Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
The Joy of Misery: Four One-Act Plays - cover

We are sorry! The publisher (or author) gave us the instruction to take down this book from our catalog. But please don't worry, you still have more than 500,000 other books you can enjoy!

The Joy of Misery: Four One-Act Plays

David Pinner

Publisher: Oberon Modern Playwrights

  • 0
  • 0
  • 0

Summary

Cartoon is a comedy about cartoons and the joy of misery. As Siegfried, the cartoonist, remarks; ‘If you cut succulent slices off people, then everyone laughs. However, if the scalpel slips, then you’re down to the bone. But then, of course, comedy is tragedy speeded up.’An Evening with the G.L.C. is a play about public morality versus political expediency, and it exposes the dire state of London. Labour Councillor Rennip, who is on the G.L.C., faces some very awkward questions from his son on the combative TV Current Affairs programme ‘Confrontation’.Shakebag is a farcical comedy about an amateur company’s chaotic rehearsal of Macbeth and A Midsummer Night’s Dream on the Bard’s birthday while the amused ghost of Shakespeare looks down from on high at the antics of his thespian ‘mechanicals’.Succubus is Lili, who may, or may not be, a Mesopotamian storm demon or the Moon Goddess Herself. Mark, the Born-Again Christian, confronts Lili with his burning secret, and the play explores female myths, male fears, paganism and Christianity.
Available since: 05/28/2012.

Other books that might interest you

  • 100 Plays to Save the World (NHB Modern Plays) - cover

    100 Plays to Save the World (NHB...

    Jeanie O'Hare, Elizabeth Freestone

    • 0
    • 0
    • 0
    A guide to one hundred brilliant plays addressing the most urgent and important issue of our time: the climate crisis.
    The plays – drawn from around the world, written by one hundred different writers, and demonstrating a vast span of styles, genres and cast sizes – all speak to an aspect of the climate emergency. Encompassing both famous plays and lesser-known works, the selection includes recent writing that explicitly wrestles with these issues, as well as classic texts in which these resonances now ring out clearly.
    Each play is explored in a concise essay illuminating key themes, and highlighting its contribution to our understanding of climate issues, with sections including Resources, Energy, Migration, Responsibility, Fightback and Hope.
    100 Plays to Save the World is a book to provoke as well as inspire – to start conversations, to inform debate, to challenge our thinking, and to be a launch pad for future productions. It is also an empowering resource for theatre directors, producers, teachers, youth leaders and writers looking for plays that speak to our present moment.
    Above all, it is a call to arms, to step up, think big, and unleash theatre's power to imagine a better future into being.
    The book includes a foreword by Daze Aghaji, a leading youth climate justice activist.
    'This book is a kind of miracle, a thrilling compendium of plays that speak to the enormous environmental crisis of our time. Freestone and O'Hare have exquisite taste and brilliant analysis, illuminating plays I've never heard of, as well as plays I thought I knew. 100 Plays to Save the World should be required reading for everyone who believes in the power of theatre to move the world; I will certainly never plan a season again without referring to it.' Oskar Eustis, Artistic Director, The Public Theater, New York
    'This book is dynamite. Through lively play analysis and accessible environmental know-how, it will galvanise theatre-makers to step up and artists to be heard. Theatre must play its part in the climate fight and this book shows us how.' Kwame Kwei-Armah, Artistic Director, Young Vic Theatre, London
    Show book
  • Paradise Lost - cover

