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  Democratic Delusions - How the...

  Natalie Fenton

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  A free media is inextricably linked to a healthy democracy, but in many parts of the world liberal democracies are deemed to be dying or on the demise—a demise that many forms of media have enabled while heralding themselves as democracy's savior. The hollowing out of democracy in these ways has left many people questioning the value of (neo)liberal democratic societies. What can we do about it? 
   
      
    
  Democratic Delusions explores the potential of our media and tech systems to be democratic and contribute to a just and transformative democracy. This is only possible, Natalie Fenton argues, by first situating our political systems and mediated worlds within global capitalism. By interrogating different media and their relationship to seven key elements of democracy—power, participation, freedom, equality, public good, trust, and hope—the book asks: What is the response of society when the ability of news media to speak truth to power has been restricted by corporate logic? And, how do we tackle a deep-rooted market logic that shifts public debate towards private interest and marginalizes progressive perspectives? The book explores how these elements can be reimagined through newly conceived media and tech landscapes and, ultimately, what democracy might be in a future mediated world that places more power in the hands of more people.

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  Steering the Craft - A...

  Ursula K. Le Guin

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  From the celebrated Ursula K. Le Guin, "a writer of enormous intelligence and wit, a master storyteller" (Boston Globe), the revised and updated edition of her classic guide to the essentials of a writer's craft. 
    
  Completely revised and rewritten to address modern challenges and opportunities, this handbook is a short, deceptively simple guide to the craft of writing. 
    
  Le Guin lays out ten chapters that address the most fundamental components of narrative, from the sound of language to sentence construction to point of view. Each chapter combines illustrative examples from the global canon with Le Guin’s own witty commentary and an exercise that the writer can do solo or in a group. She also offers a comprehensive guide to working in writing groups, both actual and online. 
    
  Masterly and concise, Steering the Craft deserves a place on every writer's shelf. 
    
  "A succinct, clear, and encouraging companion for aspiring writers."—Kirkus Reviews

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  The Poems Of Enheduanna

  Priestess Enheduanna

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  Enheduanna, also known as En-hedu-ana or Enheduana, is widely regarded as the world's first known author and poet, as well as one of the earliest recorded female figures in history. She lived in ancient Mesopotamia during the 23rd century BCE and held the esteemed position of high priestess in the city of Ur, which was a thriving center of Sumerian civilization. Enheduanna's literary works and religious contributions have left an indelible mark on the cultural and literary landscape of ancient Mesopotamia. Enheduanna was born in the city of Ur, located in what is now southern Iraq, around 2285 BCE. She was the daughter of King Sargon of Akkad, who established the Akkadian Empire, and Queen Tashlultum. Being born into a royal family, Enheduanna enjoyed a privileged upbringing and received an exceptional education in literature, religion, and politics. At a young age, Enheduanna's intelligence, eloquence, and spiritual devotion were recognized, leading to her appointment as the high priestess of the moon god Nanna at the renowned temple in Ur. This position bestowed upon her significant religious authority and influence within the society, making her a powerful figure in both the political and spiritual realms. Enheduanna's most significant contributions are her literary works, which include a collection of hymns, poems, and prayers dedicated to various deities. These compositions were written in the Sumerian language, the oldest known written language in human history. Through her writings, Enheduanna expressed her deep reverence for the gods and sought to establish a personal connection between the divine and humanity.

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  A Rare Recording of Dr Peter...

  Dr. Peter Marshall

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  This is a rare recording of Dr. Peter Marshall (1902 – 1949), a Scottish-American preacher, and former pastor of Westminster Presbyterian Church in Atlanta, who twice served as Chaplain of the United States Senate. He is remembered most popularly from the biography, A Man Called Peter, and the film made from it.

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  Hot Hot Chicken - A Nashville Story

  Rachel Louise Martin

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  These days, hot chicken is a "must-try" Southern food. Restaurants in New York, Detroit, Cambridge, and even Australia advertise that they fry their chicken "Nashville-style." Thousands of people attend the Music City Hot Chicken Festival each year. The James Beard Foundation has given Prince's Chicken Shack an American Classic Award for inventing the dish. 
   
   
   
  But for almost seventy years, hot chicken was made and sold primarily in Nashville's Black neighborhoods—and the story of hot chicken says something powerful about race relations in Nashville, especially as the city tries to figure out what it will be in the future. 
   
   
   
  Hot, Hot Chicken recounts the history of Nashville's Black communities through the story of its hot chicken scene from the Civil War, when Nashville became a segregated city, through the tornado that ripped through North Nashville in March 2020.

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  French and English

  Gilbert Keith Chesterton

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  This audiobook is narrated by an AI Voice.  
  It is obvious that there is a great deal of difference between being international and being cosmopolitan. All good men are international. Nearly all bad men are cosmopolitan. If we are to be international we must be national. And it is largely because those who call themselves the friends of peace have not dwelt sufficiently on this distinction that they do not impress the bulk of any of the nations to which they belong. International peace means a peace between nations, not a peace after the destruction of nations, like the Buddhist peace after the destruction of personality. The golden age of the good European is like the heaven of the Christian: it is a place where people will love each other; not like the heaven of the Hindu, a place where they will be each other. And in the case of national character this can be seen in a curious way. It will generally be found, I think, that the more a man really appreciates and admires the soul of another people the less he will attempt to imitate it; he will be conscious that there is something in it too deep and too unmanageable to imitate. The Englishman who has a fancy for France will try to be French; the Englishman who admires France will remain obstinately English. This is to be particularly noticed in the case of our relations with the French, because it is one of the outstanding peculiarities of the French that their vices are all on the surface, and their extraordinary virtues concealed. One might almost say that their vices are the flower of their virtues.

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