is beset with an unnerving side effect—periodic blindness. His world is altered profoundly: Ava stays by his side, he writes an erotic, autobiographical novel with the drug serving as muse, and he returns to stardom.   Steadman becomes addicted to the drug and the insights it provides, only to have them desert him, along with his sight. Will he regain his vision? His visions? Or will he forgo the world of his imagining and his ambition?   As Theroux leads us toward the answers, he makes fresh magic out of the venerable intertwined themes of sight and insight. He also offers incisive, sometimes hilarious takes on the manifold ironies of travel, of trespass and trangession, and of the trappings of the writer’s life—from the fear of the blank page to the unexpected challenges of the book tour.

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