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  Do Jewish Lives Matter? - A Play

  Beverly Taylor

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  The play, “Do Jewish Lives Matter” arose out of the Crown Heights Riot in Brooklyn, a Pogrom where a Black boy was accidentally killed by a Hasidic driver with devastating results. James Baldwin, the famous Negro writer, as far back as 1948 wrote, “Georgia has the Negro as a target of hatred. Harlem has the Jew.” 
   In 1973 Rabbi Kahane wrote, “In no way should we refuse to see the danger to Jews that comes from Black hatred. It is of epidemic proportions.” And again in 1977, when addressing an audience, he said, “In Crown Heights, where poor Jews live side by side with Blacks and are regularly robbed, mugged, terrorized, a Black explosion against them is inevitable.”

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  Letters to My Dead Name - Poems

  Richelle Lee Slota

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  Richard struggled for much of his life with a mystery. Why was he uneasy and uncomfortable? Why did he feel like an imposter? In his sixties, he made a discovery that would change his life and his creative work. He realized that his life as a man did not fit with who he knew himself to be. He began the journey of transition that led him to emerge in his San Francisco community as "Richelle Lee," leaving "Richard" behind. 
  This powerful book of poems by Richelle is a magnificent collection of metrical poetry that gifts the reader with honest passion and delightful good humor. Richelle Lee Slota's poems open themselves to the world in private and public "letters" that dare to test a society full of hate and division. These letters/poems are stronger than the terror and rejection the writer faces. The beauty of her rhythm and her emotional honesty--and Richelle's dazzling technical energy--reach out to anyone seeking optimism and hope and provide nourishment. "Catch the cis-brained psyches' sober iambs/write, thrumming clever like a cleaver transgender tie-ins," Richelle writes. See the gifted person who has discarded her dead name and be captivated, enlarged, and changed by this writer of unique and moving poetry, who courageously signs her new name to every poem.

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  The Complete Tragedies - Oedipus...

  Lucius Annaeus

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  The second of two volumes collecting the complete tragedies of Seneca. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, the Complete Works of Lucius Annaeus Seneca offers authoritative, modern English translations of the writings of the Stoic philosopher and playwright (4 BCE–65 CE). The two volumes of The Complete Tragedies presents all of his dramas, expertly rendered by preeminent scholars and translators. The first volume contains Medea, The Phoenician Women, Phaedra, The Trojan Women, and Octavia, the last of which was written in emulation of Senecan tragedies and serves as a unique example of political tragedy. This second volume includes Oedipus, Hercules Mad, Hercules on Oeta, Thyestes, and Agamemnon. High standards of accuracy, clarity, and style are maintained throughout the translations, which render Seneca into verse with as close a correspondence, line for line, to the original as possible, and with special attention paid to meter and overall flow. In addition, each tragedy is prefaced by an original translator’s introduction offering reflections on the work’s context and meaning. Notes are provided for the reader unfamiliar with the culture and history of classical antiquity. Accordingly, The Complete Tragedies will be of use to a general audience and professionals alike, from the Latinless student to scholars and instructors of comparative literature, classics, philosophy, drama, and more.

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  Frankenstein Retold Inclusively

  Mary Shelley, Kath Shone

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  Frankenstein was written in the Romantic literary period. The literary trend of the early 1800s produced poems that described how nature elevated and blissed human minds. Most literary work at this time was written and published by men. 
  In amongst these ecstatic reveries of nature, the 19 year old, Mary Shelley wedged the chilling story of Frankenstein into the literary landscape and our minds forever. 
  Her story filled an empty space in humankind's collective consciousness. That empty space was waiting for this story of over-reaching scientific madness. 
  This version of Frankenstein is a translation not an abridged telling. I have translated the Old Romantic era English into easy-to-read accessible English. 
  • The same characters say the same things at the same times in the story. 
  • Plot point for plot point the story stays the same. 
  • The themes are all preserved. 
  • The transcendent and brutal settings of the story are still on the pages. 
  • References to poems and other literature are explained. 
  • Supplementary information supports understanding of the text. 
  This book is for 
  • humans who like to read archetypal literature in easy-to-read language, 
  • neuro-diverse readers, 
  • young readers, 
  • English second language speakers, 
  • English literature students who need a study guide to unravel the original Frankenstein. 
  • anyone (I think that's most of us) who finds old English inaccessible but would like to read Frankenstein. 
  This accessible Frankenstein is part of Inclusive Books (Inc!Bs) journey to rewrite history inclusively.

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  Born in the USA - Exploring...

  Wallace Stevens, Edith Wharton,...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series we take a look through the prism of individual regions of the United States through the centuries and decades. 
   
  The United States may be many things: the world’s policeman, a bully, a shameless purveyor of mass market culture but it also, in its better moments, a standard bearer for truth, transparency, equality and the more positive qualities of democracy. 
   
  Little wonder that’s its poets are rightly acknowledged as wonders of their art.  Leading lights in the fight against slavery and for equality, even if the rest of the Nation is finding it problematic to catch up.   
   
  In this volume we have collected verse from poets born in the prosaically named Mid-Atlantic region.  Within its boundaries, which have never been authoritatively agreed, are New York, New Jersey, Delaware, Maryland, and Virginia.  Therefore it is easy to wax lyrical on what, and how, our esteemed poets including Walt Whitman, Frances W Harper, Edith Wharton, Willa Cather, William Carlos Williams and Herman Melville have penned in their gloried verse on the societies and lands before and around them.

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  Everything Not Saved

  Carys D. Coburn

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  Ex-lovers argue about when they were happiest, police officers rewrite history, and Rasputin dances like no one's watching. Oh, and also the Queen is there.
  We're going to feed the present to the past. It's a kind of ritual. A kind of sacrifice. Memory always is.
  Everything Not Saved by Carys D. Coburn with MALAPROP Theatre was first staged at the 2017 Dublin Fringe Festival, where it won the Georganne Aldrich Heller Award for a standout Irish artist or company that demonstrates innovation and connects with audiences. It was subsequently staged at the 2018 Edinburgh Festival Fringe.

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