Other books that might interest you

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  Hail the Invisible Watchman

  Alexandra Oliver

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  Hail, The Invisible Watchman is haunted poetry—Oliver’s formal schemes are as tidy as a picket-fence and as suggestive; behind the charm of rhyme is a vibrant, dark exploration of domestic and social alienation.
  		 
  The poems in Hail, the Invisible Watchman are as tidy as a picket-fence—and as suggestive. Behind the charms of iambs lurks a dark exploration of domestic and social alienation. Metered rhyme sets the tone like a chilling piano score as insidiousness creeps into the neighbourhood. A spectral narrator surveils social gatherings in the town of Sherbet Lake; community members chime in, each revealing their various troubles and hypocrisies; an eerie reimagining of an Ethel Wilson novel follows a young woman into a taboo friendship with an enigmatic divorcée. In taut poetic structures across three succinct sections, Alexandra Oliver’s conflation of the mundane and the phantasmagoric produces a scintillating portrait of the suburban uncanny.

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  The Man Who Had All the Luck

  Arthur Miller

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  The Man Who Had All the Luck is a charming story of the fate of a young Midwestern man whose fortune shines on him while it passes over everyone else around him. The play wrestles with the unanswerable - the question of the justice of fate, and how it is that one man fails and another, no more or less capable, achieves some glory in life. 
   
  An L.A. Theatre Works full-cast performance featuring Emily Bergl, Kevin Chamberlin, Tim DeKay, James Gammon, Lee Garlington, Graham Hamilton, Tom McGowan, Kurtwood Smith, Russell Soder and Tegan West.

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  James V: Katherine

  Rona Munro

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  'If a young woman made you smile, you wouldnae want to see her set on fire, would you?'
  Katherine Hamilton is a nineteen-year-old woman facing arrest and trial in the King's court, with only her quick wit as defence against execution.
  James V: Katherine is a dramatic interpretation of key events during a turbulent time in Scotland's history, events that changed the nation forever. It is also a play filled with hidden histories, deft comedy and a secret love story between two young women.
  Rona Munro's renowned James Plays are a breathtaking series of plays set during the reigns of Scotland's generations of Stewart kings. Each play stands alone as a thrilling depiction of a moment in Scottish history, full of playful wit and boisterous theatricality; taken together, the cycle is a uniquely compelling narrative of a nation tussling with its past and future.
  James V: Katherine was first staged at Capital Theatres' The Studio, in April 2024, directed by Orla O'Loughlin, before embarking on a Scottish tour. It was a co-production between Raw Material and Capital Theatres, who previously produced James IV: Queen of the Fight.
  Rona Munro is a writer who has written extensively for stage, radio, film and television. Earlier works in the James Plays cycle (I–III) have been performed at the National Theatre in London, across the UK and internationally, and have won Evening Standard and Writers' Guild of Great Britain Awards.

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  Frankenstein Retold Inclusively

  Mary Shelley, Kath Shone

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  Frankenstein was written in the Romantic literary period. The literary trend of the early 1800s produced poems that described how nature elevated and blissed human minds. Most literary work at this time was written and published by men. 
  In amongst these ecstatic reveries of nature, the 19 year old, Mary Shelley wedged the chilling story of Frankenstein into the literary landscape and our minds forever. 
  Her story filled an empty space in humankind's collective consciousness. That empty space was waiting for this story of over-reaching scientific madness. 
  This version of Frankenstein is a translation not an abridged telling. I have translated the Old Romantic era English into easy-to-read accessible English. 
  • The same characters say the same things at the same times in the story. 
  • Plot point for plot point the story stays the same. 
  • The themes are all preserved. 
  • The transcendent and brutal settings of the story are still on the pages. 
  • References to poems and other literature are explained. 
  • Supplementary information supports understanding of the text. 
  This book is for 
  • humans who like to read archetypal literature in easy-to-read language, 
  • neuro-diverse readers, 
  • young readers, 
  • English second language speakers, 
  • English literature students who need a study guide to unravel the original Frankenstein. 
  • anyone (I think that's most of us) who finds old English inaccessible but would like to read Frankenstein. 
  This accessible Frankenstein is part of Inclusive Books (Inc!Bs) journey to rewrite history inclusively.

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  Conjure Volume 1 - Dark Poetry

  Rena Aliston

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  Conjure Volume 1 explores the allure of love tainted by darkness—relationships that straddle the line between pleasure and pain. Passion and enmity collide in this dark poetry collection, blurring the line between devotion and despair.

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  A Ghost In Your Ear

  Jamie Armitage

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  'The ghost is not real, it is only in your ear…'
  An actor arrives late at a sound studio for a last-minute job for which he is yet to see the script: an audiobook recording of a particularly chilling ghost story. But as the evening progresses, the horrors start to escape the pages of the story, and haunt the studio itself.
  A Ghost In Your Ear is a gripping and spine-tingling exploration of terror, uncertainty and storytelling. It premiered at Hampstead Theatre Downstairs, London, in 2025, written and directed by Jamie Armitage in collaboration with multi-award-winning sound designers Ben and Max Ringham.

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