    Paradise Lost

    John Milton

    • 0
    • 0
    • 0
    "As Vergil had surpassed Homer by adapting the epic form to celebrate the origin of the author’s nation, Milton developed it yet further to recount the origin of the human race itself and, in particular, the origin of and the remedy for evil; this is what he refers to as “things unattempted yet in prose or rhyme.” After a statement of its purpose, the poem plunges, like its epic predecessors, into the midst of the action, shockingly bringing to the front the traditional visit to the underworld, for Satan’s malice is the mainspring of the negative action. But at the center of the poem lies the triumph by the Son of God over the angelic rebels, which counteracts Satan’s evil design. To preview this pattern, the fallen angels’ council in hell is counterbalanced by a council in heaven, in which the Son offers himself as a scapegoat for mankind long before the original sin has been committed. With this background, the narrator introduces us to Eden and our “Grand Parents.” Satan is detected spying on them and is expelled from the garden, after which God sends an angel to tutor Adam and Eve in the history of the heavenly war that has led to the present situation. At Adam's request, the heavenly guest then recounts the creation of the visible world, explaining also the proper nature of development, whereby all things proceed from lower to higher by refining that which nourishes them. Satan, however, returning in the form of a snake, offers Eve an evolutionary shortcut in the form of a magical food capable of endowing her with super powers. He claims it has conferred on him both reason and speech. Since Eve is suffering at the moment from a fancied slight to her moral strength, she allows herself to forget her recent lesson and yields to this temptation. Adam, unable to imagine life without Eve (and failing to explore alternatives to sin), accepts the fruit from her and eats as well.
    Show book
  • Martyrology Books 1 & 2 - cover

    Martyrology Books 1 & 2

    bp Nichol

    • 0
    • 0
    • 0
    ‘All of Nichol’s work is stamped by his desire to create texts that are engaging in themselves as well as in context, and to use indirect structural and textual devices to carry meaning. In The Martyrology different ways of speaking testify to a journey through different ways of being. Language is both the poet’s instructor and, through its various permutations, the dominant ‘image’ of the poem. The [nine] books of The Martyrology document a poet’s quest for insight into himself and his writing through scrupulous attention to the messages hidden in the morphology of his own speech.’ – Frank Davey
    Show book
  • Othello - cover

    Othello

    William Shakespeare

    • 0
    • 0
    • 0
    Othello is a tragedy by William Shakespeare based on the short story "Moor of Venice" by Cinthio, believed to have been written in approximately 1603. The work revolves around four central characters: Othello, his wife Desdemona, his lieutenant Cassio, and his trusted advisor Iago. Attesting to its enduring popularity, the play appeared in 7 editions between 1622 and 1705. Because of its varied themes — racism, love, jealousy and betrayal — it remains relevant to the present day and is often performed in professional and community theatres alike. The play has also been the basis for numerous operatic, film and literary adaptations.
    Othello, suspicious and jealous military general, listened to a malicious gossip from his secret hater Iago and now believes that his beautiful wife Desdemona is unfaithful. Passionate nature of the Moor can't bear the shame and in a burst of temper he kills the innocent Desdemona…
    Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.
    Show book
  • Life on Mars - Poems - cover

    Life on Mars - Poems

    Tracy K. Smith

    • 0
    • 0
    • 0
    In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like "love" and "illness" now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope. With this remarkable third collection, Smith establishes herself among the best poets of her generation.
    Show book
  • The Comedies Volume One - The Taming of the Shrew The Merchant of Venice Twelfth Night and A Midsummer Night's Dream - cover

    The Comedies Volume One - The...

    William Shakespeare

    • 0
    • 0
    • 0
    Love, enchantment, and misadventure abound in four timeless comedies by the great Bard of Elizabethan England.The Taming of the Shrew: After a battle of wits, the suitor Petruchio marries the headstrong lady Katherina and brings her to his home in Verona, where he sets about “taming” his willful bride into an obedient wife.The Merchant of Venice: In the most dramatic of Shakespeare’s comedies, a wealthy Venetian merchant is unable to repay a loan from the moneylender Shylock—who demands a pound of the borrower’s flesh.Twelfth Night: In this comedy of unrequited love and mistaken identity, Viola disguises herself as a man in the service of the lovesick Duke Orsino—whom she adores. The duke sends Viola to woo Countess Olivia who, in turn, falls in love with Viola’s male persona.A Midsummer Night’s Dream: The mischievous wood sprite Puck wreaks havoc on the romantic pursuits of four young lovers while a hapless actor is transformed into a fairy queen’s monstrous consort in this beloved comic fantasia.
    Show book