Otros libros que te pueden interesar

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  Marcus Douglas Presents Miles...

  Marcus Douglas

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  Untethered Connection: Cynthia and Chase 
  After the death of an unexpected close family member, the Jenkins family is in disarray. Nobody is affected by this loss more than Cynthia. Chase reconnects with Cynthia, after 13 years, and tries to get to the bottom of this untimely death. As they go through many trials, it begs a question, is it as the police report says or is it a conspiracy? The dice continues to roll, as we are drawn into this untethered connection. 
   

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  Scenes from a Friendship

  Jane Upton

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  'I don't know who I am without you. You're the custodian of every version of me.'
  It's 1987. Kylie's about to hit number one, and Jess meets Billy in First-year Juniors. They quickly become inseparable: proper soulmates – the kind who finish each other's sentences and overshare about first kisses.
  As they pursue different paths, him in the big city, her in their fading hometown, they can't escape the pull of their friendship – or the arguments and jealousy that come with it.
  Following them across the decades, Scenes from a Friendship is a warm, funny and deeply felt look at the bond you share with the person who knows all your flaws but loves you regardless. Jane Upton's play was first performed at Nottingham Playhouse in 2026, directed by Hannah Stone.

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  HOMER: The Iliad & the Odyssey

  Homer

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  Nearly three thousand years after they were composed, The Iliad and The Odyssey remain two of the most celebrated and widely read stories ever told, yet next to nothing is known about their author. He was certainly an accomplished Greek bard, and he probably lived in the late eighth and early seventh centuries BCE Authorship is traditionally ascribed to a blind poet named Homer, and it is under this name that the works are still published. Greeks of the third and second centuries BCE, however, already questioned whether Homer existed and whether the two epics were even written by a single individual. 
  Most modern scholars believe that even if a single person wrote the epics, his work owed a tremendous debt to a long tradition of unwritten, oral poetry. Stories of a glorious expedition to the East and of its leaders’ fateful journeys home had been circulating in Greece for hundreds of years before The Iliad and The Odyssey were composed. Casual storytellers and semiprofessional minstrels passed these stories down through generations, with each artist developing and polishing the story as he told it. According to this theory, one poet, multiple poets working in collaboration, or perhaps even a series of poets handing down their work in succession finally turned these stories into written works, again with each adding his own touch and expanding or contracting certain episodes in the overall narrative to fit his taste.

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  The Clearing - Poems

  Allison Adair

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  Winner of the 2020 Max Ritvo Poetry Prize, The Clearing navigates the ever-shifting poles of violence and vulnerability with rich imagination and a singular incisiveness, “asserting feminist viewpoints and mortal terror in lush musical lines” (New York Times).
  
  
  
  The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness. “What if this time,” they ask, “instead of crumbs the girl drops / teeth, her own, what else does she have.”
  
  
  
  Adair sees the dirt beneath our nails, both alone and as a country, and pries it gently loose until we remember something of who we are, “from before . . . from a similar injury or kiss.” There is a dark tension in this work, and its product is wholly “an alchemical feat, turning horror into beauty” (Boston Globe).

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  A Poke In The Third Eye

  Sam Marsh

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  In this collection of almost two hundred poems that stick the knife in - but the knife tickles and makes you laugh, Sam captures the modern world in the most vivid colours.  
  Poking and prodding at the minutiae of daily life with a chewed brush and painting with words that highlight their more curious aspects, these are pictures you won’t soon forget.  
  In the first few dozen pages, our man has covered litter, unboxing videos, spousal abuse, body art, the environment, the rat race, pornography, the digital world and more. It’s a swerving, swooping, doing‐a‐wheelie‐on‐a‐Raleigh‐chopper ride through the world of Sam Marsh’s mind and the stabilisers are off! Sam Marsh doesn’t go with the flow. He is his own flow. His work is a secret treat for the initiated and a sparkling future discovery for those with the will to dig for such prizes. It’s not for everyone; but what is that’s really worth the effort? He’s a punk, a musician, a poet and a Buddhist and sees no conflict in this whatsoever.

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  The Tenderness of Silent Minds -...

  Martha C. Nussbaum

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  The human body is the primary instrument of war, yet those waging war often confront soldiers' bodies in a detached or merely intellectual way. In The Tenderness of Silent Minds, Martha C. Nussbaum, a leading thinker on emotion, morality, and justice, conducts a pioneering study of Benjamin Britten's musical representations of the tender male body amidst the brutality of war, and their ability to transform consciousness by evoking potent, non-personal emotions. 
   
   
   
  Offering a reading of Britten's views about the value and beauty of the body that situates these in the context of his thirty-nine year partnership with his lover, the singer Peter Pears, and also surveying pacifist themes in works written both before and after War Requiem, Nussbaum presents a compelling framework for critically assessing Britten's oeuvre. Nussbaum engages with a remarkably wide range of Britten's works, examining his treatment of aggression and its roots in his collaborations with the poet W. H. Auden, offering readings of the value placed on the body in early partnerships with Britten's beloved and singer Peter Pears, and surveying pacifist themes in Britten's earlier works. The analysis throughout is enriched with perspectives from Britten's personal letters and thoughtful study of the social and political backdrop of fear and homophobic disgust in mid-twentieth century Britain.

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