Publisher: Nick Hern Books
The top candidate without question, Vanessa was made to be Mayor. Thirty years prior, Josie just wants things to change and seeks a seat on the local council. Chris Bush's play Steel explores the last three decades of women in politics, asking what's changed and what still must. The play premiered at Sheffield Theatres Studio in September 2018.
John Foy’s newest collection is a tour de force of formal poetry, offering a blend of wit, cleverness, and deftness. Working in the lineage of poets like Billy Collins, Robert Frost, Frank O’Hara, W. H. Auden, and Elizabeth Bishop, Foy probes everyday experiences to generate compassionate, clever, and deeply knowing verse. While moments in No One Leaves the World Unhurt may appear absurd or even funny on the surface—such as a psychological exploration of the Lord of the Rings character Gollum—beneath this lightheartedness lies a tone that is grim and foreboding. Foy satirizes various elements of contemporary society, reflecting on war, wandering through the Museum of Sex in New York with his wife, and plucking apart idiomatic speech, which he breaks down, saying “It is what it is. / It’s not what it might have been.” Influenced by pop art and fine art and his New York home, which forms the backdrop of many of these poems, Foy’s vibrant collection is simultaneously philosophical, whimsical, serious, and searching.Show book
Spanning almost ten years and embracing a remarkable range of style and subject matter, this third volume of Churchill's Collected Plays, introduced by the author, contains: Icecream - an unsettling look at British attitudes to America, and vice versa Mad Forest - Churchill's response to the Romanian Revolution The Skriker - a 'spellbinding' piece combining English folk tales with modern urban life Thyestes - a 'bleakly eloquent new translation of Seneca's Roman tragedy' (Sunday Times). Plus two collaborative pieces combining word and dance: Lives of the Great Poisoners - a libretto to music by Orlando Gough and choreography by Ian Spink A Mouthful of Birds - written with David Lan Caryl Churchill has been hailed as 'a dramatist who must surely be amongst the best half-dozen now writing' The TimesShow book
Strictly speaking The Lake Poets were not a movement or school of poetry they were only so named as such by The Edinburgh Review so that they could be disparaged. It was a spectacular backfire! The three main figures would be rightly seen as among the most monumental figures in English poetry - William Wordsworth, Samuel Taylor Coleridge and the under rated but immense Robert Southey, himself a thirty year poet laureate. The profound majesty of the Lake District, an area of almost unequalled beauty, of mythical landscapes and beguiling charm influenced and acted as muse to their burgeoning talents. Their creations have ennobled this poetry as an art form that is intense, lyrical, moving and above all deliciously satisfying. This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.Show book
The play that won Clare McIntyre the Evening Standard and Critics Circle awards for Most Promising Playwright. 'an unsentimental but sympathetic portrayal of women trying to make sense of their place in a threatening and intrusive world.' David Edgar, The Guardian 'a fiercely modern parable of modern materialism - set in a grand, empty seaside flat, where two friends are spending the weekend' - Financial Times 'sits firmly in the honourably incensed and censorious tradition of Look Back in Anger. It could prove to be just as significant' - ObserverShow book
García Lorca's blood-soaked story of doomed love, in a version by playwright Tanya Ronder. On the eve of the wedding of a young couple from rival clans, the bride-to-be elopes with a former lover. The groom's mother is torn between a desire for vengeance and the instinct to protect her son. This version of Blood Wedding by Tanya Ronder was first staged at the Almeida Theatre, London, in May 2005, in a production directed by Rufus Norris and starring Gael García Bernal. '[Ronder's] translation has the punch and power of what remains an astonishingly bold and often beautiful modern tragedy' - The TimesShow book
Winner of the 2017 Toronto Theatre Critics Award for Best New Canadian PlayWinner of three Dora Mavor Moore AwardsStage Award for Best Performance, 2017 Edinburgh Festival FringeMouthpiece follows one woman, for one day, as she tries to find her voice. Two performers express the inner conflict that exists within a modern woman's head: the push and pull, the past and the present, the progress and the regression. Interweaving a cappella harmony, dissonance, text, and physicality, Mouthpiece is a harrowing, humorous, and heart-wrenching journey into the female psyche.Show book
