Publisher: BookRix
Nothing is what it seems, the world is full of mirages and of false dawns this poet takes you on a journey where the truth is hidden and happiness can be reached.The poems bristle with information, dreams, memories and the words tickle you in all the right places. If you want to laugh yourself into stitches then this is the book for you.This is another work of art from this upcoming indie poet.
Winner, 2021 PEN/Jean Stein Award Winner, 2021 Ohioana Book Award in Poetry Winner, 2022 Indiana Author Award in Poetry Be Holding is a love song to legendary basketball player Julius Erving—known as Dr. J—who dominated courts in the 1970s and ‘80s as a small forward for the Philadelphia ‘76ers. But this book-length poem is more than just an ode to a magnificent athlete. Through a kind of lyric research, or lyric meditation, Ross Gay connects Dr. J’s famously impossible move from the 1980 NBA Finals against the Los Angeles Lakers to pick-up basketball and the flying Igbo and the Middle Passage, to photography and surveillance and state violence, to music and personal histories of flight and familial love. Be Holding wonders how the imagination, or how our looking, might make us, or bring us, closer to each other. How our looking might make us reach for each other. And might make us be reaching for each other. And how that reaching might be something like joy.Show book
Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.While the structures of the Inferno and Purgatorio were based around different classifications of sin, the structure of the Paradiso is based on the four cardinal virtues (Prudence, Justice, Temperance, and Fortitude) and the three theological virtues (Faith, Hope, and Charity).Show book
Professor Richard Myers, now in his 70s and suffering from advanced Parkinson’s disease, is about to receive a lifetime achievement award for his work in the development of in-vitro fertilization. That calls for a family reunion, and given this high-functioning, dysfunctional family, there’s bound to be trouble ahead. As they gather, old resentments erupt as they fight over Richard’s legacy while facing another family member’s serious illness. Incudes a conversation with playwright Alexis Zegerman. This play is part of L.A. Theatre Works’ Relativity Series of science-themed plays. Lead funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world. Recorded at The Invisible Studios, West Hollywood in December 2023. Directed by Sarah Drew Producing Director: Susan Albert Loewenberg An L.A. Theatre Works full cast recording, starring: Hugo Armstrong as Professor Richard Myers Seamus Dever as Thomas Myers Sarah Drew as the voice of Karen Patrick Heusinger as Anthony Myers Kelly McCreary as Dot Myers-Cooper Monica McSwain as Lily Cooper and Young Dot Matthew Floyd Miller as Nate Cooper Desean K. Terry as Phillip Tennyson Joanne Whalley as Megan Myers. Senior Producer: Anna Lyse Erikson Prepared for audio by Mark Holden. Recorded, designed, and mixed by Charles Carroll, and edited by Neil Wogensen for The Invisible Studios, West Hollywood. Piano music and musical characters adapted and performed by Rusty Tinder, recorded by Charles Carroll, and Directed by Mark Holden. Senior Radio Producer: Ronn Lipkin Foley Artist: Stacey MartinezShow book
Taking in the years of the pandemic, McMillan's poetry takes us on a trip through his life and imagination, his hopes, observations and dreams. It's never less than an interesting journey. He is an accessible, humorous and tender writer. He is one of Scotland's best.Show book
When celebrated actress Irina Arkádina arrives at her family's country estate for the summer, she finds herself caught in a perfect storm of conflicting desires. Her playwright son, Konstantin, is struggling to step out of her shadow to pursue his own artistic ambitions. Her lover Trigorin, a famous novelist, has entranced the aspiring young actress Nina, with whom Konstantin is in love. And complicating everything is Arkádina's own need to take centre stage, in her personal life as well as her work. As their lives entwine and they each grapple with their desires, ambitions and disappointments, Anton Chekhov's timeless play unfolds in a gripping tale of vanity, power and sacrifices made in the name of art. This refreshing, revitalised adaptation of The Seagull by Duncan Macmillan and Thomas Ostermeier was first performed at the Barbican Theatre, London, in 2025, directed by Ostermeier. The ensemble cast included Cate Blanchett, Tom Burke, Emma Corrin and Kodi Smit-McPhee.Show book
A Blessing the Boats Selection with a Foreword by Aracelis Girmay, Renia White’s debut poetry collection pushes against state-sanctioned authority and societal thought while ruminating on Black joy. Renia White’s debut poetry collection strikes up a conversation, considering what’s being said, what isn’t, and where it all come from. From her vantage point of Black womanhood, White probes the norms and mores of everyday interactions. In observations, insights, and snippets of speech, these poems look to the unspoken thoughts behind our banter, questioning the authority of not only the rule of law but also of our small talk itself—the concepts we have accepted and integrated without pause. Casual Conversation imagines a new way of knowing, a way that encourages us to think through how we structure and stratify ourselves, inviting something strange and other to spill out. White challenges us to question whether there is anything casual about this life, even as she invites us to consider other logics and to think alongside each other. This book gives space to hold what we fear out of formality: consequence, embarrassment, anger. It plays, it tarries, it disrupts. It pulls apart what seems sound in an effort to see: what did we make here? How’s it going? Read by the author.Show book
